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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5770B3 it is the complementary color #A88F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5770B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5770B3: #5C70AE, #6D82C1, #7E94D4, #8FA6E7 and #A0B8FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5770B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5770B3: #5770B3, #465EA0, #354C8D, #243A7A and #132867

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

Complementary color

CMYK 0 / 15 / 55 / 34

HEX #A88F4C

RGB 168 143 76

HSL 43.7, 0.38%, 0.48%

LAB 60.33, 0.79, 38.74

 

CMYK 47 / 36 / 0 / 32

HEX #5C70AE

RGB 92 112 174

HSL 225.37, 0.34%, 0.52%

LAB 48.16, 9.77, -35.4

 

CMYK 44 / 33 / 0 / 24

HEX #6D82C1

RGB 109 130 193

HSL 225, 0.4%, 0.59%

LAB 55.14, 9.01, -35.3

 

CMYK 41 / 30 / 0 / 17

HEX #7E94D4

RGB 126 148 212

HSL 224.65, 0.5%, 0.66%

LAB 61.97, 8.38, -35.26

 

CMYK 38 / 28 / 0 / 9

HEX #8FA6E7

RGB 143 166 231

HSL 224.32, 0.65%, 0.73%

LAB 68.67, 7.84, -35.27

 

CMYK 36 / 26 / 0 / 2

HEX #A0B8FA

RGB 160 184 250

HSL 224, 0.9%, 0.8%

LAB 75.24, 7.36, -35.31

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 56 / 41 / 0 / 37

HEX #465EA0

RGB 70 94 160

HSL 224, 0.39%, 0.45%

LAB 40.97, 11.22, -38.6

 

CMYK 62 / 46 / 0 / 45

HEX #354C8D

RGB 53 76 141

HSL 224.32, 0.45%, 0.38%

LAB 33.67, 12.63, -38.84

 

CMYK 70 / 52 / 0 / 52

HEX #243A7A

RGB 36 58 122

HSL 224.65, 0.54%, 0.31%

LAB 26.18, 14.53, -39.12

 

CMYK 82 / 61 / 0 / 60

HEX #132867

RGB 19 40 103

HSL 225, 0.69%, 0.24%

LAB 18.52, 17.17, -39.36

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 52 / 46 / 0 / 30

HEX #5660B3

RGB 86 96 179

HSL 233.55, 0.38%, 0.52%

LAB 43.65, 19.86, -45.49

 

CMYK 50 / 52 / 0 / 30

HEX #5A56B3

RGB 90 86 179

HSL 242.58, 0.38%, 0.52%

LAB 41.35, 27.03, -49.16

 

CMYK 41 / 52 / 0 / 30

HEX #6A56B3

RGB 106 86 179

HSL 252.9, 0.38%, 0.52%

LAB 42.72, 30.83, -46.88

 

CMYK 32 / 52 / 0 / 30

HEX #7956B3

RGB 121 86 179

HSL 262.58, 0.38%, 0.52%

LAB 44.2, 34.66, -44.44

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 51 / 37 / 0 / 10

HEX #7090E6

RGB 112 144 230

HSL 223.73, 0.7%, 0.67%

LAB 60.87, 12.59, -47.06

 

CMYK 50 / 38 / 0 / 90

HEX #0D101A

RGB 13 16 26

HSL 226.15, 0.33%, 0.08%

LAB 4.79, 1.36, -6.74

 

CMYK 52 / 38 / 0 / 70

HEX #25304D

RGB 37 48 77

HSL 223.5, 0.35%, 0.22%

LAB 20.22, 4.67, -19.33

 

CMYK 52 / 38 / 0 / 50

HEX #3E5080

RGB 62 80 128

HSL 223.64, 0.35%, 0.37%

LAB 34.64, 7.5, -29.27

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 4 / 52 / 0 / 30

HEX #AB56B3

RGB 171 86 179

HSL 294.84, 0.38%, 0.52%

LAB 50.18, 48.47, -34.59

 

CMYK 17 / 0 / 52 / 30

HEX #95B356

RGB 149 179 86

HSL 79.35, 0.38%, 0.52%

LAB 68.97, -25.08, 43.67

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 0 / 52 / 37 / 30

HEX #B35670

RGB 179 86 112

HSL 343.23, 0.38%, 0.52%

LAB 48.77, 40.5, 3.18

 

CMYK 37 / 0 / 52 / 30

HEX #70B356

RGB 112 179 86

HSL 103.23, 0.38%, 0.52%

LAB 66.79, -38.73, 40.54

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 4 / 52 / 0 / 30

HEX #AB56B3

RGB 171 86 179

HSL 294.84, 0.38%, 0.52%

LAB 50.18, 48.47, -34.59

 

CMYK 0 / 15 / 52 / 30

HEX #B39856

RGB 179 152 86

HSL 42.58, 0.38%, 0.52%

LAB 63.93, 1.49, 38.18

 

CMYK 48 / 0 / 52 / 30

HEX #5DB356

RGB 93 179 86

HSL 115.48, 0.38%, 0.52%

LAB 65.93, -44.72, 39.3

 

CMYK 51 / 37 / 0 / 30

HEX #5770B3

RGB 87 112 179

HSL 223.7, 0.38%, 0.52%

LAB 48.09, 10.12, -38.43

 

CMYK 0 / 52 / 12 / 30

HEX #B3569E

RGB 179 86 158

HSL 313.55, 0.38%, 0.52%

LAB 50.34, 47.08, -21.93

 

CMYK 0 / 15 / 52 / 30

HEX #B39856

RGB 179 152 86

HSL 42.58, 0.38%, 0.52%

LAB 63.93, 1.49, 38.18

 

CMYK 52 / 0 / 41 / 30

HEX #56B36A

RGB 86 179 106

HSL 132.9, 0.38%, 0.52%

LAB 65.95, -43.66, 29.04

 

Description

Color code: HEX #5770B3 | qconv.com Color code: HEX #5770B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 112 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 112 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 37 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 37% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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