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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56A4CB it is the complementary color #A95B34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56A4CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #56A4CB: #5BA4C6, #6CB6D9, #7DC8EC, #8EDAFF and #9FECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56A4CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #56A4CB: #56A4CB, #4592B8, #3480A5, #236E92 and #125C7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

Complementary color

CMYK 0 / 46 / 69 / 34

HEX #A95B34

RGB 169 91 52

HSL 20, 0.53%, 0.43%

LAB 47.19, 28.56, 36.03

 

CMYK 54 / 17 / 0 / 22

HEX #5BA4C6

RGB 91 164 198

HSL 199.07, 0.48%, 0.57%

LAB 64.04, -13.17, -24.41

 

CMYK 50 / 16 / 0 / 15

HEX #6CB6D9

RGB 108 182 217

HSL 199.27, 0.59%, 0.64%

LAB 70.63, -13.55, -24.73

 

CMYK 47 / 15 / 0 / 7

HEX #7DC8EC

RGB 125 200 236

HSL 199.46, 0.74%, 0.71%

LAB 77.12, -13.83, -25.05

 

CMYK 44 / 15 / 0 / 0

HEX #8EDAFF

RGB 142 218 255

HSL 199.65, 1%, 0.78%

LAB 83.5, -14.07, -25.36

 

CMYK 38 / 7 / 0 / 0

HEX #9FECFF

RGB 159 236 255

HSL 191.88, 1%, 0.81%

LAB 89.2, -19, -16.67

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 63 / 21 / 0 / 28

HEX #4592B8

RGB 69 146 184

HSL 199.83, 0.45%, 0.5%

LAB 57.35, -12.06, -26.9

 

CMYK 68 / 22 / 0 / 35

HEX #3480A5

RGB 52 128 165

HSL 199.65, 0.52%, 0.43%

LAB 50.55, -11.21, -26.56

 

CMYK 76 / 25 / 0 / 43

HEX #236E92

RGB 35 110 146

HSL 199.46, 0.61%, 0.35%

LAB 43.63, -10.04, -26.18

 

CMYK 86 / 28 / 0 / 50

HEX #125C7F

RGB 18 92 127

HSL 199.27, 0.75%, 0.28%

LAB 36.58, -8.38, -25.73

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 57 / 29 / 0 / 20

HEX #5791CB

RGB 87 145 203

HSL 210, 0.53%, 0.57%

LAB 58.59, -1.86, -35.66

 

CMYK 57 / 38 / 0 / 20

HEX #577DCB

RGB 87 125 203

HSL 220.34, 0.53%, 0.57%

LAB 52.96, 9.98, -44.52

 

CMYK 57 / 48 / 0 / 20

HEX #576ACB

RGB 87 106 203

HSL 230.17, 0.53%, 0.57%

LAB 47.81, 21.67, -52.73

 

CMYK 57 / 57 / 0 / 20

HEX #5757CB

RGB 87 87 203

HSL 240, 0.53%, 0.57%

LAB 43, 33.47, -60.49

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 57 / 19 / 0 / 0

HEX #6CCDFE

RGB 108 205 254

HSL 200.14, 0.99%, 0.71%

LAB 78.47, -14.89, -32.68

 

CMYK 58 / 20 / 0 / 80

HEX #152832

RGB 21 40 50

HSL 200.69, 0.41%, 0.14%

LAB 14.99, -4.29, -8.91

 

CMYK 57 / 19 / 0 / 60

HEX #2B5265

RGB 43 82 101

HSL 199.66, 0.4%, 0.28%

LAB 32.89, -7.73, -15.24

 

CMYK 58 / 19 / 0 / 40

HEX #407B98

RGB 64 123 152

HSL 199.77, 0.41%, 0.42%

LAB 48.91, -10.41, -21.47

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 27 / 57 / 0 / 20

HEX #9557CB

RGB 149 87 203

HSL 272.07, 0.53%, 0.57%

LAB 48.91, 47.21, -50.67

 

CMYK 0 / 4 / 57 / 20

HEX #CBC357

RGB 203 195 87

HSL 55.86, 0.53%, 0.57%

LAB 77.53, -10.96, 54.16

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 0 / 57 / 19 / 20

HEX #CB57A4

RGB 203 87 164

HSL 320.17, 0.53%, 0.57%

LAB 54.23, 54.76, -19.2

 

CMYK 19 / 0 / 57 / 20

HEX #A4CB57

RGB 164 203 87

HSL 80.17, 0.53%, 0.57%

LAB 76.86, -30.66, 52.63

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 27 / 57 / 0 / 20

HEX #9557CB

RGB 149 87 203

HSL 272.07, 0.53%, 0.57%

LAB 48.91, 47.21, -50.67

 

CMYK 0 / 38 / 57 / 20

HEX #CB7D57

RGB 203 125 87

HSL 19.66, 0.53%, 0.57%

LAB 59.94, 26.52, 33.32

 

CMYK 31 / 0 / 57 / 20

HEX #8DCB57

RGB 141 203 87

HSL 92.07, 0.53%, 0.57%

LAB 75.49, -39.21, 50.7

 

CMYK 58 / 19 / 0 / 20

HEX #56A4CB

RGB 86 164 203

HSL 200, 0.53%, 0.57%

LAB 64.03, -12.7, -27.22

 

CMYK 9 / 57 / 0 / 20

HEX #B857CB

RGB 184 87 203

HSL 290.17, 0.53%, 0.57%

LAB 53.3, 56.09, -43.41

 

CMYK 0 / 38 / 57 / 20

HEX #CB7D57

RGB 203 125 87

HSL 19.66, 0.53%, 0.57%

LAB 59.94, 26.52, 33.32

 

CMYK 48 / 0 / 57 / 20

HEX #6ACB57

RGB 106 203 87

HSL 110.17, 0.53%, 0.57%

LAB 73.85, -50.58, 48.37

 

Description

Color code: HEX #56A4CB | qconv.com Color code: HEX #56A4CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 164 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 164 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 19 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 19% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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