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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #588C9B it is the complementary color #A77364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #588C9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #588C9B: #5D8C96, #6E9EA9, #7FB0BC, #90C2CF and #A1D4E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #588C9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #588C9B: #588C9B, #477A88, #366875, #255662 and #14444F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

Complementary color

CMYK 0 / 31 / 40 / 35

HEX #A77364

RGB 167 115 100

HSL 13.43, 0.28%, 0.52%

LAB 53.38, 18.58, 16.55

 

CMYK 38 / 7 / 0 / 41

HEX #5D8C96

RGB 93 140 150

HSL 190.53, 0.23%, 0.48%

LAB 55.37, -13.23, -10.38

 

CMYK 35 / 7 / 0 / 34

HEX #6E9EA9

RGB 110 158 169

HSL 191.19, 0.26%, 0.55%

LAB 62.2, -13.24, -10.87

 

CMYK 32 / 6 / 0 / 26

HEX #7FB0BC

RGB 127 176 188

HSL 191.8, 0.31%, 0.62%

LAB 68.89, -13.23, -11.34

 

CMYK 30 / 6 / 0 / 19

HEX #90C2CF

RGB 144 194 207

HSL 192.38, 0.4%, 0.69%

LAB 75.46, -13.23, -11.8

 

CMYK 29 / 6 / 0 / 11

HEX #A1D4E2

RGB 161 212 226

HSL 192.92, 0.53%, 0.76%

LAB 81.92, -13.22, -12.26

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 48 / 10 / 0 / 47

HEX #477A88

RGB 71 122 136

HSL 192.92, 0.31%, 0.41%

LAB 48.31, -13.11, -12.96

 

CMYK 54 / 11 / 0 / 54

HEX #366875

RGB 54 104 117

HSL 192.38, 0.37%, 0.34%

LAB 41.17, -12.89, -12.47

 

CMYK 62 / 12 / 0 / 62

HEX #255662

RGB 37 86 98

HSL 191.8, 0.45%, 0.26%

LAB 33.84, -12.52, -11.93

 

CMYK 75 / 14 / 0 / 69

HEX #14444F

RGB 20 68 79

HSL 191.19, 0.6%, 0.19%

LAB 26.3, -11.84, -11.31

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 44 / 17 / 0 / 39

HEX #58829C

RGB 88 130 156

HSL 202.94, 0.28%, 0.48%

LAB 52.33, -7.36, -18.47

 

CMYK 44 / 24 / 0 / 39

HEX #58769C

RGB 88 118 156

HSL 213.53, 0.28%, 0.48%

LAB 48.8, -0.36, -23.89

 

CMYK 44 / 31 / 0 / 39

HEX #586B9C

RGB 88 107 156

HSL 223.24, 0.28%, 0.48%

LAB 45.62, 6.28, -28.83

 

CMYK 44 / 38 / 0 / 39

HEX #58609C

RGB 88 96 156

HSL 232.94, 0.28%, 0.48%

LAB 42.52, 13.11, -33.69

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 43 / 10 / 0 / 19

HEX #75BACE

RGB 117 186 206

HSL 193.48, 0.48%, 0.63%

LAB 71.8, -16.55, -16.91

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 43 / 9 / 0 / 79

HEX #1E3035

RGB 30 48 53

HSL 193.04, 0.28%, 0.16%

LAB 18.57, -5.77, -5.53

 

CMYK 43 / 10 / 0 / 59

HEX #3B5E68

RGB 59 94 104

HSL 193.33, 0.28%, 0.32%

LAB 37.72, -9.7, -9.68

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 26 / 44 / 0 / 39

HEX #74589C

RGB 116 88 156

HSL 264.71, 0.28%, 0.48%

LAB 42.9, 26.12, -32.92

 

CMYK 0 / 8 / 44 / 39

HEX #9C9058

RGB 156 144 88

HSL 49.41, 0.28%, 0.48%

LAB 59.63, -3.76, 31.31

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 0 / 44 / 10 / 39

HEX #9C588D

RGB 156 88 141

HSL 313.24, 0.28%, 0.48%

LAB 46.94, 35.76, -17.33

 

CMYK 10 / 0 / 44 / 39

HEX #8D9C58

RGB 141 156 88

HSL 73.24, 0.28%, 0.48%

LAB 61.78, -16.46, 33.75

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 26 / 44 / 0 / 39

HEX #74589C

RGB 116 88 156

HSL 264.71, 0.28%, 0.48%

LAB 42.9, 26.12, -32.92

 

CMYK 0 / 35 / 44 / 39

HEX #9C6658

RGB 156 102 88

HSL 12.35, 0.28%, 0.48%

LAB 48.6, 20.03, 16.85

 

CMYK 18 / 0 / 44 / 39

HEX #809C58

RGB 128 156 88

HSL 84.71, 0.28%, 0.48%

LAB 60.84, -21.68, 32.38

 

CMYK 43 / 10 / 0 / 39

HEX #588C9B

RGB 88 140 155

HSL 193.43, 0.28%, 0.48%

LAB 55.28, -13.24, -13.42

 

CMYK 12 / 44 / 0 / 39

HEX #89589C

RGB 137 88 156

HSL 283.24, 0.28%, 0.48%

LAB 45.22, 32.57, -29.13

 

CMYK 0 / 35 / 44 / 39

HEX #9C6658

RGB 156 102 88

HSL 12.35, 0.28%, 0.48%

LAB 48.6, 20.03, 16.85

 

CMYK 31 / 0 / 44 / 39

HEX #6B9C58

RGB 107 156 88

HSL 103.24, 0.28%, 0.48%

LAB 59.53, -29.6, 30.44

 

Description

Color code: HEX #588C9B | qconv.com Color code: HEX #588C9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 140 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 140 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 10 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 10% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - free lesson plans
Link: http://www.englishisapieceofcake.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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