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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59AF46 it is the complementary color #A650B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59AF46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59AF46 shade: #5EAF41, #6FC154, #80D367, #91E57A and #A2F78D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59AF46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59AF46 shade: #59AF46, #489D33, #378B20, #26790D and #156700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59AF46 shade: #59AF46, #75AF46, #92AF46, #AEAF46 and #AF9446

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59AF46 shade: #59AF46, #46AF4F, #46AF6B, #46AF88 and #46AFA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59AF46 shade matches the following richer shades: #59AF46, #4CC332, #40D71E and #33EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59AF46 shade: #59AF46, #659B5A, #72876D, #7F7481 and #8B6095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59AF46 shade: #91AF46, #75AF46, #59AF46, #46AF4F and #46AF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59AF46 shade: #3B742E, #4A923A, #59AF46, #70BF5F and #8BCB7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59AF46 shade: #59AF46, #46ADAF and #AF4683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59AF46 shade: #59AF46, #4659AF and #AF4659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59AF46 shade: #59AF46, #46ADAF, #9C46AF and #AF4846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59AF46 shade: #59AF46, #468EAF, #9C46AF and #AF6746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

Complementary color

CMYK 10 / 57 / 0 / 27

HEX #A650B9

RGB 166 80 185

HSL 289.14, 0.43%, 0.52%

LAB 48.69, 51.25, -40.47

 

CMYK 46 / 0 / 63 / 31

HEX #5EAF41

RGB 94 175 65

HSL 104.18, 0.46%, 0.47%

LAB 64.5, -45.19, 47.52

 

CMYK 42 / 0 / 56 / 24

HEX #6FC154

RGB 111 193 84

HSL 105.14, 0.47%, 0.54%

LAB 70.98, -45.32, 46.47

 

CMYK 39 / 0 / 51 / 17

HEX #80D367

RGB 128 211 103

HSL 106.11, 0.55%, 0.62%

LAB 77.37, -45.31, 45.3

 

CMYK 37 / 0 / 47 / 10

HEX #91E57A

RGB 145 229 122

HSL 107.1, 0.67%, 0.69%

LAB 83.69, -45.22, 44.11

 

CMYK 34 / 0 / 43 / 3

HEX #A2F78D

RGB 162 247 141

HSL 108.11, 0.87%, 0.76%

LAB 89.92, -45.08, 42.92

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 54 / 0 / 68 / 38

HEX #489D33

RGB 72 157 51

HSL 108.11, 0.51%, 0.41%

LAB 57.78, -45.87, 45.99

 

CMYK 60 / 0 / 77 / 45

HEX #378B20

RGB 55 139 32

HSL 107.1, 0.63%, 0.34%

LAB 51.13, -45.19, 46.47

 

CMYK 69 / 0 / 89 / 53

HEX #26790D

RGB 38 121 13

HSL 106.11, 0.81%, 0.26%

LAB 44.4, -43.9, 45.82

 

CMYK 80 / 0 / 100 / 60

HEX #156700

RGB 21 103 0

HSL 107.77, 1%, 0.2%

LAB 37.59, -41.67, 43.09

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 33 / 0 / 60 / 31

HEX #75AF46

RGB 117 175 70

HSL 93.14, 0.43%, 0.48%

LAB 65.66, -36.95, 46.87

 

CMYK 17 / 0 / 60 / 31

HEX #92AF46

RGB 146 175 70

HSL 76.57, 0.43%, 0.48%

LAB 67.44, -25.81, 49.36

 

CMYK 1 / 0 / 60 / 31

HEX #AEAF46

RGB 174 175 70

HSL 60.57, 0.43%, 0.48%

LAB 69.54, -14.16, 52.27

 

CMYK 0 / 15 / 60 / 31

HEX #AF9446

RGB 175 148 70

HSL 44.57, 0.43%, 0.48%

LAB 62.28, 0.62, 44.2

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 0 / 55 / 31

HEX #46AF4F

RGB 70 175 79

HSL 125.14, 0.43%, 0.48%

LAB 63.78, -50.14, 39.93

 

CMYK 60 / 0 / 39 / 31

HEX #46AF6B

RGB 70 175 107

HSL 141.14, 0.43%, 0.48%

LAB 64.18, -45.7, 26.08

 

CMYK 60 / 0 / 22 / 31

HEX #46AF88

RGB 70 175 136

HSL 157.71, 0.43%, 0.48%

LAB 64.76, -39.7, 11.1

 

CMYK 60 / 0 / 6 / 31

HEX #46AFA4

RGB 70 175 164

HSL 173.71, 0.43%, 0.48%

LAB 65.47, -32.71, -3.39

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 61 / 0 / 74 / 24

HEX #4CC332

RGB 76 195 50

HSL 109.24, 0.59%, 0.48%

LAB 70.03, -58.93, 59.08

 

