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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D6CDACE it is the complementary color #A29325CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D6CDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D6CDACE shade: #626CD5CE, #737EE8CE, #8490FBCE, #95A2FFCE and #A6B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D6CDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D6CDACE shade: #5D6CDACE, #4C5AC7CE, #3B48B4CE, #2A36A1CE and #19248ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D6CDACE shade: #5D6CDA, #705DDA, #915DDA, #B35DDA and #D55DDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D6CDACE shade: #5D6CDA and #5D5DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D6CDACE shade matches the following richer shades: #5D6CDA, #4D60EA and #3D53FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D6CDACE shade: #5D6CDA, #6D78CA, #7D84BA, #8D91AA and #9D9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D6CDACE shade: #5DB0DA, #5D8FDA, #5D6EDA, #6E5DDA and #8F5DDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D6CDACE shade: #2A3CBA, #3B4DD3, #5D6CDA, #7F8AE2 and #A0A9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D6CDACE shade: #5D6CDA, #DA5DD2 and #A0DA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D6CDACE shade: #5D6CDA, #DA5D6E and #6EDA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D6CDACE shade: #5D6CDA, #DA5DD2, #DAC95D and #5DDA65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D6CDACE shade: #5D6CDA, #DA5DAC, #DAC95D and #5DDA8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 41 / 0 / 12

HEX #5D6CDACE

RGBA 93 108 218 0.81

HSLA 232.8, 0.63%, 0.61%, 0.81

LABA 49.63, 26.54, -58.32, 0.81

 

Complementary color

CMYK 0 / 8 / 63 / 30

HEX #A29325CE

RGBA 162 147 37 0.81

HSLA 52.8, 0.63%, 0.39%, 0.81

LABA 60.5, -6.56, 56.07, 0.81

 

CMYK 44 / 40 / 0 / 13

HEX #626CD5CE

RGBA 98 108 213 0.81

HSLA 234.78, 0.58%, 0.61%, 0.81

LABA 49.65, 25.92, -55.45, 0.81

 

CMYK 41 / 37 / 0 / 7

HEX #737EE8CE

RGBA 115 126 232 0.81

HSLA 234.36, 0.72%, 0.68%, 0.81

LABA 56.48, 24.57, -55.14, 0.81

 

CMYK 38 / 35 / 0 / 1

HEX #8490FBCE

RGBA 132 144 251 0.81

HSLA 233.95, 0.94%, 0.75%, 0.81

LABA 63.19, 23.42, -54.88, 0.81

 

CMYK 34 / 30 / 0 / 0

HEX #95A2FFCE

RGBA 149 162 255 0.81

HSLA 232.64, 1%, 0.79%, 0.81

LABA 69.08, 18.21, -47.68, 0.81

 

CMYK 28 / 24 / 0 / 0

HEX #A6B4FFCE

RGBA 166 180 255 0.81

HSLA 230.56, 1%, 0.83%, 0.81

LABA 74.81, 12.48, -38.64, 0.81

 

CMYK 46 / 41 / 0 / 12

HEX #5D6CDACE

RGBA 93 108 218 0.81

HSLA 232.8, 0.63%, 0.61%, 0.81

LABA 49.63, 26.54, -58.32, 0.81

 

CMYK 50 / 44 / 0 / 18

HEX #4C5AC7CE

RGBA 76 90 199 0.81

HSLA 233.17, 0.52%, 0.54%, 0.81

LABA 42.72, 28.3, -58.66, 0.81

 

CMYK 54 / 49 / 0 / 24

HEX #3B48B4CE

RGBA 59 72 180 0.81

HSLA 233.55, 0.51%, 0.47%, 0.81

LABA 35.71, 30.41, -58.97, 0.81

 

CMYK 60 / 54 / 0 / 30

HEX #2A36A1CE

RGBA 42 54 161 0.81

HSLA 233.95, 0.59%, 0.4%, 0.81

LABA 28.65, 32.93, -59.18, 0.81

 

CMYK 67 / 60 / 0 / 36

HEX #19248ECE

RGBA 25 36 142 0.81

HSLA 234.36, 0.7%, 0.33%, 0.81

LABA 21.66, 35.81, -59.06, 0.81

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 49 / 57 / 0 / 15

HEX #705DDA

RGB 112 93 218

HSL 249.12, 0.63%, 0.61%

LAB 47.41, 39.38, -61.84

 

CMYK 33 / 57 / 0 / 15

HEX #915DDA

RGB 145 93 218

HSL 264.96, 0.63%, 0.61%

LAB 50.58, 46.67, -56.57

 

