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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 56 / 0 / 5 it is the complementary color CMYK 0 / 10 / 92 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 56 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 56 / 0 / 5: CMYK 60 / 55 / 0 / 7, CMYK 56 / 51 / 0 / 0, CMYK 49 / 44 / 0 / 0, CMYK 43 / 37 / 0 / 0 and CMYK 36 / 30 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 56 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 56 / 0 / 5: CMYK 63 / 56 / 0 / 5, CMYK 67 / 60 / 0 / 13, CMYK 73 / 65 / 0 / 20, CMYK 79 / 71 / 0 / 27 and CMYK 87 / 79 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

Complementary color

CMYK 0 / 10 / 92 / 35

HEX #A5940D

RGB 165 148 13

HSL 53.29, 0.85%, 0.35%

LAB 60.96, -6.42, 62.85

 

CMYK 60 / 55 / 0 / 7

HEX #5F6BED

RGB 95 107 237

HSL 234.93, 0.8%, 0.65%

LAB 50.76, 33.72, -67.2

 

CMYK 56 / 51 / 0 / 0

HEX #707DFF

RGB 112 125 255

HSL 234.55, 1%, 0.72%

LAB 57.4, 31.71, -66.43

 

CMYK 49 / 44 / 0 / 0

HEX #818FFF

RGB 129 143 255

HSL 233.33, 1%, 0.75%

LAB 62.95, 24.52, -57.46

 

CMYK 43 / 37 / 0 / 0

HEX #92A1FF

RGB 146 161 255

HSL 231.74, 1%, 0.79%

LAB 68.62, 18.04, -48.41

 

CMYK 36 / 30 / 0 / 0

HEX #A3B3FF

RGB 163 179 255

HSL 229.57, 1%, 0.82%

LAB 74.35, 12.24, -39.36

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 67 / 60 / 0 / 13

HEX #4959DF

RGB 73 89 223

HSL 233.6, 0.7%, 0.58%

LAB 44.07, 36.66, -70.23

 

CMYK 73 / 65 / 0 / 20

HEX #3847CC

RGB 56 71 204

HSL 233.92, 0.59%, 0.51%

LAB 37.31, 39.1, -70.42

 

CMYK 79 / 71 / 0 / 27

HEX #2735B9

RGB 39 53 185

HSL 234.25, 0.65%, 0.44%

LAB 30.59, 41.84, -70.36

 

CMYK 87 / 79 / 0 / 35

HEX #1623A6

RGB 22 35 166

HSL 234.58, 0.77%, 0.37%

LAB 24.08, 44.65, -69.78

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 60 / 63 / 0 / 5

HEX #6159F1

RGB 97 89 241

HSL 243.16, 0.84%, 0.65%

LAB 47.02, 46.03, -75.52

 

CMYK 49 / 63 / 0 / 5

HEX #7A59F1

RGB 122 89 241

HSL 253.03, 0.84%, 0.65%

LAB 49.05, 50.22, -72.13

 

CMYK 39 / 63 / 0 / 5

HEX #9459F1

RGB 148 89 241

HSL 263.29, 0.84%, 0.65%

LAB 51.6, 55.23, -67.87

 

CMYK 28 / 63 / 0 / 5

HEX #AD59F1

RGB 173 89 241

HSL 273.16, 0.84%, 0.65%

LAB 54.43, 60.47, -63.16

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 63 / 55 / 0 / 85

HEX #0E1126

RGB 14 17 38

HSL 232.5, 0.46%, 0.1%

LAB 5.73, 5.27, -14.57

 

CMYK 63 / 56 / 0 / 65

HEX #212759

RGB 33 39 89

HSL 233.57, 0.46%, 0.24%

LAB 17.9, 14.59, -31.08

 

CMYK 63 / 56 / 0 / 45

HEX #343E8C

RGB 52 62 140

HSL 233.18, 0.46%, 0.38%

LAB 29.59, 21.46, -44.79

 

CMYK 63 / 56 / 0 / 25

HEX #4754BF

RGB 71 84 191

HSL 233.5, 0.48%, 0.51%

LAB 40.31, 28.5, -57.92

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 0 / 63 / 5 / 5

HEX #F159E4

RGB 241 89 228

HSL 305.13, 0.84%, 0.65%

LAB 62.88, 73.72, -41.89

 

CMYK 30 / 0 / 63 / 5

HEX #A8F159

RGB 168 241 89

HSL 88.82, 0.84%, 0.65%

LAB 87.95, -46.03, 64.15

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 0 / 63 / 56 / 5

HEX #F1596B

RGB 241 89 107

HSL 352.89, 0.84%, 0.65%

LAB 58.89, 59.55, 21.71

 

CMYK 56 / 0 / 63 / 5

HEX #6BF159

RGB 107 241 89

HSL 112.89, 0.84%, 0.65%

LAB 85.38, -64.42, 60.61

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 0 / 63 / 5 / 5

HEX #F159E4

RGB 241 89 228

HSL 305.13, 0.84%, 0.65%

LAB 62.88, 73.72, -41.89

 

CMYK 0 / 7 / 63 / 5

HEX #F1DF59

RGB 241 223 89

HSL 52.89, 0.84%, 0.65%

LAB 88.06, -9.24, 65.75

 

CMYK 63 / 0 / 58 / 5

HEX #59F166

RGB 89 241 102

HSL 125.13, 0.84%, 0.65%

LAB 84.99, -67.06, 54.49

 

CMYK 63 / 56 / 0 / 5

HEX #5A6BF2

RGB 90 107 242

HSL 233.29, 0.85%, 0.65%

LAB 50.8, 34.54, -69.94

 

CMYK 0 / 63 / 24 / 5

HEX #F159B7

RGB 241 89 183

HSL 322.89, 0.84%, 0.65%

LAB 61.01, 67.3, -19.32

 

CMYK 0 / 7 / 63 / 5

HEX #F1DF59

RGB 241 223 89

HSL 52.89, 0.84%, 0.65%

LAB 88.06, -9.24, 65.75

 

CMYK 63 / 0 / 39 / 5

HEX #59F194

RGB 89 241 148

HSL 143.29, 0.84%, 0.65%

LAB 85.59, -60.35, 33.33

 

Description

Color code: CMYK 63 / 56 / 0 / 5 | qconv.com Color code: CMYK 63 / 56 / 0 / 5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 107 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 107 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 56 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 56% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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