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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5848C2CE it is the complementary color #A7B73DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5848C2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5848C2CE shade: #5D48BDCE, #6E5AD0CE, #7F6CE3CE, #907EF6CE and #A190FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5848C2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5848C2CE shade: #5848C2CE, #4736AFCE, #36249CCE, #251289CE and #140076CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5848C2CE shade: #5747C2, #7847C2, #9947C2, #BA47C2 and #C247A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5848C2CE shade: #5747C2 and #4747C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5848C2CE shade matches the following richer shades: #5747C2, #4934D6, #3A20E9 and #2C0CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5848C2CE shade: #5747C2, #665BAE, #756F9A, #838386 and #929773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5848C2CE shade: #477AC2, #475AC2, #5647C2, #7647C2 and #9747C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5848C2CE shade: #3A2E89, #4738A8, #5747C2, #7466CC and #9085D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5848C2CE shade: #5848C2, #C2479B and #6AC247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5848C2CE shade: #5848C2, #C25647 and #47C256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5848C2CE shade: #5848C2, #C2479B, #B4C247 and #47C26E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5848C2CE shade: #5848C2, #C24776, #B4C247 and #47C293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 51 / 0 / 19

HEX #5848C2CE

RGBA 88 72 194 0.81

HSLA 247.87, 0.5%, 0.52%, 0.81

LABA 38.91, 39.87, -61.9, 0.81

 

Complementary color

CMYK 7 / 0 / 54 / 23

HEX #A7B73DCE

RGBA 167 183 61 0.81

HSLA 67.87, 0.5%, 0.48%, 0.81

LABA 71.16, -21.75, 57.62, 0.81

 

CMYK 41 / 50 / 0 / 21

HEX #5D48BDCE

RGBA 93 72 189 0.81

HSLA 250.77, 0.47%, 0.51%, 0.81

LABA 38.96, 39.28, -58.87, 0.81

 

CMYK 38 / 46 / 0 / 15

HEX #6E5AD0CE

RGBA 110 90 208 0.81

HSLA 250.17, 0.56%, 0.58%, 0.81

LABA 45.88, 37.79, -58.61, 0.81

 

CMYK 36 / 42 / 0 / 9

HEX #7F6CE3CE

RGBA 127 108 227 0.81

HSLA 249.58, 0.68%, 0.66%, 0.81

LABA 52.71, 36.44, -58.33, 0.81

 

CMYK 34 / 40 / 0 / 3

HEX #907EF6CE

RGBA 144 126 246 0.81

HSLA 249, 0.87%, 0.73%, 0.81

LABA 59.44, 35.24, -58.06, 0.81

 

CMYK 30 / 35 / 0 / 0

HEX #A190FFCE

RGBA 161 144 255 0.81

HSLA 249.19, 1%, 0.78%, 0.81

LABA 65.55, 31.5, -53.2, 0.81

 

CMYK 44 / 51 / 0 / 19

HEX #5848C2CE

RGBA 88 72 194 0.81

HSLA 247.87, 0.5%, 0.52%, 0.81

LABA 38.91, 39.87, -61.9, 0.81

 

CMYK 48 / 56 / 0 / 25

HEX #4736AFCE

RGBA 71 54 175 0.81

HSLA 248.43, 0.53%, 0.45%, 0.81

LABA 31.97, 41.63, -62.07, 0.81

 

CMYK 53 / 62 / 0 / 31

HEX #36249CCE

RGBA 54 36 156 0.81

HSLA 249, 0.63%, 0.38%, 0.81

LABA 25.1, 43.38, -61.95, 0.81

 

CMYK 59 / 70 / 0 / 37

HEX #251289CE

RGBA 37 18 137 0.81

HSLA 249.58, 0.77%, 0.3%, 0.81

LABA 18.51, 44.6, -61.13, 0.81

 

CMYK 67 / 81 / 0 / 44

HEX #140076CE

RGBA 20 0 118 0.81

HSLA 250.17, 1%, 0.23%, 0.81

LABA 12.33, 45.15, -59.34, 0.81

 

CMYK 55 / 63 / 0 / 24

HEX #5747C2

RGB 87 71 194

HSL 247.8, 0.5%, 0.52%

LAB 38.6, 40.28, -62.41

 

CMYK 38 / 63 / 0 / 24

HEX #7847C2

RGB 120 71 194

HSL 263.9, 0.5%, 0.52%

LAB 41.84, 46.79, -57

 

CMYK 21 / 63 / 0 / 24

HEX #9947C2

RGB 153 71 194

HSL 280, 0.5%, 0.52%

LAB 45.87, 54.22, -50.3

 

CMYK 4 / 63 / 0 / 24

HEX #BA47C2

RGB 186 71 194

HSL 296.1, 0.5%, 0.52%

LAB 50.5, 62.07, -42.65

 

CMYK 0 / 63 / 13 / 24

HEX #C247A8

RGB 194 71 168

HSL 312.68, 0.5%, 0.52%

LAB 50.46, 59.82, -27.47

 

CMYK 55 / 63 / 0 / 24

HEX #5747C2

RGB 87 71 194

HSL 247.8, 0.5%, 0.52%

LAB 38.6, 40.28, -62.41

 

CMYK 63 / 63 / 0 / 24

HEX #4747C2

RGB 71 71 194

HSL 240, 0.5%, 0.52%

LAB 37.37, 37.65, -64.46

 

CMYK 55 / 63 / 0 / 24

HEX #5747C2

RGB 87 71 194

HSL 247.8, 0.5%, 0.52%

LAB 38.6, 40.28, -62.41

 

CMYK 66 / 76 / 0 / 16

HEX #4934D6

RGB 73 52 214

HSL 247.78, 0.66%, 0.52%

LAB 35.45, 54.94, -79.21

 

