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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #573465 it is the complementary color #A8CB9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #573465. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #573465: #5C3460, #6D4673, #7E5886, #8F6A99 and #A07CAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #573465. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #573465: #573465, #462252, #35103F, #24002C and #130019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

Complementary color

CMYK 17 / 0 / 24 / 20

HEX #A8CB9A

RGB 168 203 154

HSL 102.86, 0.32%, 0.7%

LAB 78.09, -20.74, 20.69

 

CMYK 4 / 46 / 0 / 62

HEX #5C3460

RGB 92 52 96

HSL 294.55, 0.3%, 0.29%

LAB 28.32, 25.83, -18.77

 

CMYK 5 / 39 / 0 / 55

HEX #6D4673

RGB 109 70 115

HSL 292, 0.24%, 0.36%

LAB 35.73, 24.97, -19.18

 

CMYK 6 / 34 / 0 / 47

HEX #7E5886

RGB 126 88 134

HSL 289.57, 0.21%, 0.44%

LAB 42.97, 24.17, -19.52

 

CMYK 7 / 31 / 0 / 40

HEX #8F6A99

RGB 143 106 153

HSL 287.23, 0.19%, 0.51%

LAB 50.03, 23.44, -19.84

 

CMYK 7 / 28 / 0 / 33

HEX #A07CAC

RGB 160 124 172

HSL 285, 0.22%, 0.58%

LAB 56.95, 22.77, -20.16

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 15 / 59 / 0 / 68

HEX #462252

RGB 70 34 82

HSL 285, 0.41%, 0.23%

LAB 20.26, 26.17, -22.37

 

CMYK 16 / 75 / 0 / 75

HEX #35103F

RGB 53 16 63

HSL 287.23, 0.59%, 0.15%

LAB 12.52, 26.76, -21.75

 

CMYK 18 / 100 / 0 / 83

HEX #24002C

RGB 36 0 44

HSL 289.09, 1%, 0.09%

LAB 5.03, 25.2, -20.03

 

CMYK 24 / 100 / 0 / 90

HEX #130019

RGB 19 0 25

HSL 285.6, 1%, 0.05%

LAB 1.88, 10.07, -10.15

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 6 / 48 / 0 / 61

HEX #5E3464

RGB 94 52 100

HSL 292.5, 0.32%, 0.3%

LAB 28.79, 27.38, -20.6

 

CMYK 0 / 48 / 1 / 61

HEX #643463

RGB 100 52 99

HSL 301.25, 0.32%, 0.3%

LAB 29.58, 29.18, -18.66

 

CMYK 0 / 48 / 9 / 61

HEX #64345B

RGB 100 52 91

HSL 311.25, 0.32%, 0.3%

LAB 29.21, 27.59, -14.05

 

CMYK 0 / 48 / 17 / 61

HEX #643453

RGB 100 52 83

HSL 321.25, 0.32%, 0.3%

LAB 28.88, 26.1, -9.35

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 14 / 49 / 0 / 40

HEX #834E98

RGB 131 78 152

HSL 282.97, 0.32%, 0.45%

LAB 42.06, 35.53, -31.73

 

CMYK 14 / 48 / 0 / 20

HEX #AF69CB

RGB 175 105 203

HSL 282.86, 0.49%, 0.6%

LAB 55.61, 44.55, -39.83

 

CMYK 14 / 48 / 0 / 0

HEX #DB83FE

RGB 219 131 254

HSL 282.93, 0.98%, 0.75%

LAB 68.35, 53.63, -47.85

 

CMYK 14 / 48 / 0 / 80

HEX #2B1A32

RGB 43 26 50

HSL 282.5, 0.32%, 0.15%

LAB 12.5, 13.84, -12.6

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 0 / 48 / 44 / 61

HEX #643438

RGB 100 52 56

HSL 355, 0.32%, 0.3%

LAB 27.98, 21.96, 7.13

 

CMYK 48 / 0 / 34 / 61

HEX #346442

RGB 52 100 66

HSL 137.5, 0.32%, 0.3%

LAB 38.27, -24.75, 14.35

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 0 / 14 / 48 / 61

HEX #645634

RGB 100 86 52

HSL 42.5, 0.32%, 0.3%

LAB 37.14, 0.55, 21.86

 

CMYK 48 / 0 / 14 / 61

HEX #346456

RGB 52 100 86

HSL 162.5, 0.32%, 0.3%

LAB 38.75, -20.1, 2.89

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 0 / 48 / 44 / 61

HEX #643438

RGB 100 52 56

HSL 355, 0.32%, 0.3%

LAB 27.98, 21.96, 7.13

 

CMYK 34 / 0 / 48 / 61

HEX #426434

RGB 66 100 52

HSL 102.5, 0.32%, 0.3%

LAB 38.76, -22.31, 23.33

 

CMYK 48 / 0 / 4 / 61

HEX #346460

RGB 52 100 96

HSL 175, 0.32%, 0.3%

LAB 39.05, -17.4, -2.81

 

CMYK 14 / 49 / 0 / 60

HEX #573465

RGB 87 52 101

HSL 282.86, 0.32%, 0.3%

LAB 27.9, 25.29, -22.69

 

CMYK 0 / 39 / 48 / 61

HEX #643D34

RGB 100 61 52

HSL 11.25, 0.32%, 0.3%

LAB 30.14, 15.98, 12.71

 

CMYK 34 / 0 / 48 / 61

HEX #426434

RGB 66 100 52

HSL 102.5, 0.32%, 0.3%

LAB 38.76, -22.31, 23.33

 

CMYK 48 / 9 / 0 / 61

HEX #345B64

RGB 52 91 100

HSL 191.25, 0.32%, 0.3%

LAB 36.24, -11.11, -9.48

 

Description

Color code: HEX #573465 | qconv.com Color code: HEX #573465 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 52 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 52 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 49 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 49% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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