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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #587B91 it is the complementary color #A7846E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #587B91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #587B91: #5D7B8C, #6E8D9F, #7F9FB2, #90B1C5 and #A1C3D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #587B91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #587B91: #587B91, #47697E, #36576B, #254558 and #143345

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

Complementary color

CMYK 0 / 21 / 34 / 35

HEX #A7846E

RGB 167 132 110

HSL 23.16, 0.24%, 0.54%

LAB 57.89, 10.21, 16.99

 

CMYK 34 / 12 / 0 / 45

HEX #5D7B8C

RGB 93 123 140

HSL 201.7, 0.2%, 0.46%

LAB 49.96, -6.35, -12.69

 

CMYK 31 / 11 / 0 / 38

HEX #6E8D9F

RGB 110 141 159

HSL 202.04, 0.2%, 0.53%

LAB 56.95, -6.44, -13.08

 

CMYK 29 / 11 / 0 / 30

HEX #7F9FB2

RGB 127 159 178

HSL 202.35, 0.25%, 0.6%

LAB 63.77, -6.52, -13.46

 

CMYK 27 / 10 / 0 / 23

HEX #90B1C5

RGB 144 177 197

HSL 202.64, 0.31%, 0.67%

LAB 70.46, -6.59, -13.85

 

CMYK 25 / 10 / 0 / 15

HEX #A1C3D8

RGB 161 195 216

HSL 202.91, 0.41%, 0.74%

LAB 77.02, -6.66, -14.24

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 44 / 17 / 0 / 51

HEX #47697E

RGB 71 105 126

HSL 202.91, 0.28%, 0.39%

LAB 42.69, -6.26, -15.53

 

CMYK 50 / 19 / 0 / 58

HEX #36576B

RGB 54 87 107

HSL 202.64, 0.33%, 0.32%

LAB 35.33, -5.98, -15.22

 

CMYK 58 / 22 / 0 / 65

HEX #254558

RGB 37 69 88

HSL 202.35, 0.41%, 0.25%

LAB 27.72, -5.55, -14.92

 

CMYK 71 / 26 / 0 / 73

HEX #143345

RGB 20 51 69

HSL 202.04, 0.55%, 0.17%

LAB 19.83, -4.81, -14.61

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 39 / 21 / 0 / 43

HEX #597291

RGB 89 114 145

HSL 213.21, 0.24%, 0.46%

LAB 47.24, -0.9, -19.81

 

CMYK 39 / 28 / 0 / 43

HEX #596991

RGB 89 105 145

HSL 222.86, 0.24%, 0.46%

LAB 44.62, 4.53, -23.85

 

CMYK 39 / 34 / 0 / 43

HEX #595F91

RGB 89 95 145

HSL 233.57, 0.24%, 0.46%

LAB 41.77, 10.72, -28.29

 

CMYK 37 / 39 / 0 / 43

HEX #5B5991

RGB 91 89 145

HSL 242.14, 0.24%, 0.46%

LAB 40.27, 15.07, -30.63

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 39 / 15 / 0 / 23

HEX #77A6C4

RGB 119 166 196

HSL 203.38, 0.39%, 0.62%

LAB 65.89, -8.03, -20.35

 

CMYK 39 / 15 / 0 / 3

HEX #96D2F7

RGB 150 210 247

HSL 202.89, 0.86%, 0.78%

LAB 81.45, -10.03, -24.21

 

CMYK 40 / 16 / 0 / 83

HEX #1A242B

RGB 26 36 43

HSL 204.71, 0.25%, 0.14%

LAB 13.57, -2.22, -6.07

 

CMYK 39 / 15 / 0 / 63

HEX #39505E

RGB 57 80 94

HSL 202.7, 0.25%, 0.3%

LAB 32.73, -4.79, -10.99

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 17 / 39 / 0 / 43

HEX #795991

RGB 121 89 145

HSL 274.29, 0.24%, 0.46%

LAB 43.14, 24.38, -25.92

 

CMYK 0 / 1 / 39 / 43

HEX #919059

RGB 145 144 89

HSL 58.93, 0.24%, 0.46%

LAB 58.68, -8.3, 29.37

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 0 / 39 / 15 / 43

HEX #91597B

RGB 145 89 123

HSL 323.57, 0.24%, 0.46%

LAB 45.07, 28.2, -9.45

 

CMYK 15 / 0 / 39 / 43

HEX #7B9159

RGB 123 145 89

HSL 83.57, 0.24%, 0.46%

LAB 57.25, -17.87, 27.18

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 17 / 39 / 0 / 43

HEX #795991

RGB 121 89 145

HSL 274.29, 0.24%, 0.46%

LAB 43.14, 24.38, -25.92

 

CMYK 0 / 24 / 39 / 43

HEX #916E59

RGB 145 110 89

HSL 22.5, 0.24%, 0.46%

LAB 49.37, 10.89, 17.08

 

CMYK 23 / 0 / 39 / 43

HEX #709159

RGB 112 145 89

HSL 95.36, 0.24%, 0.46%

LAB 56.5, -22.17, 26.06

 

CMYK 39 / 15 / 0 / 43

HEX #587B91

RGB 88 123 145

HSL 203.16, 0.24%, 0.46%

LAB 49.84, -6.47, -15.84

 

CMYK 5 / 39 / 0 / 43

HEX #8A5991

RGB 138 89 145

HSL 292.5, 0.24%, 0.46%

LAB 45.07, 29.96, -22.78

 

CMYK 0 / 24 / 39 / 43

HEX #916E59

RGB 145 110 89

HSL 22.5, 0.24%, 0.46%

LAB 49.37, 10.89, 17.08

 

CMYK 34 / 0 / 39 / 43

HEX #5F9159

RGB 95 145 89

HSL 113.57, 0.24%, 0.46%

LAB 55.49, -28.38, 24.54

 

Description

Color code: HEX #587B91 | qconv.com Color code: HEX #587B91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 123 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 123 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 15 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 15% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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