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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58F193 it is the complementary color #A70E6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58F193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #58F193: #5DF18E, #6EFFA1, #7FFFB4, #90FFC7 and #A1FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58F193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #58F193: #58F193, #47DF80, #36CD6D, #25BB5A and #14A947

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

Complementary color

CMYK 0 / 92 / 35 / 35

HEX #A70E6C

RGB 167 14 108

HSL 323.14, 0.85%, 0.35%

LAB 37.14, 62.28, -11.8

 

CMYK 61 / 0 / 41 / 5

HEX #5DF18E

RGB 93 241 142

HSL 139.86, 0.84%, 0.65%

LAB 85.6, -60.6, 36.36

 

CMYK 57 / 0 / 37 / 0

HEX #6EFFA1

RGB 110 255 161

HSL 141.1, 1%, 0.72%

LAB 90.51, -59.2, 33.46

 

CMYK 50 / 0 / 29 / 0

HEX #7FFFB4

RGB 127 255 180

HSL 144.84, 1%, 0.75%

LAB 91.38, -51.96, 25.18

 

CMYK 44 / 0 / 22 / 0

HEX #90FFC7

RGB 144 255 199

HSL 149.73, 1%, 0.78%

LAB 92.39, -44.13, 16.98

 

CMYK 37 / 0 / 15 / 0

HEX #A1FFDA

RGB 161 255 218

HSL 156.38, 1%, 0.82%

LAB 93.52, -35.86, 8.92

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 68 / 0 / 43 / 13

HEX #47DF80

RGB 71 223 128

HSL 142.5, 0.7%, 0.58%

LAB 79.43, -60.32, 35.21

 

CMYK 74 / 0 / 47 / 20

HEX #36CD6D

RGB 54 205 109

HSL 141.85, 0.6%, 0.51%

LAB 73.25, -59.67, 36.73

 

CMYK 80 / 0 / 52 / 27

HEX #25BB5A

RGB 37 187 90

HSL 141.2, 0.67%, 0.44%

LAB 67.03, -58.63, 38.33

 

CMYK 88 / 0 / 58 / 34

HEX #14A947

RGB 20 169 71

HSL 140.54, 0.79%, 0.37%

LAB 60.76, -57.04, 39.97

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 63 / 0 / 28 / 5

HEX #59F1AD

RGB 89 241 173

HSL 153.16, 0.84%, 0.65%

LAB 86.03, -55.61, 21.21

 

CMYK 63 / 0 / 18 / 5

HEX #59F1C6

RGB 89 241 198

HSL 163.03, 0.84%, 0.65%

LAB 86.56, -50.16, 8.98

 

CMYK 63 / 0 / 7 / 5

HEX #59F1DF

RGB 89 241 223

HSL 172.89, 0.84%, 0.65%

LAB 87.17, -44.09, -3.2

 

CMYK 63 / 3 / 0 / 5

HEX #59EAF1

RGB 89 234 241

HSL 182.76, 0.84%, 0.65%

LAB 85.67, -36.15, -14.89

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 62 / 0 / 38 / 85

HEX #0E2517

RGB 14 37 23

HSL 143.48, 0.45%, 0.1%

LAB 12.47, -13.25, 6.61

 

CMYK 64 / 0 / 39 / 65

HEX #205836

RGB 32 88 54

HSL 143.57, 0.47%, 0.24%

LAB 33.03, -27.17, 14.4

 

CMYK 63 / 0 / 39 / 45

HEX #338B55

RGB 51 139 85

HSL 143.18, 0.46%, 0.37%

LAB 51.64, -39.07, 21.33

 

CMYK 64 / 0 / 39 / 25

HEX #45BE74

RGB 69 190 116

HSL 143.31, 0.48%, 0.51%

LAB 69.01, -50.29, 27.71

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 63 / 37 / 0 / 5

HEX #5999F1

RGB 89 153 241

HSL 214.74, 0.84%, 0.65%

LAB 62.72, 6.28, -50.28

 

CMYK 0 / 63 / 62 / 5

HEX #F1595C

RGB 241 89 92

HSL 358.82, 0.84%, 0.65%

LAB 58.62, 58.54, 30.02

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 39 / 63 / 0 / 5

HEX #9459F1

RGB 148 89 241

HSL 263.29, 0.84%, 0.65%

LAB 51.6, 55.23, -67.87

 

CMYK 0 / 39 / 63 / 5

HEX #F19459

RGB 241 148 89

HSL 23.29, 0.84%, 0.65%

LAB 69.9, 29.77, 45.44

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 63 / 37 / 0 / 5

HEX #5999F1

RGB 89 153 241

HSL 214.74, 0.84%, 0.65%

LAB 62.72, 6.28, -50.28

 

CMYK 0 / 63 / 24 / 5

HEX #F159B7

RGB 241 89 183

HSL 322.89, 0.84%, 0.65%

LAB 61.01, 67.3, -19.32

 

CMYK 0 / 26 / 63 / 5

HEX #F1B259

RGB 241 178 89

HSL 35.13, 0.84%, 0.65%

LAB 76.84, 13.95, 53.44

 

CMYK 63 / 0 / 39 / 5

HEX #58F193

RGB 88 241 147

HSL 143.14, 0.85%, 0.65%

LAB 85.55, -60.71, 33.78

 

CMYK 63 / 56 / 0 / 5

HEX #596BF1

RGB 89 107 241

HSL 232.89, 0.84%, 0.65%

LAB 50.68, 34.05, -69.6

 

CMYK 0 / 63 / 24 / 5

HEX #F159B7

RGB 241 89 183

HSL 322.89, 0.84%, 0.65%

LAB 61.01, 67.3, -19.32

 

CMYK 0 / 7 / 63 / 5

HEX #F1DF59

RGB 241 223 89

HSL 52.89, 0.84%, 0.65%

LAB 88.06, -9.24, 65.75

 

Description

Color code: HEX #58F193 | qconv.com Color code: HEX #58F193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 241 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 241 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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