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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58C97B it is the complementary color #A73684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58C97B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #58C97B: #5DC976, #6EDB89, #7FED9C, #90FFAF and #A1FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58C97B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #58C97B: #58C97B, #47B768, #36A555, #259342 and #14812F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

Complementary color

CMYK 0 / 68 / 21 / 35

HEX #A73684

RGB 167 54 132

HSL 318.58, 0.51%, 0.43%

LAB 42.03, 54.14, -19.26

 

CMYK 54 / 0 / 41 / 21

HEX #5DC976

RGB 93 201 118

HSL 133.89, 0.5%, 0.58%

LAB 73.16, -48.98, 32.26

 

CMYK 50 / 0 / 37 / 14

HEX #6EDB89

RGB 110 219 137

HSL 134.86, 0.6%, 0.65%

LAB 79.49, -48.91, 30.95

 

CMYK 46 / 0 / 34 / 7

HEX #7FED9C

RGB 127 237 156

HSL 135.82, 0.75%, 0.71%

LAB 85.75, -48.76, 29.72

 

CMYK 44 / 0 / 31 / 0

HEX #90FFAF

RGB 144 255 175

HSL 136.76, 1%, 0.78%

LAB 91.93, -48.55, 28.55

 

CMYK 37 / 0 / 24 / 0

HEX #A1FFC2

RGB 161 255 194

HSL 141.06, 1%, 0.82%

LAB 93.01, -40.49, 20.52

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 61 / 0 / 43 / 28

HEX #47B768

RGB 71 183 104

HSL 137.68, 0.44%, 0.5%

LAB 66.68, -49.23, 30.93

 

CMYK 67 / 0 / 48 / 35

HEX #36A555

RGB 54 165 85

HSL 136.76, 0.51%, 0.43%

LAB 60.2, -48.89, 32.42

 

CMYK 75 / 0 / 55 / 42

HEX #259342

RGB 37 147 66

HSL 135.82, 0.6%, 0.36%

LAB 53.66, -48.17, 33.98

 

CMYK 84 / 0 / 64 / 49

HEX #14812F

RGB 20 129 47

HSL 134.86, 0.73%, 0.29%

LAB 47.05, -46.83, 35.53

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 56 / 0 / 30 / 21

HEX #59C98D

RGB 89 201 141

HSL 147.86, 0.51%, 0.57%

LAB 73.43, -45.74, 20.56

 

CMYK 56 / 0 / 20 / 21

HEX #59C9A0

RGB 89 201 160

HSL 158.04, 0.51%, 0.57%

LAB 73.83, -41.72, 10.96

 

CMYK 56 / 0 / 11 / 21

HEX #59C9B2

RGB 89 201 178

HSL 167.68, 0.51%, 0.57%

LAB 74.26, -37.48, 1.87

 

CMYK 56 / 0 / 2 / 21

HEX #59C9C5

RGB 89 201 197

HSL 177.86, 0.51%, 0.57%

LAB 74.78, -32.62, -7.66

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 56 / 0 / 39 / 1

HEX #6EFC9A

RGB 110 252 154

HSL 138.59, 0.96%, 0.71%

LAB 89.52, -59.23, 35.63

 

CMYK 56 / 0 / 40 / 81

HEX #15301D

RGB 21 48 29

HSL 137.78, 0.39%, 0.14%

LAB 17.28, -15.64, 9.07

 

CMYK 57 / 0 / 38 / 61

HEX #2B633D

RGB 43 99 61

HSL 139.29, 0.39%, 0.28%

LAB 37.43, -27.96, 16.15

 

CMYK 56 / 0 / 39 / 41

HEX #42965C

RGB 66 150 92

HSL 138.57, 0.39%, 0.42%

LAB 55.83, -38.9, 23.11

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 56 / 28 / 0 / 21

HEX #5991C9

RGB 89 145 201

HSL 210, 0.51%, 0.57%

LAB 58.59, -2.08, -34.52

 

CMYK 0 / 56 / 50 / 21

HEX #C95964

RGB 201 89 100

HSL 354.11, 0.51%, 0.57%

LAB 52.38, 45.55, 15.92

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 39 / 56 / 0 / 21

HEX #7A59C9

RGB 122 89 201

HSL 257.68, 0.51%, 0.57%

LAB 46.31, 39.07, -53.83

 

CMYK 0 / 39 / 56 / 21

HEX #C97A59

RGB 201 122 89

HSL 17.68, 0.51%, 0.57%

LAB 59.03, 27.49, 31.02

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 56 / 28 / 0 / 21

HEX #5991C9

RGB 89 145 201

HSL 210, 0.51%, 0.57%

LAB 58.59, -2.08, -34.52

 

CMYK 0 / 56 / 17 / 21

HEX #C959A7

RGB 201 89 167

HSL 318.21, 0.51%, 0.57%

LAB 54.4, 53.69, -20.72

 

CMYK 0 / 28 / 56 / 21

HEX #C99159

RGB 201 145 89

HSL 30, 0.51%, 0.57%

LAB 64.48, 14.94, 37.81

 

CMYK 56 / 0 / 39 / 21

HEX #58C97B

RGB 88 201 123

HSL 138.58, 0.51%, 0.57%

LAB 73.07, -49.33, 29.53

 

CMYK 56 / 45 / 0 / 21

HEX #596FC9

RGB 89 111 201

HSL 228.21, 0.51%, 0.57%

LAB 49.14, 18.32, -49.44

 

CMYK 0 / 56 / 17 / 21

HEX #C959A7

RGB 201 89 167

HSL 318.21, 0.51%, 0.57%

LAB 54.4, 53.69, -20.72

 

CMYK 0 / 11 / 56 / 21

HEX #C9B259

RGB 201 178 89

HSL 47.68, 0.51%, 0.57%

LAB 72.88, -2.83, 47.85

 

Description

Color code: HEX #58C97B | qconv.com Color code: HEX #58C97B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 201 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 201 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 39 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 39% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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