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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5946B8 it is the complementary color #A6B947. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5946B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5946B8: #5E46B3, #6F58C6, #806AD9, #917CEC and #A28EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5946B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5946B8: #5946B8, #4834A5, #372292, #26107F and #15006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

Complementary color

CMYK 10 / 0 / 62 / 27

HEX #A6B947

RGB 166 185 71

HSL 70, 0.45%, 0.5%

LAB 71.73, -22.48, 54.04

 

CMYK 47 / 61 / 0 / 30

HEX #5E46B3

RGB 94 70 179

HSL 253.21, 0.44%, 0.49%

LAB 37.87, 37.67, -54.75

 

CMYK 44 / 56 / 0 / 22

HEX #6F58C6

RGB 111 88 198

HSL 252.55, 0.49%, 0.56%

LAB 44.85, 36.28, -54.5

 

CMYK 41 / 51 / 0 / 15

HEX #806AD9

RGB 128 106 217

HSL 251.89, 0.59%, 0.63%

LAB 51.73, 35.02, -54.25

 

CMYK 39 / 47 / 0 / 7

HEX #917CEC

RGB 145 124 236

HSL 251.25, 0.75%, 0.71%

LAB 58.5, 33.9, -54.01

 

CMYK 36 / 44 / 0 / 0

HEX #A28EFF

RGB 162 142 255

HSL 250.62, 1%, 0.78%

LAB 65.16, 32.89, -53.81

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 56 / 68 / 0 / 35

HEX #4834A5

RGB 72 52 165

HSL 250.62, 0.52%, 0.43%

LAB 30.76, 39.81, -58.06

 

CMYK 62 / 77 / 0 / 43

HEX #372292

RGB 55 34 146

HSL 251.25, 0.62%, 0.35%

LAB 23.78, 41.44, -57.97

 

CMYK 70 / 87 / 0 / 50

HEX #26107F

RGB 38 16 127

HSL 251.89, 0.78%, 0.28%

LAB 17.06, 42.51, -57.2

 

CMYK 81 / 100 / 0 / 58

HEX #15006C

RGB 21 0 108

HSL 251.67, 1%, 0.21%

LAB 10.86, 42.5, -55.27

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 41 / 62 / 0 / 28

HEX #6C46B8

RGB 108 70 184

HSL 260, 0.45%, 0.5%

LAB 39.63, 42.08, -54.78

 

CMYK 31 / 62 / 0 / 28

HEX #7F46B8

RGB 127 70 184

HSL 270, 0.45%, 0.5%

LAB 41.77, 46.35, -51.22

 

CMYK 21 / 62 / 0 / 28

HEX #9246B8

RGB 146 70 184

HSL 280, 0.45%, 0.5%

LAB 44.16, 50.87, -47.25

 

CMYK 10 / 62 / 0 / 28

HEX #A546B8

RGB 165 70 184

HSL 290, 0.45%, 0.5%

LAB 46.76, 55.53, -42.95

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 51 / 62 / 0 / 8

HEX #7259EB

RGB 114 89 235

HSL 250.27, 0.78%, 0.64%

LAB 47.91, 47.06, -70.65

 

CMYK 52 / 61 / 0 / 88

HEX #0F0C1F

RGB 15 12 31

HSL 249.47, 0.44%, 0.08%

LAB 4.19, 5.54, -11.55

 

CMYK 51 / 62 / 0 / 68

HEX #281F52

RGB 40 31 82

HSL 250.59, 0.45%, 0.22%

LAB 15.7, 19.4, -29.89

 

CMYK 52 / 62 / 0 / 48

HEX #403385

RGB 64 51 133

HSL 249.51, 0.45%, 0.36%

LAB 27.16, 28.72, -44.33

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 0 / 62 / 23 / 28

HEX #B8468E

RGB 184 70 142

HSL 322.11, 0.45%, 0.5%

LAB 47.65, 53.66, -16.47

 

CMYK 48 / 0 / 62 / 28

HEX #60B846

RGB 96 184 70

HSL 106.32, 0.45%, 0.5%

LAB 67.43, -47.74, 48.6

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 0 / 52 / 62 / 28

HEX #B85946

RGB 184 89 70

HSL 10, 0.45%, 0.5%

LAB 49.22, 36.83, 28.91

 

CMYK 62 / 0 / 52 / 28

HEX #46B859

RGB 70 184 89

HSL 130, 0.45%, 0.5%

LAB 66.75, -52.18, 38.64

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 0 / 62 / 23 / 28

HEX #B8468E

RGB 184 70 142

HSL 322.11, 0.45%, 0.5%

LAB 47.65, 53.66, -16.47

 

CMYK 10 / 0 / 62 / 28

HEX #A5B846

RGB 165 184 70

HSL 70, 0.45%, 0.5%

LAB 71.37, -22.47, 54.05

 

CMYK 62 / 0 / 39 / 28

HEX #46B870

RGB 70 184 112

HSL 142.11, 0.45%, 0.5%

LAB 67.09, -48.43, 27.28

 

CMYK 52 / 62 / 0 / 28

HEX #5946B8

RGB 89 70 184

HSL 250, 0.45%, 0.5%

LAB 37.78, 38.16, -57.87

 

CMYK 0 / 62 / 41 / 28

HEX #B8466C

RGB 184 70 108

HSL 340, 0.45%, 0.5%

LAB 46.52, 49.45, 2.45

 

CMYK 10 / 0 / 62 / 28

HEX #A5B846

RGB 165 184 70

HSL 70, 0.45%, 0.5%

LAB 71.37, -22.47, 54.05

 

CMYK 62 / 0 / 21 / 28

HEX #46B892

RGB 70 184 146

HSL 160, 0.45%, 0.5%

LAB 67.77, -41.33, 9.88

 

Description

Color code: HEX #5946B8 | qconv.com Color code: HEX #5946B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 70 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 70 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 62 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 62% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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