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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57AE45 it is the complementary color #A851BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57AE45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57AE45 shade: #5CAE40, #6DC053, #7ED266, #8FE479 and #A0F68C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57AE45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57AE45 shade: #57AE45, #469C32, #358A1F, #24780C and #136600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57AE45 shade: #58AF46, #74AF46, #91AF46, #ADAF46 and #AF9546

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57AE45 shade: #58AF46, #46AF50, #46AF6C, #46AF89 and #46AFA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57AE45 shade matches the following richer shades: #58AF46, #4BC332, #3ED71E and #31EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57AE45 shade: #58AF46, #659B5A, #72876D, #7F7481 and #8C6095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57AE45 shade: #91AF46, #75AF46, #59AF46, #46AF4F and #46AF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57AE45 shade: #3A742E, #49923A, #58AF46, #6FBF5F and #8ACB7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57AE45 shade: #57AE45, #46ADAF and #AF4683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57AE45 shade: #57AE45, #4659AF and #AF4659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57AE45 shade: #57AE45, #46ADAF, #9C46AF and #AF4846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57AE45 shade: #57AE45, #468EAF, #9C46AF and #AF6746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 60 / 32

HEX #57AE45

RGB 87 174 69

HSL 109.71, 0.43%, 0.48%

LAB 63.94, -46.48, 45

 

Complementary color

CMYK 10 / 56 / 0 / 27

HEX #A851BA

RGB 168 81 186

HSL 289.71, 0.43%, 0.52%

LAB 49.2, 51.49, -40.24

 

CMYK 47 / 0 / 63 / 32

HEX #5CAE40

RGB 92 174 64

HSL 104.73, 0.46%, 0.47%

LAB 64.09, -45.5, 47.48

 

CMYK 43 / 0 / 57 / 25

HEX #6DC053

RGB 109 192 83

HSL 105.69, 0.46%, 0.54%

LAB 70.58, -45.64, 46.44

 

CMYK 40 / 0 / 51 / 18

HEX #7ED266

RGB 126 210 102

HSL 106.67, 0.55%, 0.61%

LAB 76.97, -45.64, 45.27

 

CMYK 37 / 0 / 47 / 11

HEX #8FE479

RGB 143 228 121

HSL 107.66, 0.66%, 0.68%

LAB 83.29, -45.56, 44.08

 

CMYK 35 / 0 / 43 / 4

HEX #A0F68C

RGB 160 246 140

HSL 108.68, 0.85%, 0.76%

LAB 89.52, -45.41, 42.89

 

CMYK 50 / 0 / 60 / 32

HEX #57AE45

RGB 87 174 69

HSL 109.71, 0.43%, 0.48%

LAB 63.94, -46.48, 45

 

CMYK 55 / 0 / 68 / 39

HEX #469C32

RGB 70 156 50

HSL 108.68, 0.51%, 0.4%

LAB 57.38, -46.13, 45.96

 

CMYK 62 / 0 / 78 / 46

HEX #358A1F

RGB 53 138 31

HSL 107.66, 0.63%, 0.33%

LAB 50.73, -45.4, 46.41

 

CMYK 70 / 0 / 90 / 53

HEX #24780C

RGB 36 120 12

HSL 106.67, 0.82%, 0.26%

LAB 43.99, -44.04, 45.68

 

CMYK 81 / 0 / 100 / 60

HEX #136600

RGB 19 102 0

HSL 108.82, 1%, 0.2%

LAB 37.19, -41.67, 42.76

 

CMYK 50 / 0 / 60 / 31

HEX #58AF46

RGB 88 175 70

HSL 109.71, 0.43%, 0.48%

LAB 64.3, -46.48, 44.97

 

CMYK 34 / 0 / 60 / 31

HEX #74AF46

RGB 116 175 70

HSL 93.71, 0.43%, 0.48%

LAB 65.6, -37.31, 46.8

 

