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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57907C it is the complementary color #A86F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57907C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #57907C: #5C9077, #6DA28A, #7EB49D, #8FC6B0 and #A0D8C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57907C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #57907C: #57907C, #467E69, #356C56, #245A43 and #134830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

Complementary color

CMYK 0 / 34 / 22 / 34

HEX #A86F83

RGB 168 111 131

HSL 338.95, 0.25%, 0.55%

LAB 53.31, 25.53, -1.68

 

CMYK 36 / 0 / 17 / 44

HEX #5C9077

RGB 92 144 119

HSL 151.15, 0.22%, 0.46%

LAB 55.64, -23.17, 7.84

 

CMYK 33 / 0 / 15 / 36

HEX #6DA28A

RGB 109 162 138

HSL 152.83, 0.22%, 0.53%

LAB 62.45, -22.92, 6.93

 

CMYK 30 / 0 / 13 / 29

HEX #7EB49D

RGB 126 180 157

HSL 154.44, 0.26%, 0.6%

LAB 69.12, -22.68, 6.08

 

CMYK 28 / 0 / 11 / 22

HEX #8FC6B0

RGB 143 198 176

HSL 156, 0.33%, 0.67%

LAB 75.68, -22.48, 5.29

 

CMYK 26 / 0 / 10 / 15

HEX #A0D8C3

RGB 160 216 195

HSL 157.5, 0.42%, 0.74%

LAB 82.12, -22.29, 4.54

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 44 / 0 / 17 / 51

HEX #467E69

RGB 70 126 105

HSL 157.5, 0.29%, 0.38%

LAB 48.57, -23.78, 5.71

 

CMYK 51 / 0 / 20 / 58

HEX #356C56

RGB 53 108 86

HSL 156, 0.34%, 0.32%

LAB 41.46, -23.98, 6.77

 

CMYK 60 / 0 / 26 / 65

HEX #245A43

RGB 36 90 67

HSL 154.44, 0.43%, 0.25%

LAB 34.18, -24.09, 7.99

 

CMYK 74 / 0 / 33 / 72

HEX #134830

RGB 19 72 48

HSL 152.83, 0.58%, 0.18%

LAB 26.7, -23.95, 9.46

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 40 / 0 / 8 / 44

HEX #568F83

RGB 86 143 131

HSL 167.37, 0.25%, 0.45%

LAB 55.34, -21.67, 0.49

 

CMYK 40 / 0 / 1 / 44

HEX #568F8D

RGB 86 143 141

HSL 177.89, 0.25%, 0.45%

LAB 55.63, -19.15, -4.84

 

CMYK 40 / 6 / 0 / 44

HEX #56878F

RGB 86 135 143

HSL 188.42, 0.25%, 0.45%

LAB 53.26, -14.33, -9.52

 

CMYK 40 / 12 / 0 / 44

HEX #567E8F

RGB 86 126 143

HSL 197.89, 0.25%, 0.45%

LAB 50.55, -9.31, -13.6

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 39 / 0 / 14 / 24

HEX #76C3A8

RGB 118 195 168

HSL 158.96, 0.39%, 0.61%

LAB 73.36, -30.03, 6.12

 

CMYK 39 / 0 / 14 / 4

HEX #95F6D4

RGB 149 246 212

HSL 158.97, 0.84%, 0.77%

LAB 90.35, -36.17, 7.4

 

CMYK 40 / 0 / 14 / 84

HEX #192A24

RGB 25 42 36

HSL 158.82, 0.25%, 0.13%

LAB 15.43, -8.77, 1.68

 

CMYK 40 / 0 / 14 / 64

HEX #385D50

RGB 56 93 80

HSL 158.92, 0.25%, 0.29%

LAB 36.46, -16.6, 3.31

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 40 / 34 / 0 / 44

HEX #565F8F

RGB 86 95 143

HSL 230.53, 0.25%, 0.45%

LAB 41.45, 9.26, -27.61

 

CMYK 0 / 31 / 40 / 44

HEX #8F6356

RGB 143 99 86

HSL 13.68, 0.25%, 0.45%

LAB 46.22, 16.07, 14.52

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 15 / 40 / 0 / 44

HEX #7A568F

RGB 122 86 143

HSL 277.89, 0.25%, 0.45%

LAB 42.42, 26.03, -25.83

 

CMYK 0 / 15 / 40 / 44

HEX #8F7A56

RGB 143 122 86

HSL 37.89, 0.25%, 0.45%

LAB 52.32, 2.75, 22.72

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 40 / 34 / 0 / 44

HEX #565F8F

RGB 86 95 143

HSL 230.53, 0.25%, 0.45%

LAB 41.45, 9.26, -27.61

 

CMYK 0 / 40 / 25 / 44

HEX #8F566B

RGB 143 86 107

HSL 337.89, 0.25%, 0.45%

LAB 43.59, 26.56, -1.94

 

CMYK 0 / 7 / 40 / 44

HEX #8F8556

RGB 143 133 86

HSL 49.47, 0.25%, 0.45%

LAB 55.37, -3.46, 26.7

 

CMYK 40 / 0 / 14 / 44

HEX #57907C

RGB 87 144 124

HSL 158.95, 0.25%, 0.45%

LAB 55.51, -23.56, 4.76

 

CMYK 35 / 40 / 0 / 44

HEX #5D568F

RGB 93 86 143

HSL 247.37, 0.25%, 0.45%

LAB 39.52, 16.96, -30.58

 

CMYK 0 / 40 / 25 / 44

HEX #8F566B

RGB 143 86 107

HSL 337.89, 0.25%, 0.45%

LAB 43.59, 26.56, -1.94

 

CMYK 6 / 0 / 40 / 44

HEX #878F56

RGB 135 143 86

HSL 68.42, 0.25%, 0.45%

LAB 57.53, -12.31, 29.34

 

Description

Color code: HEX #57907C | qconv.com Color code: HEX #57907C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 144 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 144 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 14 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 14% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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