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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2DC73 it is the complementary color #5D238C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2DC73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2DC73 shade: #A7DC6E, #B8EE81, #C9FF94, #DAFFA7 and #EBFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2DC73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2DC73 shade: #A2DC73, #91CA60, #80B84D, #6FA63A and #5E9427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2DC73 shade: #A3DC74, #BFDC74, #DBDC74, #DCC274 and #DCA674

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2DC73 shade: #A3DC74, #87DC74, #74DC7E, #74DC9A and #74DCB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2DC73 shade matches the following richer shades: #A3DC74, #A1EA66 and #A0F858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2DC73 shade: #A3DC74, #A4CE82, #A6C090, #A7B29E and #A9A4AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2DC73 shade: #DBDC74, #BFDC74, #A3DC74, #87DC74 and #74DC7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2DC73 shade: #77CB33, #8DD453, #A3DC74, #B9E595 and #CFEDB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2DC73 shade: #A2DC73, #74DCC2 and #DC74CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2DC73 shade: #A2DC73, #74A3DC and #DC74A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2DC73 shade: #A2DC73, #74DCC2, #AE74DC and #DC748E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2DC73 shade: #A2DC73, #74D7DC, #AE74DC and #DC7974

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

Complementary color

CMYK 34 / 75 / 0 / 45

HEX #5D238C

RGB 93 35 140

HSL 273.14, 0.6%, 0.34%

LAB 27.91, 45.6, -47.32

 

CMYK 24 / 0 / 50 / 14

HEX #A7DC6E

RGB 167 220 110

HSL 88.91, 0.61%, 0.65%

LAB 82.12, -35.15, 48.2

 

CMYK 23 / 0 / 46 / 7

HEX #B8EE81

RGB 184 238 129

HSL 89.72, 0.76%, 0.72%

LAB 88.41, -35.16, 47.07

 

CMYK 21 / 0 / 42 / 0

HEX #C9FF94

RGB 201 255 148

HSL 90.28, 1%, 0.79%

LAB 94.34, -34.67, 45.6

 

CMYK 15 / 0 / 35 / 0

HEX #DAFFA7

RGB 218 255 167

HSL 85.23, 1%, 0.83%

LAB 95.67, -26.29, 38.23

 

CMYK 8 / 0 / 27 / 0

HEX #EBFFBA

RGB 235 255 186

HSL 77.39, 1%, 0.86%

LAB 97.12, -17.69, 30.88

 

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

CMYK 28 / 0 / 52 / 21

HEX #91CA60

RGB 145 202 96

HSL 92.26, 0.5%, 0.58%

LAB 75.52, -36.4, 46.61

 

CMYK 30 / 0 / 58 / 28

HEX #80B84D

RGB 128 184 77

HSL 91.4, 0.43%, 0.51%

LAB 69.04, -36.34, 47.68

 

CMYK 33 / 0 / 65 / 35

HEX #6FA63A

RGB 111 166 58

HSL 90.56, 0.48%, 0.44%

LAB 62.47, -36.18, 48.58

 

CMYK 36 / 0 / 74 / 42

HEX #5E9427

RGB 94 148 39

HSL 89.72, 0.58%, 0.37%

LAB 55.79, -35.85, 49.07

 

CMYK 26 / 0 / 47 / 14

HEX #A3DC74

RGB 163 220 116

HSL 92.88, 0.6%, 0.66%

LAB 81.97, -35.91, 45.08

 

CMYK 13 / 0 / 47 / 14

HEX #BFDC74

RGB 191 220 116

HSL 76.73, 0.6%, 0.66%

LAB 83.72, -25.57, 47.63

 

CMYK 0 / 0 / 47 / 14

HEX #DBDC74

RGB 219 220 116

HSL 60.58, 0.6%, 0.66%

LAB 85.76, -14.62, 50.58

 

CMYK 0 / 12 / 47 / 14

HEX #DCC274

RGB 220 194 116

HSL 45, 0.6%, 0.66%

LAB 79.08, -0.98, 42.42

 

CMYK 0 / 25 / 47 / 14

HEX #DCA674

RGB 220 166 116

HSL 28.85, 0.6%, 0.66%

LAB 72.06, 13.85, 33.54

 

CMYK 26 / 0 / 47 / 14

HEX #A3DC74

RGB 163 220 116

HSL 92.88, 0.6%, 0.66%

LAB 81.97, -35.91, 45.08

 

CMYK 39 / 0 / 47 / 14

HEX #87DC74

RGB 135 220 116

HSL 109.04, 0.6%, 0.66%

LAB 80.51, -45.3, 42.97

 

CMYK 47 / 0 / 43 / 14

HEX #74DC7E

RGB 116 220 126

HSL 125.77, 0.6%, 0.66%

LAB 79.84, -49.49, 37.02

 

CMYK 47 / 0 / 30 / 14

HEX #74DC9A

RGB 116 220 154

HSL 141.92, 0.6%, 0.66%

LAB 80.31, -44.77, 23.31

 

CMYK 47 / 0 / 17 / 14

HEX #74DCB6

RGB 116 220 182

HSL 158.08, 0.6%, 0.66%

LAB 80.89, -39.12, 9.4

 

CMYK 26 / 0 / 47 / 14

HEX #A3DC74

RGB 163 220 116

HSL 92.88, 0.6%, 0.66%

LAB 81.97, -35.91, 45.08

 

