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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576722 it is the complementary color #A898DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #576722: #5C671D, #6D7930, #7E8B43, #8F9D56 and #A0AF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #576722: #576722, #46550F, #354300, #243100 and #131F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

Complementary color

CMYK 24 / 31 / 0 / 13

HEX #A898DD

RGB 168 152 221

HSL 253.91, 0.5%, 0.73%

LAB 66.52, 20.33, -32.95

 

CMYK 11 / 0 / 72 / 60

HEX #5C671D

RGB 92 103 29

HSL 68.92, 0.56%, 0.26%

LAB 41.32, -15.14, 38.48

 

CMYK 10 / 0 / 60 / 53

HEX #6D7930

RGB 109 121 48

HSL 69.86, 0.43%, 0.33%

LAB 48.44, -15.72, 37.69

 

CMYK 9 / 0 / 52 / 45

HEX #7E8B43

RGB 126 139 67

HSL 70.83, 0.35%, 0.4%

LAB 55.39, -16.12, 36.56

 

CMYK 9 / 0 / 45 / 38

HEX #8F9D56

RGB 143 157 86

HSL 71.83, 0.29%, 0.48%

LAB 62.19, -16.39, 35.34

 

CMYK 9 / 0 / 40 / 31

HEX #A0AF69

RGB 160 175 105

HSL 72.86, 0.3%, 0.55%

LAB 68.86, -16.59, 34.13

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 18 / 0 / 82 / 67

HEX #46550F

RGB 70 85 15

HSL 72.86, 0.7%, 0.2%

LAB 33.63, -16.41, 36.03

 

CMYK 21 / 0 / 100 / 74

HEX #354300

RGB 53 67 0

HSL 72.54, 1%, 0.13%

LAB 26.07, -15.39, 34.4

 

CMYK 27 / 0 / 100 / 81

HEX #243100

RGB 36 49 0

HSL 75.92, 1%, 0.1%

LAB 18.24, -13.68, 25.72

 

CMYK 39 / 0 / 100 / 88

HEX #131F00

RGB 19 31 0

HSL 83.23, 1%, 0.06%

LAB 9.94, -11.78, 14.62

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 26 / 0 / 67 / 60

HEX #4C6722

RGB 76 103 34

HSL 83.48, 0.5%, 0.27%

LAB 40.17, -21.9, 34.63

 

CMYK 37 / 0 / 67 / 60

HEX #416722

RGB 65 103 34

HSL 93.04, 0.5%, 0.27%

LAB 39.48, -26.41, 33.68

 

CMYK 49 / 0 / 67 / 60

HEX #356722

RGB 53 103 34

HSL 103.48, 0.5%, 0.27%

LAB 38.85, -30.84, 32.81

 

CMYK 59 / 0 / 67 / 60

HEX #2A6722

RGB 42 103 34

HSL 113.04, 0.5%, 0.27%

LAB 38.39, -34.32, 32.17

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 16 / 0 / 67 / 40

HEX #829A33

RGB 130 154 51

HSL 73.98, 0.5%, 0.4%

LAB 59.98, -23.5, 49.27

 

CMYK 16 / 0 / 67 / 20

HEX #ADCD44

RGB 173 205 68

HSL 74.01, 0.58%, 0.54%

LAB 77.85, -29.51, 61.9

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 15 / 0 / 67 / 80

HEX #2C3411

RGB 44 52 17

HSL 73.71, 0.51%, 0.14%

LAB 20.17, -9.88, 20.61

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 67 / 0 / 39 / 60

HEX #22673F

RGB 34 103 63

HSL 145.22, 0.5%, 0.27%

LAB 38.55, -31.64, 16.4

 

CMYK 13 / 67 / 0 / 60

HEX #5A2267

RGB 90 34 103

HSL 288.7, 0.5%, 0.27%

LAB 24.63, 36.79, -29.13

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 67 / 15 / 0 / 60

HEX #225867

RGB 34 88 103

HSL 193.04, 0.5%, 0.27%

LAB 34.6, -12.61, -13.91

 

CMYK 0 / 67 / 15 / 60

HEX #672258

RGB 103 34 88

HSL 313.04, 0.5%, 0.27%

LAB 25.96, 37.6, -17.07

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 67 / 0 / 39 / 60

HEX #22673F

RGB 34 103 63

HSL 145.22, 0.5%, 0.27%

LAB 38.55, -31.64, 16.4

 

CMYK 52 / 67 / 0 / 60

HEX #312267

RGB 49 34 103

HSL 253.04, 0.5%, 0.27%

LAB 19.12, 26.58, -38.28

 

CMYK 0 / 67 / 28 / 60

HEX #67224A

RGB 103 34 74

HSL 325.22, 0.5%, 0.27%

LAB 25.33, 35.38, -8.72

 

CMYK 16 / 0 / 67 / 60

HEX #576722

RGB 87 103 34

HSL 73.91, 0.5%, 0.27%

LAB 40.96, -17.05, 35.72

 

CMYK 67 / 0 / 19 / 60

HEX #226753

RGB 34 103 83

HSL 162.61, 0.5%, 0.27%

LAB 39.01, -26.82, 5

 

CMYK 52 / 67 / 0 / 60

HEX #312267

RGB 49 34 103

HSL 253.04, 0.5%, 0.27%

LAB 19.12, 26.58, -38.28

 

CMYK 0 / 67 / 49 / 60

HEX #672235

RGB 103 34 53

HSL 343.48, 0.5%, 0.27%

LAB 24.59, 32.69, 4.42

 

Description

Color code: HEX #576722 | qconv.com Color code: HEX #576722 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 103 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 103 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 67 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 67% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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