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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56B8BF it is the complementary color #A94740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56B8BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #56B8BF: #5BB8BA, #6CCACD, #7DDCE0, #8EEEF3 and #9FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56B8BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #56B8BF: #56B8BF, #45A6AC, #349499, #238286 and #127073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

Complementary color

CMYK 0 / 58 / 62 / 34

HEX #A94740

RGB 169 71 64

HSL 4, 0.45%, 0.46%

LAB 43.23, 39.8, 24.4

 

CMYK 51 / 1 / 0 / 27

HEX #5BB8BA

RGB 91 184 186

HSL 181.26, 0.41%, 0.54%

LAB 69.51, -26.93, -9.49

 

CMYK 47 / 1 / 0 / 20

HEX #6CCACD

RGB 108 202 205

HSL 181.86, 0.49%, 0.61%

LAB 75.97, -27.03, -10.14

 

CMYK 44 / 2 / 0 / 12

HEX #7DDCE0

RGB 125 220 224

HSL 182.42, 0.61%, 0.68%

LAB 82.34, -27.08, -10.75

 

CMYK 42 / 2 / 0 / 5

HEX #8EEEF3

RGB 142 238 243

HSL 182.97, 0.81%, 0.75%

LAB 88.62, -27.09, -11.33

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 60 / 3 / 0 / 33

HEX #45A6AC

RGB 69 166 172

HSL 183.5, 0.43%, 0.47%

LAB 62.94, -26.28, -11.62

 

CMYK 66 / 3 / 0 / 40

HEX #349499

RGB 52 148 153

HSL 182.97, 0.49%, 0.4%

LAB 56.3, -25.8, -10.87

 

CMYK 74 / 3 / 0 / 47

HEX #238286

RGB 35 130 134

HSL 182.42, 0.59%, 0.33%

LAB 49.55, -25.06, -10.03

 

CMYK 84 / 3 / 0 / 55

HEX #127073

RGB 18 112 115

HSL 181.86, 0.73%, 0.26%

LAB 42.69, -23.94, -9.05

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 56 / 13 / 0 / 25

HEX #54A5BE

RGB 84 165 190

HSL 194.15, 0.45%, 0.54%

LAB 63.76, -17.56, -20.39

 

CMYK 56 / 22 / 0 / 25

HEX #5494BE

RGB 84 148 190

HSL 203.77, 0.45%, 0.54%

LAB 58.77, -8.3, -28.06

 

CMYK 56 / 32 / 0 / 25

HEX #5482BE

RGB 84 130 190

HSL 213.96, 0.45%, 0.54%

LAB 53.57, 2.1, -36.16

 

CMYK 56 / 41 / 0 / 25

HEX #5471BE

RGB 84 113 190

HSL 223.58, 0.45%, 0.54%

LAB 48.78, 12.4, -43.72

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 55 / 4 / 0 / 5

HEX #6DE9F2

RGB 109 233 242

HSL 184.06, 0.84%, 0.69%

LAB 85.98, -32, -14.89

 

CMYK 55 / 3 / 0 / 85

HEX #112526

RGB 17 37 38

HSL 182.86, 0.38%, 0.11%

LAB 13.12, -7.74, -3.2

 

CMYK 55 / 3 / 0 / 65

HEX #285659

RGB 40 86 89

HSL 183.67, 0.38%, 0.25%

LAB 33.62, -14.74, -6.58

 

CMYK 55 / 4 / 0 / 45

HEX #3F878C

RGB 63 135 140

HSL 183.9, 0.38%, 0.4%

LAB 52.15, -20.89, -9.55

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 41 / 56 / 0 / 25

HEX #7154BE

RGB 113 84 190

HSL 256.42, 0.45%, 0.54%

LAB 43.61, 36.82, -51.85

 

CMYK 0 / 18 / 56 / 25

HEX #BE9B54

RGB 190 155 84

HSL 40.19, 0.45%, 0.54%

LAB 65.77, 4.4, 41.68

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 0 / 56 / 4 / 25

HEX #BE54B7

RGB 190 84 183

HSL 303.96, 0.45%, 0.54%

LAB 52.63, 55.45, -32.89

 

CMYK 4 / 0 / 56 / 25

HEX #B7BE54

RGB 183 190 84

HSL 63.96, 0.45%, 0.54%

LAB 74.53, -16.96, 51.71

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 41 / 56 / 0 / 25

HEX #7154BE

RGB 113 84 190

HSL 256.42, 0.45%, 0.54%

LAB 43.61, 36.82, -51.85

 

CMYK 0 / 52 / 56 / 25

HEX #BE5B54

RGB 190 91 84

HSL 3.96, 0.45%, 0.54%

LAB 50.77, 39.16, 22.92

 

CMYK 15 / 0 / 56 / 25

HEX #A2BE54

RGB 162 190 84

HSL 75.85, 0.45%, 0.54%

LAB 72.99, -25.49, 49.54

 

CMYK 55 / 4 / 0 / 25

HEX #56B8BF

RGB 86 184 191

HSL 184, 0.45%, 0.54%

LAB 69.48, -26.6, -12.29

 

CMYK 24 / 56 / 0 / 25

HEX #9054BE

RGB 144 84 190

HSL 273.96, 0.45%, 0.54%

LAB 46.96, 44.51, -46.3

 

CMYK 0 / 52 / 56 / 25

HEX #BE5B54

RGB 190 91 84

HSL 3.96, 0.45%, 0.54%

LAB 50.77, 39.16, 22.92

 

CMYK 32 / 0 / 56 / 25

HEX #82BE54

RGB 130 190 84

HSL 93.96, 0.45%, 0.54%

LAB 71.02, -37.62, 46.75

 

Description

Color code: HEX #56B8BF | qconv.com Color code: HEX #56B8BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 184 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 184 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 4 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 4% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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