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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586CDFCE it is the complementary color #A79320CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586CDFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586CDFCE shade: #5D6CDACE, #6E7EEDCE, #7F90FFCE, #90A2FFCE and #A1B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586CDFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586CDFCE shade: #586CDFCE, #475ACCCE, #3648B9CE, #2536A6CE and #142493CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586CDFCE shade: #586CDF, #6858DF, #8D58DF, #B158DF and #D658DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586CDFCE shade: #586CDF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586CDFCE shade matches the following richer shades: #586CDF and #4861EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586CDFCE shade: #586CDF, #6877CF, #7883BF, #888EAF and #98999F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586CDFCE shade: #58B4DF, #5890DF, #586CDF, #6858DF and #8C58DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586CDFCE shade: #253CC0, #354DD9, #586CDF, #7B8AE6 and #9DA9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586CDFCE shade: #586CDF, #DF58D8 and #A2DF58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586CDFCE shade: #586CDF, #DF586C and #6CDF58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586CDFCE shade: #586CDF, #DF58D8, #DFCB58 and #58DF5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586CDFCE shade: #586CDF, #DF58B0, #DFCB58 and #58DF87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 42 / 0 / 10

HEX #586CDFCE

RGBA 88 108 223 0.81

HSLA 231.11, 0.68%, 0.61%, 0.81

LABA 49.65, 27.27, -61.14, 0.81

 

Complementary color

CMYK 0 / 10 / 65 / 28

HEX #A79320CE

RGBA 167 147 32 0.81

HSLA 51.11, 0.68%, 0.39%, 0.81

LABA 60.95, -4.49, 58.3, 0.81

 

CMYK 46 / 41 / 0 / 12

HEX #5D6CDACE

RGBA 93 108 218 0.81

HSLA 232.8, 0.63%, 0.61%, 0.81

LABA 49.63, 26.54, -58.32, 0.81

 

CMYK 43 / 38 / 0 / 6

HEX #6E7EEDCE

RGBA 110 126 237 0.81

HSLA 232.44, 0.78%, 0.68%, 0.81

LABA 56.44, 25.06, -58.01, 0.81

 

CMYK 41 / 35 / 0 / 0

HEX #7F90FFCE

RGBA 127 144 255 0.81

HSLA 232.03, 1%, 0.75%, 0.81

LABA 63.08, 23.5, -57.28, 0.81

 

CMYK 35 / 30 / 0 / 0

HEX #90A2FFCE

RGBA 144 162 255 0.81

HSLA 230.27, 1%, 0.78%, 0.81

LABA 68.74, 16.98, -48.23, 0.81

 

CMYK 30 / 24 / 0 / 0

HEX #A1B4FFCE

RGBA 161 180 255 0.81

HSLA 227.87, 1%, 0.82%, 0.81

LABA 74.47, 11.15, -39.18, 0.81

 

CMYK 49 / 42 / 0 / 10

HEX #586CDFCE

RGBA 88 108 223 0.81

HSLA 231.11, 0.68%, 0.61%, 0.81

LABA 49.65, 27.27, -61.14, 0.81

 

CMYK 53 / 45 / 0 / 16

HEX #475ACCCE

RGBA 71 90 204 0.81

HSLA 231.43, 0.57%, 0.54%, 0.81

LABA 42.78, 29.19, -61.46, 0.81

 

CMYK 57 / 49 / 0 / 22

HEX #3648B9CE

RGBA 54 72 185 0.81

HSLA 231.76, 0.55%, 0.47%, 0.81

LABA 35.83, 31.5, -61.74, 0.81

 

CMYK 63 / 55 / 0 / 28

HEX #2536A6CE

RGBA 37 54 166 0.81

HSLA 232.09, 0.64%, 0.4%, 0.81

LABA 28.86, 34.23, -61.86, 0.81

 

CMYK 70 / 61 / 0 / 34

HEX #142493CE

RGBA 20 36 147 0.81

HSLA 232.44, 0.76%, 0.33%, 0.81

LABA 22.01, 37.3, -61.59, 0.81

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 53 / 61 / 0 / 13

HEX #6858DF

RGB 104 88 223

HSL 247.11, 0.68%, 0.61%

LAB 45.98, 42.25, -67.04

 

CMYK 37 / 61 / 0 / 13

HEX #8D58DF

RGB 141 88 223

HSL 263.56, 0.68%, 0.61%

LAB 49.46, 49.72, -61.23

 

CMYK 21 / 61 / 0 / 13

HEX #B158DF

RGB 177 88 223

HSL 279.56, 0.68%, 0.61%

LAB 53.66, 57.93, -54.26

 