CMYK 70 / 0 / 86 / 16

HEX #40D71E

RGB 64 215 30

HSL 108.97, 0.76%, 0.48%

LAB 75.94, -69.03, 70.01

 

CMYK 78 / 0 / 96 / 8

HEX #33EA0A

RGB 51 234 10

HSL 109.02, 0.92%, 0.48%

LAB 81.6, -77.12, 77.57

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 35 / 0 / 42 / 39

HEX #659B5A

RGB 101 155 90

HSL 109.85, 0.27%, 0.48%

LAB 58.93, -30.94, 28.54

 

CMYK 16 / 0 / 19 / 47

HEX #72876D

RGB 114 135 109

HSL 108.46, 0.11%, 0.48%

LAB 54.04, -12.83, 11.5

 

CMYK 2 / 10 / 0 / 49

HEX #7F7481

RGB 127 116 129

HSL 290.77, 0.05%, 0.48%

LAB 50.2, 6.8, -5.58

 

CMYK 7 / 36 / 0 / 42

HEX #8B6095

RGB 139 96 149

HSL 288.68, 0.22%, 0.48%

LAB 47.01, 27.07, -22.17

 

CMYK 17 / 0 / 60 / 31

HEX #91AF46

RGB 145 175 70

HSL 77.14, 0.43%, 0.48%

LAB 67.37, -26.21, 49.26

 

CMYK 33 / 0 / 60 / 31

HEX #75AF46

RGB 117 175 70

HSL 93.14, 0.43%, 0.48%

LAB 65.66, -36.95, 46.87

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 0 / 55 / 31

HEX #46AF4F

RGB 70 175 79

HSL 125.14, 0.43%, 0.48%

LAB 63.78, -50.14, 39.93

 

CMYK 60 / 0 / 39 / 31

HEX #46AF6B

RGB 70 175 107

HSL 141.14, 0.43%, 0.48%

LAB 64.18, -45.7, 26.08

 

CMYK 49 / 0 / 60 / 55

HEX #3B742E

RGB 59 116 46

HSL 108.86, 0.43%, 0.32%

LAB 43.68, -33.28, 32.43

 

CMYK 49 / 0 / 60 / 43

HEX #4A923A

RGB 74 146 58

HSL 109.09, 0.43%, 0.4%

LAB 54.36, -40.08, 39.04

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 41 / 0 / 50 / 25

HEX #70BF5F

RGB 112 191 95

HSL 109.38, 0.43%, 0.56%

LAB 70.55, -42.84, 40.69

 

CMYK 32 / 0 / 39 / 20

HEX #8BCB7C

RGB 139 203 124

HSL 108.61, 0.43%, 0.64%

LAB 75.86, -35.38, 33.07

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 1 / 0 / 31

HEX #46ADAF

RGB 70 173 175

HSL 181.14, 0.43%, 0.48%

LAB 65.19, -28.7, -9.92

 

CMYK 0 / 60 / 25 / 31

HEX #AF4683

RGB 175 70 131

HSL 325.14, 0.43%, 0.48%

LAB 45.82, 49.43, -12.76

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 49 / 0 / 31

HEX #4659AF

RGB 70 89 175

HSL 229.14, 0.43%, 0.48%

LAB 40.48, 19.58, -48.28

 

CMYK 0 / 60 / 49 / 31

HEX #AF4659

RGB 175 70 89

HSL 349.14, 0.43%, 0.48%

LAB 44.54, 44.51, 11.08

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 1 / 0 / 31

HEX #46ADAF

RGB 70 173 175

HSL 181.14, 0.43%, 0.48%

LAB 65.19, -28.7, -9.92

 

CMYK 11 / 60 / 0 / 31

HEX #9C46AF

RGB 156 70 175

HSL 289.14, 0.43%, 0.48%

LAB 45, 51.49, -40.55

 

CMYK 0 / 59 / 60 / 31

HEX #AF4846

RGB 175 72 70

HSL 1.14, 0.43%, 0.48%

LAB 44.51, 41.96, 22.62

 

CMYK 49 / 0 / 60 / 31

HEX #59AF46

RGB 89 175 70

HSL 109.14, 0.43%, 0.48%

LAB 64.34, -46.19, 45.03

 

CMYK 60 / 19 / 0 / 31

HEX #468EAF

RGB 70 142 175

HSL 198.86, 0.43%, 0.48%

LAB 55.83, -12.53, -24.12

 

CMYK 11 / 60 / 0 / 31

HEX #9C46AF

RGB 156 70 175

HSL 289.14, 0.43%, 0.48%

LAB 45, 51.49, -40.55

 

CMYK 0 / 41 / 60 / 31

HEX #AF6746

RGB 175 103 70

HSL 18.86, 0.43%, 0.48%

LAB 50.99, 25.69, 30.81

 

Description

Color code: HEX #59AF46 | qconv.com Color code: HEX #59AF46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 175 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 175 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 60 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 60% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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