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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 72 / 0 / 28 it is the complementary color CMYK 2 / 0 / 65 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 72 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 72 / 0 / 28: CMYK 66 / 72 / 0 / 30, CMYK 61 / 65 / 0 / 22, CMYK 57 / 60 / 0 / 15, CMYK 53 / 56 / 0 / 7 and CMYK 50 / 52 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 72 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 72 / 0 / 28: CMYK 70 / 72 / 0 / 28, CMYK 77 / 80 / 0 / 35, CMYK 86 / 90 / 0 / 43, CMYK 97 / 100 / 0 / 50 and CMYK 100 / 100 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

Complementary color

CMYK 2 / 0 / 65 / 20

HEX #C8CC47

RGB 200 204 71

HSL 61.8, 0.57%, 0.54%

LAB 79.57, -17.81, 63.11

 

CMYK 66 / 72 / 0 / 30

HEX #3C33B3

RGB 60 51 179

HSL 244.22, 0.56%, 0.45%

LAB 30.84, 43.12, -66.35

 

CMYK 61 / 65 / 0 / 22

HEX #4D45C6

RGB 77 69 198

HSL 243.72, 0.53%, 0.52%

LAB 37.68, 41.08, -66.27

 

CMYK 57 / 60 / 0 / 15

HEX #5E57D9

RGB 94 87 217

HSL 243.23, 0.63%, 0.6%

LAB 44.53, 39.2, -66.01

 

CMYK 53 / 56 / 0 / 7

HEX #6F69EC

RGB 111 105 236

HSL 242.75, 0.78%, 0.67%

LAB 51.31, 37.52, -65.7

 

CMYK 50 / 52 / 0 / 0

HEX #807BFF

RGB 128 123 255

HSL 242.27, 1%, 0.74%

LAB 58.01, 36.03, -65.38

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 77 / 80 / 0 / 35

HEX #2621A5

RGB 38 33 165

HSL 242.27, 0.67%, 0.39%

LAB 24.37, 46.32, -68.66

 

CMYK 86 / 90 / 0 / 43

HEX #150F92

RGB 21 15 146

HSL 242.75, 0.81%, 0.32%

LAB 18.26, 47.67, -67.19

 

CMYK 97 / 100 / 0 / 50

HEX #04007F

RGB 4 0 127

HSL 241.89, 1%, 0.25%

LAB 12.97, 47.29, -64.07

 

CMYK 100 / 100 / 0 / 58

HEX #00006C

RGB 0 0 108

HSL 240, 1%, 0.21%

LAB 9.66, 42.08, -57.31

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 60 / 73 / 0 / 28

HEX #4A32B8

RGB 74 50 184

HSL 250.75, 0.57%, 0.46%

LAB 32.25, 47.07, -66.95

 

CMYK 47 / 73 / 0 / 28

HEX #6132B8

RGB 97 50 184

HSL 261.04, 0.57%, 0.46%

LAB 34.57, 50.57, -63.07

 

CMYK 35 / 73 / 0 / 28

HEX #7732B8

RGB 119 50 184

HSL 270.9, 0.57%, 0.46%

LAB 37.23, 54.46, -58.61

 

CMYK 23 / 73 / 0 / 28

HEX #8D32B8

RGB 141 50 184

HSL 280.75, 0.57%, 0.46%

LAB 40.25, 58.72, -53.57

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 70 / 72 / 0 / 8

HEX #4641EB

RGB 70 65 235

HSL 241.76, 0.81%, 0.59%

LAB 39.72, 54.29, -84.19

 

CMYK 71 / 71 / 0 / 88

HEX #09091F

RGB 9 9 31

HSL 240, 0.55%, 0.08%

LAB 3.18, 5.03, -13.1

 

CMYK 70 / 72 / 0 / 68

HEX #191752

RGB 25 23 82

HSL 242.03, 0.56%, 0.21%

LAB 12.15, 21.82, -35.73

 

CMYK 70 / 72 / 0 / 48

HEX #282585

RGB 40 37 133

HSL 241.88, 0.56%, 0.33%

LAB 21.83, 33.46, -53.12

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 0 / 73 / 16 / 28

HEX #B8329B

RGB 184 50 155

HSL 312.99, 0.57%, 0.46%

LAB 45.41, 63.26, -27.72

 

CMYK 45 / 0 / 73 / 28

HEX #65B832

RGB 101 184 50

HSL 97.16, 0.57%, 0.46%

LAB 67.49, -47.9, 56.83

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 0 / 72 / 73 / 28

HEX #B83432

RGB 184 52 50

HSL 0.9, 0.57%, 0.46%

LAB 42.58, 52.5, 32.54

 

CMYK 73 / 0 / 72 / 28

HEX #32B834

RGB 50 184 52

HSL 120.9, 0.57%, 0.46%

LAB 65.91, -60.32, 53.98

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 0 / 73 / 16 / 28

HEX #B8329B

RGB 184 50 155

HSL 312.99, 0.57%, 0.46%

LAB 45.41, 63.26, -27.72

 

CMYK 2 / 0 / 73 / 28

HEX #B5B832

RGB 181 184 50

HSL 61.34, 0.57%, 0.46%

LAB 72.45, -16.93, 63.37

 

CMYK 73 / 0 / 57 / 28

HEX #32B84F

RGB 50 184 79

HSL 132.99, 0.57%, 0.46%

LAB 66.15, -57.38, 42.64

 

CMYK 70 / 72 / 0 / 28

HEX #3733B8

RGB 55 51 184

HSL 241.8, 0.57%, 0.46%

LAB 30.97, 44.19, -69.11

 

CMYK 0 / 73 / 38 / 28

HEX #B83273

RGB 184 50 115

HSL 330.9, 0.57%, 0.46%

LAB 43.81, 58.22, -5.82

 

CMYK 2 / 0 / 73 / 28

HEX #B5B832

RGB 181 184 50

HSL 61.34, 0.57%, 0.46%

LAB 72.45, -16.93, 63.37

 

CMYK 73 / 0 / 35 / 28

HEX #32B877

RGB 50 184 119

HSL 150.9, 0.57%, 0.46%

LAB 66.74, -50.65, 23.02

 

Description

Color code: CMYK 70 / 72 / 0 / 28 | qconv.com Color code: CMYK 70 / 72 / 0 / 28 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 51 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 51 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 72 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 72% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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