CMYK 4 / 61 / 0 / 13

HEX #D658DF

RGB 214 88 223

HSL 296, 0.68%, 0.61%

LAB 58.61, 66.79, -46.09

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 70 / 59 / 0 / 6

HEX #4861EF

RGB 72 97 239

HSL 231.02, 0.84%, 0.61%

LAB 47.18, 37.09, -74.2

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 50 / 43 / 0 / 19

HEX #6877CF

RGB 104 119 207

HSL 231.26, 0.52%, 0.61%

LAB 52.56, 18.63, -47.37

 

CMYK 37 / 31 / 0 / 25

HEX #7883BF

RGB 120 131 191

HSL 230.7, 0.36%, 0.61%

LAB 56.08, 10.82, -32.65

 

CMYK 22 / 19 / 0 / 31

HEX #888EAF

RGB 136 142 175

HSL 230.77, 0.2%, 0.61%

LAB 59.59, 5.12, -18.03

 

CMYK 4 / 4 / 0 / 38

HEX #98999F

RGB 152 153 159

HSL 231.43, 0.04%, 0.61%

LAB 63.31, 0.82, -3.27

 

CMYK 61 / 19 / 0 / 13

HEX #58B4DF

RGB 88 180 223

HSL 199.11, 0.68%, 0.61%

LAB 69.5, -14.77, -29.81

 

CMYK 61 / 35 / 0 / 13

HEX #5890DF

RGB 88 144 223

HSL 215.11, 0.68%, 0.61%

LAB 59.3, 5.41, -45.74

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 53 / 61 / 0 / 13

HEX #6858DF

RGB 104 88 223

HSL 247.11, 0.68%, 0.61%

LAB 45.98, 42.25, -67.04

 

CMYK 37 / 61 / 0 / 13

HEX #8C58DF

RGB 140 88 223

HSL 263.11, 0.68%, 0.61%

LAB 49.35, 49.5, -61.41

 

CMYK 81 / 69 / 0 / 25

HEX #253CC0

RGB 37 60 192

HSL 231.1, 0.68%, 0.45%

LAB 32.77, 39.88, -70.91

 

CMYK 76 / 65 / 0 / 15

HEX #354DD9

RGB 53 77 217

HSL 231.22, 0.68%, 0.53%

LAB 39.71, 39.64, -73.99

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 47 / 40 / 0 / 10

HEX #7B8AE6

RGB 123 138 230

HSL 231.59, 0.68%, 0.69%

LAB 59.98, 18.66, -48.43

 

CMYK 33 / 28 / 0 / 7

HEX #9DA9EC

RGB 157 169 236

HSL 230.89, 0.68%, 0.77%

LAB 70.59, 11.28, -34.93

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 0 / 61 / 3 / 13

HEX #DF58D8

RGB 223 88 216

HSL 303.11, 0.68%, 0.61%

LAB 59.55, 67.82, -40.58

 

CMYK 27 / 0 / 61 / 13

HEX #A2DF58

RGB 162 223 88

HSL 87.11, 0.68%, 0.61%

LAB 82.47, -40.44, 58.46

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 0 / 61 / 52 / 13

HEX #DF586C

RGB 223 88 108

HSL 351.11, 0.68%, 0.61%

LAB 55.84, 54.21, 16.5

 

CMYK 52 / 0 / 61 / 13

HEX #6CDF58

RGB 108 223 88

HSL 111.11, 0.68%, 0.61%

LAB 79.99, -57.67, 55.01

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 0 / 61 / 3 / 13

HEX #DF58D8

RGB 223 88 216

HSL 303.11, 0.68%, 0.61%

LAB 59.55, 67.82, -40.58

 

CMYK 0 / 9 / 61 / 13

HEX #DFCB58

RGB 223 203 88

HSL 51.11, 0.68%, 0.61%

LAB 81.35, -6.65, 58.45

 

CMYK 61 / 0 / 57 / 13

HEX #58DF5F

RGB 88 223 95

HSL 123.11, 0.68%, 0.61%

LAB 79.43, -61.77, 51.11

 

CMYK 61 / 52 / 0 / 13

HEX #586CDF

RGB 88 108 223

HSL 231.11, 0.68%, 0.61%

LAB 49.65, 27.27, -61.14

 

CMYK 0 / 61 / 21 / 13

HEX #DF58B0

RGB 223 88 176

HSL 320.89, 0.68%, 0.61%

LAB 57.85, 61.79, -20.37

 

CMYK 0 / 9 / 61 / 13

HEX #DFCB58

RGB 223 203 88

HSL 51.11, 0.68%, 0.61%

LAB 81.35, -6.65, 58.45

 

CMYK 61 / 0 / 39 / 13

HEX #58DF87

RGB 88 223 135

HSL 140.89, 0.68%, 0.61%

LAB 79.95, -55.95, 32.45

 

Description

Color code: HEX #586CDFCE | qconv.com Color code: HEX #586CDFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 108 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 108 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 42 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 42% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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