CMYK 17 / 0 / 60 / 31

HEX #91AF46

RGB 145 175 70

HSL 77.14, 0.43%, 0.48%

LAB 67.37, -26.21, 49.26

 

CMYK 1 / 0 / 60 / 31

HEX #ADAF46

RGB 173 175 70

HSL 61.14, 0.43%, 0.48%

LAB 69.46, -14.58, 52.16

 

CMYK 0 / 15 / 60 / 31

HEX #AF9546

RGB 175 149 70

HSL 45.14, 0.43%, 0.48%

LAB 62.55, 0.07, 44.51

 

CMYK 50 / 0 / 60 / 31

HEX #58AF46

RGB 88 175 70

HSL 109.71, 0.43%, 0.48%

LAB 64.3, -46.48, 44.97

 

CMYK 60 / 0 / 54 / 31

HEX #46AF50

RGB 70 175 80

HSL 125.71, 0.43%, 0.48%

LAB 63.79, -50.01, 39.46

 

CMYK 60 / 0 / 38 / 31

HEX #46AF6C

RGB 70 175 108

HSL 141.71, 0.43%, 0.48%

LAB 64.2, -45.52, 25.57

 

CMYK 60 / 0 / 22 / 31

HEX #46AF89

RGB 70 175 137

HSL 158.29, 0.43%, 0.48%

LAB 64.78, -39.47, 10.58

 

CMYK 60 / 0 / 6 / 31

HEX #46AFA5

RGB 70 175 165

HSL 174.29, 0.43%, 0.48%

LAB 65.5, -32.44, -3.9

 

CMYK 50 / 0 / 60 / 31

HEX #58AF46

RGB 88 175 70

HSL 109.71, 0.43%, 0.48%

LAB 64.3, -46.48, 44.97

 

CMYK 62 / 0 / 74 / 24

HEX #4BC332

RGB 75 195 50

HSL 109.66, 0.59%, 0.48%

LAB 70, -59.17, 59.04

 

CMYK 71 / 0 / 86 / 16

HEX #3ED71E

RGB 62 215 30

HSL 109.62, 0.76%, 0.48%

LAB 75.9, -69.37, 69.96

 

CMYK 79 / 0 / 96 / 8

HEX #31EA0A

RGB 49 234 10

HSL 109.55, 0.92%, 0.48%

LAB 81.58, -77.37, 77.54

 

CMYK 50 / 0 / 60 / 31

HEX #58AF46

RGB 88 175 70

HSL 109.71, 0.43%, 0.48%

LAB 64.3, -46.48, 44.97

 

CMYK 35 / 0 / 42 / 39

HEX #659B5A

RGB 101 155 90

HSL 109.85, 0.27%, 0.48%

LAB 58.93, -30.94, 28.54

 

CMYK 16 / 0 / 19 / 47

HEX #72876D

RGB 114 135 109

HSL 108.46, 0.11%, 0.48%

LAB 54.04, -12.83, 11.5

 

CMYK 2 / 10 / 0 / 49

HEX #7F7481

RGB 127 116 129

HSL 290.77, 0.05%, 0.48%

LAB 50.2, 6.8, -5.58

 

CMYK 6 / 36 / 0 / 42

HEX #8C6095

RGB 140 96 149

HSL 289.81, 0.22%, 0.48%

LAB 47.12, 27.41, -21.99

 

CMYK 17 / 0 / 60 / 31

HEX #91AF46

RGB 145 175 70

HSL 77.14, 0.43%, 0.48%

LAB 67.37, -26.21, 49.26

 

CMYK 33 / 0 / 60 / 31

HEX #75AF46

RGB 117 175 70

HSL 93.14, 0.43%, 0.48%

LAB 65.66, -36.95, 46.87

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 0 / 55 / 31

HEX #46AF4F

RGB 70 175 79

HSL 125.14, 0.43%, 0.48%

LAB 63.78, -50.14, 39.93

 

