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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5923A7 it is the complementary color #A6DC58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5923A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5923A7: #5E23A2, #6F35B5, #8047C8, #9159DB and #A26BEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5923A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5923A7: #5923A7, #481194, #370081, #26006E and #15005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

Complementary color

CMYK 25 / 0 / 60 / 14

HEX #A6DC58

RGB 166 220 88

HSL 84.55, 0.65%, 0.6%

LAB 81.84, -37.64, 57.83

 

CMYK 42 / 78 / 0 / 36

HEX #5E23A2

RGB 94 35 162

HSL 267.87, 0.64%, 0.39%

LAB 29.89, 51.21, -57.57

 

CMYK 39 / 71 / 0 / 29

HEX #6F35B5

RGB 111 53 181

HSL 267.19, 0.55%, 0.46%

LAB 36.48, 50.82, -58.1

 

CMYK 36 / 65 / 0 / 22

HEX #8047C8

RGB 128 71 200

HSL 266.51, 0.54%, 0.53%

LAB 43.16, 50.03, -58.3

 

CMYK 34 / 59 / 0 / 14

HEX #9159DB

RGB 145 89 219

HSL 265.85, 0.64%, 0.6%

LAB 49.83, 49.07, -58.34

 

CMYK 32 / 55 / 0 / 7

HEX #A26BEE

RGB 162 107 238

HSL 265.19, 0.79%, 0.68%

LAB 56.46, 48.08, -58.3

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 51 / 89 / 0 / 42

HEX #481194

RGB 72 17 148

HSL 265.19, 0.79%, 0.32%

LAB 23.39, 51.29, -59.77

 

CMYK 57 / 100 / 0 / 49

HEX #370081

RGB 55 0 129

HSL 265.58, 1%, 0.25%

LAB 17.45, 49.67, -57.78

 

CMYK 65 / 100 / 0 / 57

HEX #26006E

RGB 38 0 110

HSL 260.73, 1%, 0.22%

LAB 12.85, 43.79, -53.23

 

CMYK 77 / 100 / 0 / 64

HEX #15005B

RGB 21 0 91

HSL 253.85, 1%, 0.18%

LAB 8.26, 37.87, -48.28

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 35 / 79 / 0 / 34

HEX #6E23A8

RGB 110 35 168

HSL 273.83, 0.66%, 0.4%

LAB 32.58, 55.29, -56.71

 

CMYK 21 / 79 / 0 / 34

HEX #8423A8

RGB 132 35 168

HSL 283.76, 0.66%, 0.4%

LAB 35.86, 59.2, -51.23

 

CMYK 8 / 79 / 0 / 34

HEX #9B23A8

RGB 155 35 168

HSL 294.14, 0.66%, 0.4%

LAB 39.58, 63.61, -45.05

 

CMYK 0 / 79 / 5 / 34

HEX #A8239F

RGB 168 35 159

HSL 304.06, 0.66%, 0.4%

LAB 41.26, 64.78, -36.84

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 47 / 79 / 0 / 15

HEX #742EDA

RGB 116 46 218

HSL 264.42, 0.7%, 0.52%

LAB 39.12, 63.89, -75.33

 

CMYK 50 / 79 / 0 / 95

HEX #07030E

RGB 7 3 14

HSL 261.82, 0.65%, 0.03%

LAB 1.28, 2.64, -3.97

 

CMYK 46 / 78 / 0 / 75

HEX #230E41

RGB 35 14 65

HSL 264.71, 0.65%, 0.15%

LAB 9.43, 23.79, -28.3

 

CMYK 47 / 79 / 0 / 55

HEX #3E1874

RGB 62 24 116

HSL 264.78, 0.66%, 0.27%

LAB 19.8, 38.7, -45.56

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 0 / 79 / 48 / 34

HEX #A82358

RGB 168 35 88

HSL 336.09, 0.66%, 0.4%

LAB 38.25, 55.97, 2.62

 

CMYK 79 / 0 / 79 / 34

HEX #23A823

RGB 35 168 35

HSL 120, 0.66%, 0.4%

LAB 60.32, -58.78, 54.25

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 0 / 48 / 79 / 34

HEX #A85823

RGB 168 88 35

HSL 23.91, 0.66%, 0.4%

LAB 46.21, 28.95, 43.57

 

CMYK 79 / 0 / 48 / 34

HEX #23A858

RGB 35 168 88

HSL 143.91, 0.66%, 0.4%

LAB 60.84, -52.53, 31.6

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 0 / 79 / 48 / 34

HEX #A82358

RGB 168 35 88

HSL 336.09, 0.66%, 0.4%

LAB 38.25, 55.97, 2.62

 

CMYK 32 / 0 / 79 / 34

HEX #73A823

RGB 115 168 35

HSL 83.91, 0.66%, 0.4%

LAB 63.15, -37.11, 57.92

 

CMYK 79 / 0 / 32 / 34

HEX #23A873

RGB 35 168 115

HSL 156.09, 0.66%, 0.4%

LAB 61.31, -47.21, 17.74

 

CMYK 47 / 79 / 0 / 35

HEX #5923A7

RGB 89 35 167

HSL 264.55, 0.65%, 0.4%

LAB 29.7, 51.7, -60.92

 

CMYK 0 / 79 / 71 / 34

HEX #A82330

RGB 168 35 48

HSL 354.14, 0.66%, 0.4%

LAB 37.37, 53.21, 26.86

 

CMYK 32 / 0 / 79 / 34

HEX #73A823

RGB 115 168 35

HSL 83.91, 0.66%, 0.4%

LAB 63.15, -37.11, 57.92

 

CMYK 79 / 0 / 8 / 34

HEX #23A89B

RGB 35 168 155

HSL 174.14, 0.66%, 0.4%

LAB 62.28, -37.01, -3.15

 

Description

Color code: HEX #5923A7 | qconv.com Color code: HEX #5923A7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 35 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 35 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 79 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 79% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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