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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582F05 it is the complementary color #A7D0FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582F05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #582F05: #5D2F00, #6E4113, #7F5326, #906539 and #A1774C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582F05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #582F05: #582F05, #471D00, #360B00, #250000 and #140000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

Complementary color

CMYK 33 / 17 / 0 / 2

HEX #A7D0FA

RGB 167 208 250

HSL 210.36, 0.89%, 0.82%

LAB 81.96, -3.72, -24.94

 

CMYK 0 / 49 / 100 / 64

HEX #5D2F00

RGB 93 47 0

HSL 30.32, 1%, 0.18%

LAB 24.83, 17.77, 34.94

 

CMYK 0 / 41 / 83 / 57

HEX #6E4113

RGB 110 65 19

HSL 30.33, 0.71%, 0.25%

LAB 32.13, 15.6, 34.51

 

CMYK 0 / 35 / 70 / 50

HEX #7F5326

RGB 127 83 38

HSL 30.34, 0.54%, 0.32%

LAB 39.31, 13.8, 33.11

 

CMYK 0 / 30 / 60 / 44

HEX #906539

RGB 144 101 57

HSL 30.34, 0.43%, 0.39%

LAB 46.35, 12.36, 31.49

 

CMYK 0 / 26 / 53 / 37

HEX #A1774C

RGB 161 119 76

HSL 30.35, 0.36%, 0.46%

LAB 53.27, 11.19, 29.93

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 0 / 59 / 100 / 72

HEX #471D00

RGB 71 29 0

HSL 24.51, 1%, 0.14%

LAB 16.59, 18.19, 24.78

 

CMYK 0 / 80 / 100 / 79

HEX #360B00

RGB 54 11 0

HSL 12.22, 1%, 0.11%

LAB 9.19, 20.67, 14.25

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 0 / 31 / 94 / 66

HEX #563B05

RGB 86 59 5

HSL 40, 0.89%, 0.18%

LAB 27.07, 6.93, 34.58

 

CMYK 0 / 15 / 94 / 66

HEX #564905

RGB 86 73 5

HSL 50.37, 0.89%, 0.18%

LAB 31.24, -1.84, 37.98

 

CMYK 0 / 0 / 94 / 66

HEX #565605

RGB 86 86 5

HSL 60, 0.89%, 0.18%

LAB 35.29, -9.59, 41.21

 

CMYK 15 / 0 / 94 / 66

HEX #495605

RGB 73 86 5

HSL 69.63, 0.89%, 0.18%

LAB 34.16, -15.97, 39.82

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 0 / 47 / 94 / 45

HEX #8B4A08

RGB 139 74 8

HSL 30.23, 0.89%, 0.29%

LAB 38.56, 23.37, 45.64

 

CMYK 0 / 47 / 94 / 25

HEX #BE650B

RGB 190 101 11

HSL 30.17, 0.89%, 0.39%

LAB 52.15, 30.61, 58.03

 

CMYK 0 / 46 / 94 / 5

HEX #F1810E

RGB 241 129 14

HSL 30.4, 0.89%, 0.5%

LAB 65.3, 36.94, 69.86

 

CMYK 0 / 46 / 95 / 85

HEX #251402

RGB 37 20 2

HSL 30.86, 0.9%, 0.08%

LAB 8.11, 6.51, 11.46

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 66 / 0 / 94 / 66

HEX #1D5605

RGB 29 86 5

HSL 102.22, 0.89%, 0.18%

LAB 31.64, -33.46, 36.7

 

CMYK 85 / 94 / 0 / 66

HEX #0D0556

RGB 13 5 86

HSL 245.93, 0.89%, 0.18%

LAB 7.82, 33.01, -45.63

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 94 / 0 / 48 / 66

HEX #05562D

RGB 5 86 45

HSL 149.63, 0.89%, 0.18%

LAB 31.53, -32.93, 17.71

 

CMYK 48 / 94 / 0 / 66

HEX #2D0556

RGB 45 5 86

HSL 269.63, 0.89%, 0.18%

LAB 11.54, 36.01, -39.36

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 66 / 0 / 94 / 66

HEX #1D5605

RGB 29 86 5

HSL 102.22, 0.89%, 0.18%

LAB 31.64, -33.46, 36.7

 

CMYK 94 / 48 / 0 / 66

HEX #052D56

RGB 5 45 86

HSL 210.37, 0.89%, 0.18%

LAB 18.28, 4.44, -28.53

 

CMYK 28 / 94 / 0 / 66

HEX #3E0556

RGB 62 5 86

HSL 282.22, 0.89%, 0.18%

LAB 14.43, 38.62, -34.52

 

CMYK 0 / 47 / 94 / 65

HEX #582F05

RGB 88 47 5

HSL 30.36, 0.89%, 0.18%

LAB 24.06, 15.53, 31.88

 

CMYK 94 / 0 / 94 / 66

HEX #055605

RGB 5 86 5

HSL 120, 0.89%, 0.18%

LAB 31.11, -38.03, 36.03

 

CMYK 94 / 48 / 0 / 66

HEX #052D56

RGB 5 45 86

HSL 210.37, 0.89%, 0.18%

LAB 18.28, 4.44, -28.53

 

CMYK 0 / 94 / 0 / 66

HEX #560556

RGB 86 5 86

HSL 300, 0.89%, 0.18%

LAB 19.05, 43.15, -26.83

 

Description

Color code: HEX #582F05 | qconv.com Color code: HEX #582F05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 47 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 47 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 94 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 94% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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