CMYK 60 / 0 / 39 / 31

HEX #46AF6B

RGB 70 175 107

HSL 141.14, 0.43%, 0.48%

LAB 64.18, -45.7, 26.08

 

CMYK 50 / 0 / 60 / 55

HEX #3A742E

RGB 58 116 46

HSL 109.71, 0.43%, 0.32%

LAB 43.64, -33.6, 32.36

 

CMYK 50 / 0 / 60 / 43

HEX #49923A

RGB 73 146 58

HSL 109.77, 0.43%, 0.4%

LAB 54.32, -40.38, 38.98

 

CMYK 50 / 0 / 60 / 31

HEX #58AF46

RGB 88 175 70

HSL 109.71, 0.43%, 0.48%

LAB 64.3, -46.48, 44.97

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF5F

RGB 111 191 95

HSL 110, 0.43%, 0.56%

LAB 70.5, -43.15, 40.62

 

CMYK 32 / 0 / 39 / 20

HEX #8ACB7C

RGB 138 203 124

HSL 109.37, 0.43%, 0.64%

LAB 75.8, -35.71, 33

 

CMYK 50 / 0 / 60 / 32

HEX #57AE45

RGB 87 174 69

HSL 109.71, 0.43%, 0.48%

LAB 63.94, -46.48, 45

 

CMYK 60 / 1 / 0 / 31

HEX #46ADAF

RGB 70 173 175

HSL 181.14, 0.43%, 0.48%

LAB 65.19, -28.7, -9.92

 

CMYK 0 / 60 / 25 / 31

HEX #AF4683

RGB 175 70 131

HSL 325.14, 0.43%, 0.48%

LAB 45.82, 49.43, -12.76

 

CMYK 50 / 0 / 60 / 32

HEX #57AE45

RGB 87 174 69

HSL 109.71, 0.43%, 0.48%

LAB 63.94, -46.48, 45

 

CMYK 60 / 49 / 0 / 31

HEX #4659AF

RGB 70 89 175

HSL 229.14, 0.43%, 0.48%

LAB 40.48, 19.58, -48.28

 

CMYK 0 / 60 / 49 / 31

HEX #AF4659

RGB 175 70 89

HSL 349.14, 0.43%, 0.48%

LAB 44.54, 44.51, 11.08

 

CMYK 50 / 0 / 60 / 32

HEX #57AE45

RGB 87 174 69

HSL 109.71, 0.43%, 0.48%

LAB 63.94, -46.48, 45

 

CMYK 60 / 1 / 0 / 31

HEX #46ADAF

RGB 70 173 175

HSL 181.14, 0.43%, 0.48%

LAB 65.19, -28.7, -9.92

 

CMYK 11 / 60 / 0 / 31

HEX #9C46AF

RGB 156 70 175

HSL 289.14, 0.43%, 0.48%

LAB 45, 51.49, -40.55

 

CMYK 0 / 59 / 60 / 31

HEX #AF4846

RGB 175 72 70

HSL 1.14, 0.43%, 0.48%

LAB 44.51, 41.96, 22.62

 

CMYK 50 / 0 / 60 / 32

HEX #57AE45

RGB 87 174 69

HSL 109.71, 0.43%, 0.48%

LAB 63.94, -46.48, 45

 

CMYK 60 / 19 / 0 / 31

HEX #468EAF

RGB 70 142 175

HSL 198.86, 0.43%, 0.48%

LAB 55.83, -12.53, -24.12

 

CMYK 11 / 60 / 0 / 31

HEX #9C46AF

RGB 156 70 175

HSL 289.14, 0.43%, 0.48%

LAB 45, 51.49, -40.55

 

CMYK 0 / 41 / 60 / 31

HEX #AF6746

RGB 175 103 70

HSL 18.86, 0.43%, 0.48%

LAB 50.99, 25.69, 30.81

 

Description

Color code: HEX #57AE45 | qconv.com Color code: HEX #57AE45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 174 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 174 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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