CMYK 31 / 0 / 56 / 8

HEX #A1EA66

RGB 161 234 102

HSL 93.18, 0.76%, 0.66%

LAB 85.7, -44.31, 56.01

 

CMYK 35 / 0 / 65 / 3

HEX #A0F858

RGB 160 248 88

HSL 93, 0.92%, 0.66%

LAB 89.54, -51.75, 66.15

 

CMYK 26 / 0 / 47 / 14

HEX #A3DC74

RGB 163 220 116

HSL 92.88, 0.6%, 0.66%

LAB 81.97, -35.91, 45.08

 

CMYK 20 / 0 / 37 / 19

HEX #A4CE82

RGB 164 206 130

HSL 93.16, 0.44%, 0.66%

LAB 78.26, -27.23, 33.4

 

CMYK 14 / 0 / 25 / 25

HEX #A6C090

RGB 166 192 144

HSL 92.5, 0.28%, 0.66%

LAB 74.71, -17.53, 21.34

 

CMYK 6 / 0 / 11 / 30

HEX #A7B29E

RGB 167 178 158

HSL 93, 0.11%, 0.66%

LAB 71.23, -7.56, 8.91

 

CMYK 2 / 5 / 0 / 33

HEX #A9A4AC

RGB 169 164 172

HSL 277.5, 0.05%, 0.66%

LAB 67.99, 3.31, -3.5

 

CMYK 0 / 0 / 47 / 14

HEX #DBDC74

RGB 219 220 116

HSL 60.58, 0.6%, 0.66%

LAB 85.76, -14.62, 50.58

 

CMYK 13 / 0 / 47 / 14

HEX #BFDC74

RGB 191 220 116

HSL 76.73, 0.6%, 0.66%

LAB 83.72, -25.57, 47.63

 

CMYK 26 / 0 / 47 / 14

HEX #A3DC74

RGB 163 220 116

HSL 92.88, 0.6%, 0.66%

LAB 81.97, -35.91, 45.08

 

CMYK 39 / 0 / 47 / 14

HEX #87DC74

RGB 135 220 116

HSL 109.04, 0.6%, 0.66%

LAB 80.51, -45.3, 42.97

 

CMYK 47 / 0 / 43 / 14

HEX #74DC7D

RGB 116 220 125

HSL 125.19, 0.6%, 0.66%

LAB 79.83, -49.64, 37.5

 

CMYK 41 / 0 / 75 / 20

HEX #77CB33

RGB 119 203 51

HSL 93.16, 0.6%, 0.5%

LAB 74.11, -49.63, 63.29

 

CMYK 33 / 0 / 61 / 17

HEX #8DD453

RGB 141 212 83

HSL 93.02, 0.6%, 0.58%

LAB 78.1, -43.52, 55.43

 

CMYK 26 / 0 / 47 / 14

HEX #A3DC74

RGB 163 220 116

HSL 92.88, 0.6%, 0.66%

LAB 81.97, -35.91, 45.08

 

CMYK 19 / 0 / 35 / 10

HEX #B9E595

RGB 185 229 149

HSL 93, 0.61%, 0.74%

LAB 86.27, -28.1, 34.48

 

CMYK 13 / 0 / 23 / 7

HEX #CFEDB6

RGB 207 237 182

HSL 92.73, 0.6%, 0.82%

LAB 90.42, -19.41, 23.47

 

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

CMYK 47 / 0 / 12 / 14

HEX #74DCC2

RGB 116 220 194

HSL 165, 0.6%, 0.66%

LAB 81.18, -36.43, 3.45

 

CMYK 0 / 47 / 7 / 14

HEX #DC74CD

RGB 220 116 205

HSL 308.65, 0.6%, 0.66%

LAB 63.44, 52.37, -28.35

 

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

CMYK 47 / 26 / 0 / 14

HEX #74A3DC

RGB 116 163 220

HSL 212.88, 0.6%, 0.66%

LAB 65.81, -0.42, -33.78

 

CMYK 0 / 47 / 26 / 14

HEX #DC74A3

RGB 220 116 163

HSL 332.88, 0.6%, 0.66%

LAB 61.96, 45.94, -6.74

 

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

CMYK 47 / 0 / 12 / 14

HEX #74DCC2

RGB 116 220 194

HSL 165, 0.6%, 0.66%

LAB 81.18, -36.43, 3.45

 

CMYK 21 / 47 / 0 / 14

HEX #AE74DC

RGB 174 116 220

HSL 273.46, 0.6%, 0.66%

LAB 58.66, 42.04, -44.66

 

CMYK 0 / 47 / 35 / 14

HEX #DC748E

RGB 220 116 142

HSL 345, 0.6%, 0.66%

LAB 61.36, 43.25, 4.44

 

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

CMYK 47 / 2 / 0 / 14

HEX #74D7DC

RGB 116 215 220

HSL 182.88, 0.6%, 0.66%

LAB 80.45, -27.71, -11.48

 

CMYK 21 / 47 / 0 / 14

HEX #AE74DC

RGB 174 116 220

HSL 273.46, 0.6%, 0.66%

LAB 58.66, 42.04, -44.66

 

CMYK 0 / 45 / 47 / 14

HEX #DC7974

RGB 220 121 116

HSL 2.88, 0.6%, 0.66%

LAB 61.78, 37.86, 19.93

 

Description

Color code: HEX #A2DC73 | qconv.com Color code: HEX #A2DC73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 220 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 220 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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