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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58EB41 it is the complementary color #A714BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58EB41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #58EB41: #5DEB3C, #6EFD4F, #7FFF62, #90FF75 and #A1FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58EB41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #58EB41: #58EB41, #47D92E, #36C71B, #25B508 and #14A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

Complementary color

CMYK 12 / 89 / 0 / 25

HEX #A714BE

RGB 167 20 190

HSL 291.88, 0.81%, 0.41%

LAB 41.9, 72.84, -54.24

 

CMYK 60 / 0 / 74 / 8

HEX #5DEB3C

RGB 93 235 60

HSL 108.69, 0.81%, 0.58%

LAB 82.95, -68, 68.69

 

CMYK 57 / 0 / 69 / 1

HEX #6EFD4F

RGB 110 253 79

HSL 109.31, 0.98%, 0.65%

LAB 88.98, -68.78, 68.39

 

CMYK 50 / 0 / 62 / 0

HEX #7FFF62

RGB 127 255 98

HSL 108.92, 1%, 0.69%

LAB 90.28, -63.52, 62.53

 

CMYK 44 / 0 / 54 / 0

HEX #90FF75

RGB 144 255 117

HSL 108.26, 1%, 0.73%

LAB 91.11, -56.8, 55.46

 

CMYK 37 / 0 / 47 / 0

HEX #A1FF88

RGB 161 255 136

HSL 107.39, 1%, 0.77%

LAB 92.08, -49.44, 48.03

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 67 / 0 / 79 / 15

HEX #47D92E

RGB 71 217 46

HSL 111.23, 0.69%, 0.52%

LAB 76.78, -67.59, 66.84

 

CMYK 73 / 0 / 86 / 22

HEX #36C71B

RGB 54 199 27

HSL 110.58, 0.76%, 0.44%

LAB 70.67, -65.92, 65.94

 

CMYK 80 / 0 / 96 / 29

HEX #25B508

RGB 37 181 8

HSL 109.94, 0.92%, 0.37%

LAB 64.53, -63.59, 63.7

 

CMYK 88 / 0 / 100 / 36

HEX #14A300

RGB 20 163 0

HSL 112.64, 1%, 0.32%

LAB 58.36, -60.38, 59.69

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 72 / 0 / 59 / 8

HEX #41EB60

RGB 65 235 96

HSL 130.94, 0.81%, 0.59%

LAB 82.59, -70, 54.2

 

CMYK 72 / 0 / 47 / 8

HEX #41EB7D

RGB 65 235 125

HSL 141.18, 0.81%, 0.59%

LAB 82.92, -66.01, 41.15

 

CMYK 72 / 0 / 35 / 8

HEX #41EB99

RGB 65 235 153

HSL 151.06, 0.81%, 0.59%

LAB 83.36, -61.1, 27.73

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 61 / 0 / 71 / 88

HEX #0C1F09

RGB 12 31 9

HSL 111.82, 0.55%, 0.08%

LAB 9.62, -13.18, 10.44

 

CMYK 62 / 0 / 72 / 68

HEX #1F5217

RGB 31 82 23

HSL 111.86, 0.56%, 0.21%

LAB 30.37, -29.85, 28.56

 

CMYK 62 / 0 / 72 / 48

HEX #328525

RGB 50 133 37

HSL 111.88, 0.56%, 0.33%

LAB 48.99, -43.8, 42.32

 

CMYK 63 / 0 / 72 / 28

HEX #45B833

RGB 69 184 51

HSL 111.88, 0.57%, 0.46%

LAB 66.36, -56.64, 54.95

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 72 / 4 / 0 / 8

HEX #41E2EB

RGB 65 226 235

HSL 183.18, 0.81%, 0.59%

LAB 82.65, -37.36, -16.3

 

CMYK 0 / 72 / 33 / 8

HEX #EB419E

RGB 235 65 158

HSL 327.18, 0.81%, 0.59%

LAB 56, 71.47, -12.52

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 72 / 61 / 0 / 8

HEX #415BEB

RGB 65 91 235

HSL 230.82, 0.81%, 0.59%

LAB 45.09, 38.56, -75.38

 

CMYK 0 / 72 / 61 / 8

HEX #EB415B

RGB 235 65 91

HSL 350.82, 0.81%, 0.59%

LAB 54.24, 65.73, 24.74

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 72 / 4 / 0 / 8

HEX #41E2EB

RGB 65 226 235

HSL 183.18, 0.81%, 0.59%

LAB 82.65, -37.36, -16.3

 

CMYK 11 / 72 / 0 / 8

HEX #D141EB

RGB 209 65 235

HSL 290.82, 0.81%, 0.59%

LAB 55.41, 76.55, -57.96

 

CMYK 0 / 69 / 72 / 8

HEX #EB4A41

RGB 235 74 65

HSL 3.18, 0.81%, 0.59%

LAB 55.01, 61.17, 40.65

 

CMYK 63 / 0 / 72 / 8

HEX #58EB41

RGB 88 235 65

HSL 111.88, 0.81%, 0.59%

LAB 82.85, -68.75, 66.87

 

CMYK 72 / 26 / 0 / 8

HEX #41AFEB

RGB 65 175 235

HSL 201.18, 0.81%, 0.59%

LAB 67.86, -11.81, -38.97

 

CMYK 11 / 72 / 0 / 8

HEX #D141EB

RGB 209 65 235

HSL 290.82, 0.81%, 0.59%

LAB 55.41, 76.55, -57.96

 

CMYK 0 / 47 / 72 / 8

HEX #EB7D41

RGB 235 125 65

HSL 21.18, 0.81%, 0.59%

LAB 63.93, 37.98, 50.45

 

Description

Color code: HEX #58EB41 | qconv.com Color code: HEX #58EB41 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 235 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 235 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 72 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 72% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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