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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595891 it is the complementary color #A6A76E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595891 shade: #5E588C, #6F6A9F, #807CB2, #918EC5 and #A2A0D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595891 shade: #595891, #48467E, #37346B, #262258 and #151045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595891 shade: #5A5991, #695991, #785991, #885991 and #91598C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595891 shade: #5A5991 and #595991

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595891 shade matches the following richer shades: #5A5991, #4846A4, #3633B7, #2320CA and #110DDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595891 shade: #5A5991, #6C6C7E, #7F7F6B, #919259 and #A3A546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595891 shade: #597691, #596791, #5A5991, #695991 and #785991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595891 shade: #3A3A5E, #4A4978, #5A5991, #6F6EA6 and #8887B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595891 shade: #595891, #915985 and #6F9159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595891 shade: #595891, #915A59 and #59915A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595891 shade: #595891, #915985, #919159 and #599165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595891 shade: #595891, #915974, #919159 and #599176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 39 / 0 / 43

HEX #595891

RGB 89 88 145

HSL 241.05, 0.24%, 0.46%

LAB 39.83, 15.12, -31.33

 

Complementary color

CMYK 1 / 0 / 34 / 35

HEX #A6A76E

RGB 166 167 110

HSL 61.05, 0.24%, 0.54%

LAB 67.18, -9.4, 29.42

 

CMYK 33 / 37 / 0 / 45

HEX #5E588C

RGB 94 88 140

HSL 246.92, 0.23%, 0.45%

LAB 40, 15.16, -28.01

 

CMYK 30 / 33 / 0 / 38

HEX #6F6A9F

RGB 111 106 159

HSL 245.66, 0.22%, 0.52%

LAB 47.22, 14.44, -27.97

 

CMYK 28 / 30 / 0 / 30

HEX #807CB2

RGB 128 124 178

HSL 244.44, 0.26%, 0.59%

LAB 54.26, 13.83, -27.99

 

CMYK 26 / 28 / 0 / 23

HEX #918EC5

RGB 145 142 197

HSL 243.27, 0.32%, 0.66%

LAB 61.13, 13.29, -28.06

 

CMYK 25 / 26 / 0 / 15

HEX #A2A0D8

RGB 162 160 216

HSL 242.14, 0.42%, 0.74%

LAB 67.86, 12.81, -28.16

 

CMYK 39 / 39 / 0 / 43

HEX #595891

RGB 89 88 145

HSL 241.05, 0.24%, 0.46%

LAB 39.83, 15.12, -31.33

 

CMYK 43 / 44 / 0 / 51

HEX #48467E

RGB 72 70 126

HSL 242.14, 0.29%, 0.38%

LAB 32.4, 16.09, -31.52

 

CMYK 49 / 51 / 0 / 58

HEX #37346B

RGB 55 52 107

HSL 243.27, 0.35%, 0.31%

LAB 24.73, 17.32, -31.81

 

CMYK 57 / 61 / 0 / 65

HEX #262258

RGB 38 34 88

HSL 244.44, 0.44%, 0.24%

LAB 16.8, 18.93, -32.17

 

CMYK 70 / 77 / 0 / 73

HEX #151045

RGB 21 16 69

HSL 245.66, 0.62%, 0.17%

LAB 8.65, 21.05, -32.46

 

CMYK 38 / 39 / 0 / 43

HEX #5A5991

RGB 90 89 145

HSL 241.07, 0.24%, 0.46%

LAB 40.18, 14.77, -30.77

 

CMYK 28 / 39 / 0 / 43

HEX #695991

RGB 105 89 145

HSL 257.14, 0.24%, 0.46%

LAB 41.52, 19.29, -28.58

 

CMYK 17 / 39 / 0 / 43

HEX #785991

RGB 120 89 145

HSL 273.21, 0.24%, 0.46%

LAB 43.04, 24.06, -26.1

 

CMYK 6 / 39 / 0 / 43

HEX #885991

RGB 136 89 145

HSL 290.36, 0.24%, 0.46%

LAB 44.83, 29.3, -23.17

 

CMYK 0 / 39 / 3 / 43

HEX #91598C

RGB 145 89 140

HSL 305.36, 0.24%, 0.46%

LAB 45.71, 31.3, -18.72

 

CMYK 38 / 39 / 0 / 43

HEX #5A5991

RGB 90 89 145

HSL 241.07, 0.24%, 0.46%

LAB 40.18, 14.77, -30.77

 

CMYK 39 / 39 / 0 / 43

HEX #595991

RGB 89 89 145

HSL 240, 0.24%, 0.46%

LAB 40.1, 14.49, -30.9

 

CMYK 38 / 39 / 0 / 43

HEX #5A5991

RGB 90 89 145

HSL 241.07, 0.24%, 0.46%

LAB 40.18, 14.77, -30.77

 

CMYK 56 / 57 / 0 / 36

HEX #4846A4

RGB 72 70 164

HSL 241.28, 0.4%, 0.46%

LAB 34.88, 28.44, -50.75

 

CMYK 70 / 72 / 0 / 28

HEX #3633B7

RGB 54 51 183

HSL 241.36, 0.56%, 0.46%

LAB 30.81, 43.75, -68.79

 

CMYK 83 / 84 / 0 / 21

HEX #2320CA

RGB 35 32 202

HSL 241.06, 0.73%, 0.46%

LAB 28.52, 58.01, -83.8

 

CMYK 92 / 94 / 0 / 13

HEX #110DDD

RGB 17 13 221

HSL 241.15, 0.89%, 0.46%

LAB 28.45, 68.8, -94.97

 