CMYK 75 / 86 / 0 / 9

HEX #3A20E9

RGB 58 32 233

HSL 247.76, 0.82%, 0.52%

LAB 33.6, 67.77, -93.22

 

CMYK 83 / 95 / 0 / 1

HEX #2C0CFD

RGB 44 12 253

HSL 247.97, 0.98%, 0.52%

LAB 33.75, 77.38, -104.29

 

CMYK 55 / 63 / 0 / 24

HEX #5747C2

RGB 87 71 194

HSL 247.8, 0.5%, 0.52%

LAB 38.6, 40.28, -62.41

 

CMYK 41 / 48 / 0 / 32

HEX #665BAE

RGB 102 91 174

HSL 247.95, 0.34%, 0.52%

LAB 43.31, 25.32, -43.03

 

CMYK 24 / 28 / 0 / 40

HEX #756F9A

RGB 117 111 154

HSL 248.37, 0.18%, 0.52%

LAB 48.86, 12.01, -22.44

 

CMYK 2 / 2 / 0 / 47

HEX #838386

RGB 131 131 134

HSL 240, 0.01%, 0.52%

LAB 54.84, 0.6, -1.62

 

CMYK 3 / 0 / 24 / 41

HEX #929773

RGB 146 151 115

HSL 68.33, 0.15%, 0.52%

LAB 61.2, -8.14, 18.41

 

CMYK 63 / 37 / 0 / 24

HEX #477AC2

RGB 71 122 194

HSL 215.12, 0.5%, 0.52%

LAB 50.87, 5.64, -42.75

 

CMYK 63 / 54 / 0 / 24

HEX #475AC2

RGB 71 90 194

HSL 230.73, 0.5%, 0.52%

LAB 42.07, 25.72, -56.82

 

CMYK 56 / 63 / 0 / 24

HEX #5647C2

RGB 86 71 194

HSL 247.32, 0.5%, 0.52%

LAB 38.52, 40.11, -62.55

 

CMYK 39 / 63 / 0 / 24

HEX #7647C2

RGB 118 71 194

HSL 262.93, 0.5%, 0.52%

LAB 41.62, 46.36, -57.37

 

CMYK 22 / 63 / 0 / 24

HEX #9747C2

RGB 151 71 194

HSL 279.02, 0.5%, 0.52%

LAB 45.61, 53.75, -50.73

 

CMYK 58 / 66 / 0 / 46

HEX #3A2E89

RGB 58 46 137

HSL 247.91, 0.5%, 0.36%

LAB 25.74, 32, -49.15

 

CMYK 58 / 67 / 0 / 34

HEX #4738A8

RGB 71 56 168

HSL 248.04, 0.5%, 0.44%

LAB 31.8, 38.24, -58.17

 

CMYK 55 / 63 / 0 / 24

HEX #5747C2

RGB 87 71 194

HSL 247.8, 0.5%, 0.52%

LAB 38.6, 40.28, -62.41

 

CMYK 43 / 50 / 0 / 20

HEX #7466CC

RGB 116 102 204

HSL 248.24, 0.5%, 0.6%

LAB 48.98, 30.84, -51.31

 

CMYK 33 / 38 / 0 / 16

HEX #9085D6

RGB 144 133 214

HSL 248.15, 0.5%, 0.68%

LAB 59.49, 22.55, -40.17

 

CMYK 55 / 63 / 0 / 24

HEX #5848C2

RGB 88 72 194

HSL 247.87, 0.5%, 0.52%

LAB 38.91, 39.87, -61.9

 

CMYK 0 / 63 / 20 / 24

HEX #C2479B

RGB 194 71 155

HSL 319.02, 0.5%, 0.52%

LAB 49.91, 57.92, -20.64

 

CMYK 45 / 0 / 63 / 24

HEX #6AC247

RGB 106 194 71

HSL 102.93, 0.5%, 0.52%

LAB 70.94, -48.63, 52.19

 

CMYK 55 / 63 / 0 / 24

HEX #5848C2

RGB 88 72 194

HSL 247.87, 0.5%, 0.52%

LAB 38.91, 39.87, -61.9

 

CMYK 0 / 56 / 63 / 24

HEX #C25647

RGB 194 86 71

HSL 7.32, 0.5%, 0.52%

LAB 50.19, 42.21, 29.87

 

CMYK 63 / 0 / 56 / 24

HEX #47C256

RGB 71 194 86

HSL 127.32, 0.5%, 0.52%

LAB 69.89, -56.09, 43.89

 

CMYK 55 / 63 / 0 / 24

HEX #5848C2

RGB 88 72 194

HSL 247.87, 0.5%, 0.52%

LAB 38.91, 39.87, -61.9

 

CMYK 0 / 63 / 20 / 24

HEX #C2479B

RGB 194 71 155

HSL 319.02, 0.5%, 0.52%

LAB 49.91, 57.92, -20.64

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 63 / 0 / 43 / 24

HEX #47C26E

RGB 71 194 110

HSL 139.02, 0.5%, 0.52%

LAB 70.21, -52.5, 32.4

 

CMYK 55 / 63 / 0 / 24

HEX #5848C2

RGB 88 72 194

HSL 247.87, 0.5%, 0.52%

LAB 38.91, 39.87, -61.9

 

CMYK 0 / 63 / 39 / 24

HEX #C24776

RGB 194 71 118

HSL 337.07, 0.5%, 0.52%

LAB 48.62, 53.27, -0.38

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 63 / 0 / 24 / 24

HEX #47C293

RGB 71 194 147

HSL 157.07, 0.5%, 0.52%

LAB 70.89, -45.21, 13.75

 

Description

Color code: HEX #5848C2CE | qconv.com Color code: HEX #5848C2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 72 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 72 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 51 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 51% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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