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

CMYK 2 / 57 / 0 / 15

HEX #D55DDA

RGB 213 93 218

HSL 297.6, 0.63%, 0.61%

LAB 59.01, 63.51, -42.65

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DDA

RGB 93 93 218

HSL 240, 0.63%, 0.61%

LAB 45.93, 35.73, -64.31

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 67 / 59 / 0 / 8

HEX #4D60EA

RGB 77 96 234

HSL 232.74, 0.79%, 0.61%

LAB 46.82, 36.65, -71.96

 

CMYK 76 / 67 / 0 / 2

HEX #3D53FA

RGB 61 83 250

HSL 233.02, 0.95%, 0.61%

LAB 44.35, 48.14, -85.02

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 46 / 41 / 0 / 21

HEX #6D78CA

RGB 109 120 202

HSL 232.9, 0.47%, 0.61%

LAB 52.89, 17.68, -43.97

 

CMYK 33 / 29 / 0 / 27

HEX #7D84BA

RGB 125 132 186

HSL 233.11, 0.31%, 0.61%

LAB 56.49, 10.31, -29.12

 

CMYK 17 / 15 / 0 / 33

HEX #8D91AA

RGB 141 145 170

HSL 231.72, 0.15%, 0.61%

LAB 60.62, 3.88, -13.6

 

CMYK 0 / 0 / 2 / 38

HEX #9D9D9A

RGB 157 157 154

HSL 60, 0.02%, 0.61%

LAB 64.66, -0.57, 1.56

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 57 / 34 / 0 / 15

HEX #5D8FDA

RGB 93 143 218

HSL 216, 0.63%, 0.61%

LAB 59.01, 5.35, -43.4

 

CMYK 57 / 50 / 0 / 15

HEX #5D6EDA

RGB 93 110 218

HSL 231.84, 0.63%, 0.61%

LAB 50.15, 25.31, -57.5

 

CMYK 50 / 57 / 0 / 15

HEX #6E5DDA

RGB 110 93 218

HSL 248.16, 0.63%, 0.61%

LAB 47.24, 38.98, -62.12

 

CMYK 34 / 57 / 0 / 15

HEX #8F5DDA

RGB 143 93 218

HSL 264, 0.63%, 0.61%

LAB 50.37, 46.21, -56.92

 

CMYK 77 / 68 / 0 / 27

HEX #2A3CBA

RGB 42 60 186

HSL 232.5, 0.63%, 0.45%

LAB 32.41, 38.15, -67.95

 

CMYK 72 / 64 / 0 / 17

HEX #3B4DD3

RGB 59 77 211

HSL 232.89, 0.63%, 0.53%

LAB 39.48, 38.17, -70.9

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 44 / 39 / 0 / 11

HEX #7F8AE2

RGB 127 138 226

HSL 233.33, 0.63%, 0.69%

LAB 60.05, 18.46, -46.08

 

CMYK 31 / 27 / 0 / 9

HEX #A0A9E9

RGB 160 169 233

HSL 232.6, 0.62%, 0.77%

LAB 70.69, 11.36, -33.14

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD2

RGB 218 93 210

HSL 303.84, 0.63%, 0.61%

LAB 59.33, 63.43, -37.58

 

CMYK 27 / 0 / 57 / 15

HEX #A0DA5D

RGB 160 218 93

HSL 87.84, 0.63%, 0.61%

LAB 80.96, -38.49, 54.56

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 0 / 57 / 50 / 15

HEX #DA5D6E

RGB 218 93 110

HSL 351.84, 0.63%, 0.61%

LAB 55.95, 50.44, 15.35

 

CMYK 50 / 0 / 57 / 15

HEX #6EDA5D

RGB 110 218 93

HSL 111.84, 0.63%, 0.61%

LAB 78.61, -54.68, 51.23

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD2

RGB 218 93 210

HSL 303.84, 0.63%, 0.61%

LAB 59.33, 63.43, -37.58

 

CMYK 0 / 8 / 57 / 15

HEX #DAC95D

RGB 218 201 93

HSL 51.84, 0.63%, 0.61%

LAB 80.44, -7.35, 55.07

 

CMYK 57 / 0 / 54 / 15

HEX #5DDA65

RGB 93 218 101

HSL 123.84, 0.63%, 0.61%

LAB 78.12, -58.07, 46.83

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 0 / 57 / 21 / 15

HEX #DA5DAC

RGB 218 93 172

HSL 322.08, 0.63%, 0.61%

LAB 57.76, 57.6, -18.26

 

CMYK 0 / 8 / 57 / 15

HEX #DAC95D

RGB 218 201 93

HSL 51.84, 0.63%, 0.61%

LAB 80.44, -7.35, 55.07

 

CMYK 57 / 0 / 36 / 15

HEX #5DDA8B

RGB 93 218 139

HSL 142.08, 0.63%, 0.61%

LAB 78.66, -52.21, 28.71

 

Description

Color code: HEX #5D6CDACE | qconv.com Color code: HEX #5D6CDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 108 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 108 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 41 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 41% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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