CMYK 38 / 39 / 0 / 43

HEX #5A5991

RGB 90 89 145

HSL 241.07, 0.24%, 0.46%

LAB 40.18, 14.77, -30.77

 

CMYK 14 / 14 / 0 / 51

HEX #6C6C7E

RGB 108 108 126

HSL 240, 0.08%, 0.46%

LAB 46.2, 3.95, -9.95

 

CMYK 0 / 0 / 16 / 50

HEX #7F7F6B

RGB 127 127 107

HSL 60, 0.09%, 0.46%

LAB 52.68, -3.69, 10.9

 

CMYK 1 / 0 / 39 / 43

HEX #919259

RGB 145 146 89

HSL 61.05, 0.24%, 0.46%

LAB 59.25, -9.38, 30.09

 

CMYK 1 / 0 / 58 / 35

HEX #A3A546

RGB 163 165 70

HSL 61.26, 0.4%, 0.46%

LAB 65.86, -13.67, 47.95

 

CMYK 39 / 19 / 0 / 43

HEX #597691

RGB 89 118 145

HSL 208.93, 0.24%, 0.46%

LAB 48.42, -3.27, -18.01

 

CMYK 39 / 29 / 0 / 43

HEX #596791

RGB 89 103 145

HSL 225, 0.24%, 0.46%

LAB 44.04, 5.76, -24.74

 

CMYK 38 / 39 / 0 / 43

HEX #5A5991

RGB 90 89 145

HSL 241.07, 0.24%, 0.46%

LAB 40.18, 14.77, -30.77

 

CMYK 28 / 39 / 0 / 43

HEX #695991

RGB 105 89 145

HSL 257.14, 0.24%, 0.46%

LAB 41.52, 19.29, -28.58

 

CMYK 17 / 39 / 0 / 43

HEX #785991

RGB 120 89 145

HSL 273.21, 0.24%, 0.46%

LAB 43.04, 24.06, -26.1

 

CMYK 38 / 38 / 0 / 63

HEX #3A3A5E

RGB 58 58 94

HSL 240, 0.24%, 0.3%

LAB 25.96, 9.89, -21.43

 

CMYK 38 / 39 / 0 / 53

HEX #4A4978

RGB 74 73 120

HSL 241.28, 0.24%, 0.38%

LAB 33.09, 12.86, -26.7

 

CMYK 38 / 39 / 0 / 43

HEX #5A5991

RGB 90 89 145

HSL 241.07, 0.24%, 0.46%

LAB 40.18, 14.77, -30.77

 

CMYK 33 / 34 / 0 / 35

HEX #6F6EA6

RGB 111 110 166

HSL 241.07, 0.24%, 0.54%

LAB 48.62, 13.91, -29.91

 

CMYK 25 / 26 / 0 / 29

HEX #8887B6

RGB 136 135 182

HSL 241.28, 0.24%, 0.62%

LAB 57.98, 10.86, -24.48

 

CMYK 39 / 39 / 0 / 43

HEX #595891

RGB 89 88 145

HSL 241.05, 0.24%, 0.46%

LAB 39.83, 15.12, -31.33

 

CMYK 0 / 39 / 8 / 43

HEX #915985

RGB 145 89 133

HSL 312.86, 0.24%, 0.46%

LAB 45.44, 29.99, -14.94

 

CMYK 23 / 0 / 39 / 43

HEX #6F9159

RGB 111 145 89

HSL 96.43, 0.24%, 0.46%

LAB 56.44, -22.55, 25.97

 

CMYK 39 / 39 / 0 / 43

HEX #595891

RGB 89 88 145

HSL 241.05, 0.24%, 0.46%

LAB 39.83, 15.12, -31.33

 

CMYK 0 / 38 / 39 / 43

HEX #915A59

RGB 145 90 89

HSL 1.07, 0.24%, 0.46%

LAB 44.31, 22.51, 10.1

 

CMYK 39 / 0 / 38 / 43

HEX #59915A

RGB 89 145 90

HSL 121.07, 0.24%, 0.46%

LAB 55.19, -30.25, 23.54

 

CMYK 39 / 39 / 0 / 43

HEX #595891

RGB 89 88 145

HSL 241.05, 0.24%, 0.46%

LAB 39.83, 15.12, -31.33

 

CMYK 0 / 39 / 8 / 43

HEX #915985

RGB 145 89 133

HSL 312.86, 0.24%, 0.46%

LAB 45.44, 29.99, -14.94

 

CMYK 0 / 0 / 39 / 43

HEX #919159

RGB 145 145 89

HSL 60, 0.24%, 0.46%

LAB 58.97, -8.84, 29.73

 

CMYK 39 / 0 / 30 / 43

HEX #599165

RGB 89 145 101

HSL 132.86, 0.24%, 0.46%

LAB 55.39, -28.28, 17.69

 

CMYK 39 / 39 / 0 / 43

HEX #595891

RGB 89 88 145

HSL 241.05, 0.24%, 0.46%

LAB 39.83, 15.12, -31.33

 

CMYK 0 / 39 / 20 / 43

HEX #915974

RGB 145 89 116

HSL 331.07, 0.24%, 0.46%

LAB 44.84, 27.02, -5.56

 

CMYK 0 / 0 / 39 / 43

HEX #919159

RGB 145 145 89

HSL 60, 0.24%, 0.46%

LAB 58.97, -8.84, 29.73

 

CMYK 39 / 0 / 19 / 43

HEX #599176

RGB 89 145 118

HSL 151.07, 0.24%, 0.46%

LAB 55.77, -24.82, 8.58

 

Description

Color code: HEX #595891 | qconv.com Color code: HEX #595891 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 88 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 88 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 39 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 39% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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