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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57B7E1 it is the complementary color #A8481E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57B7E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #57B7E1: #5CB7DC, #6DC9EF, #7EDBFF, #8FEDFF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57B7E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #57B7E1: #57B7E1, #46A5CE, #3593BB, #2481A8 and #136F95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

Complementary color

CMYK 0 / 57 / 82 / 34

HEX #A8481E

RGB 168 72 30

HSL 18.26, 0.7%, 0.39%

LAB 42.84, 37.17, 42.69

 

CMYK 58 / 17 / 0 / 14

HEX #5CB7DC

RGB 92 183 220

HSL 197.34, 0.65%, 0.61%

LAB 70.39, -16.52, -26.79

 

CMYK 54 / 16 / 0 / 6

HEX #6DC9EF

RGB 109 201 239

HSL 197.54, 0.8%, 0.68%

LAB 76.83, -16.99, -27.15

 

CMYK 51 / 14 / 0 / 0

HEX #7EDBFF

RGB 126 219 255

HSL 196.74, 1%, 0.75%

LAB 83.08, -18.18, -26.07

 

CMYK 44 / 7 / 0 / 0

HEX #8FEDFF

RGB 143 237 255

HSL 189.64, 1%, 0.78%

LAB 88.75, -23.38, -17.42

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 66 / 20 / 0 / 19

HEX #46A5CE

RGB 70 165 206

HSL 198.09, 0.58%, 0.54%

LAB 63.89, -15.18, -29.15

 

CMYK 72 / 21 / 0 / 27

HEX #3593BB

RGB 53 147 187

HSL 197.91, 0.56%, 0.47%

LAB 57.28, -14.22, -28.75

 

CMYK 79 / 23 / 0 / 34

HEX #2481A8

RGB 36 129 168

HSL 197.73, 0.65%, 0.4%

LAB 50.57, -12.93, -28.3

 

CMYK 87 / 26 / 0 / 42

HEX #136F95

RGB 19 111 149

HSL 197.54, 0.77%, 0.33%

LAB 43.77, -11.19, -27.78

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 62 / 29 / 0 / 12

HEX #55A0E1

RGB 85 160 225

HSL 207.86, 0.7%, 0.61%

LAB 63.76, -3.72, -39.84

 

CMYK 62 / 40 / 0 / 12

HEX #5588E1

RGB 85 136 225

HSL 218.14, 0.7%, 0.61%

LAB 57.05, 10.28, -50.42

 

CMYK 62 / 50 / 0 / 12

HEX #5571E1

RGB 85 113 225

HSL 228, 0.7%, 0.61%

LAB 50.89, 24.33, -60.28

 

CMYK 62 / 60 / 0 / 12

HEX #555AE1

RGB 85 90 225

HSL 237.86, 0.7%, 0.61%

LAB 45.19, 38.48, -69.51

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 62 / 19 / 0 / 92

HEX #081115

RGB 8 17 21

HSL 198.46, 0.45%, 0.06%

LAB 4.58, -1.87, -3.33

 

CMYK 61 / 18 / 0 / 72

HEX #1C3B48

RGB 28 59 72

HSL 197.73, 0.44%, 0.2%

LAB 23.14, -7.06, -11.48

 

CMYK 61 / 19 / 0 / 52

HEX #30647B

RGB 48 100 123

HSL 198.4, 0.44%, 0.34%

LAB 39.87, -10, -18.12

 

CMYK 61 / 18 / 0 / 32

HEX #438EAE

RGB 67 142 174

HSL 197.94, 0.44%, 0.47%

LAB 55.68, -13.43, -23.79

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 31 / 62 / 0 / 12

HEX #9B55E1

RGB 155 85 225

HSL 270, 0.7%, 0.61%

LAB 50.57, 54.83, -60.49

 

CMYK 0 / 6 / 62 / 12

HEX #E1D355

RGB 225 211 85

HSL 54, 0.7%, 0.61%

LAB 83.57, -10.07, 62.22

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 0 / 62 / 19 / 12

HEX #E155B7

RGB 225 85 183

HSL 318, 0.7%, 0.61%

LAB 57.96, 64.57, -24.21

 

CMYK 19 / 0 / 62 / 12

HEX #B7E155

RGB 183 225 85

HSL 78, 0.7%, 0.61%

LAB 84.26, -33.74, 62.05

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 31 / 62 / 0 / 12

HEX #9B55E1

RGB 155 85 225

HSL 270, 0.7%, 0.61%

LAB 50.57, 54.83, -60.49

 

CMYK 0 / 44 / 62 / 12

HEX #E17F55

RGB 225 127 85

HSL 18, 0.7%, 0.61%

LAB 63.21, 34.14, 39.07

 

CMYK 31 / 0 / 62 / 12

HEX #9BE155

RGB 155 225 85

HSL 90, 0.7%, 0.61%

LAB 82.63, -44.06, 59.8

 

CMYK 61 / 19 / 0 / 12

HEX #57B7E1

RGB 87 183 225

HSL 198.26, 0.7%, 0.61%

LAB 70.41, -15.93, -29.51

 

CMYK 12 / 62 / 0 / 12

HEX #C555E1

RGB 197 85 225

HSL 288, 0.7%, 0.61%

LAB 55.89, 64.4, -51.68

 

CMYK 0 / 44 / 62 / 12

HEX #E17F55

RGB 225 127 85

HSL 18, 0.7%, 0.61%

LAB 63.21, 34.14, 39.07

 

CMYK 50 / 0 / 62 / 12

HEX #71E155

RGB 113 225 85

HSL 108, 0.7%, 0.61%

LAB 80.75, -57.36, 57.19

 

Description

Color code: HEX #57B7E1 | qconv.com Color code: HEX #57B7E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 183 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 183 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 19 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 19% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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