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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #568BFF it is the complementary color #A97400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #568BFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #568BFF: #5B8BFA, #6C9DFF, #7DAFFF, #8EC1FF and #9FD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #568BFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #568BFF: #568BFF, #4579EC, #3467D9, #2355C6 and #1243B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

Complementary color

CMYK 0 / 31 / 100 / 34

HEX #A97400

RGB 169 116 0

HSL 41.18, 1%, 0.33%

LAB 52.87, 12.95, 59.37

 

CMYK 64 / 44 / 0 / 2

HEX #5B8BFA

RGB 91 139 250

HSL 221.89, 0.94%, 0.67%

LAB 59.52, 17.93, -60.33

 

CMYK 58 / 38 / 0 / 0

HEX #6C9DFF

RGB 108 157 255

HSL 220, 1%, 0.71%

LAB 65.37, 11.98, -53.69

 

CMYK 51 / 31 / 0 / 0

HEX #7DAFFF

RGB 125 175 255

HSL 216.92, 1%, 0.75%

LAB 71.04, 5.19, -44.7

 

CMYK 44 / 24 / 0 / 0

HEX #8EC1FF

RGB 142 193 255

HSL 212.92, 1%, 0.78%

LAB 76.75, -0.84, -35.74

 

CMYK 38 / 17 / 0 / 0

HEX #9FD3FF

RGB 159 211 255

HSL 207.5, 1%, 0.81%

LAB 82.48, -6.19, -26.85

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 71 / 49 / 0 / 7

HEX #4579EC

RGB 69 121 236

HSL 221.32, 0.81%, 0.6%

LAB 52.95, 20.74, -63.18

 

CMYK 76 / 53 / 0 / 15

HEX #3467D9

RGB 52 103 217

HSL 221.45, 0.68%, 0.53%

LAB 46.23, 23.04, -63.35

 

CMYK 82 / 57 / 0 / 22

HEX #2355C6

RGB 35 85 198

HSL 221.6, 0.7%, 0.46%

LAB 39.46, 25.83, -63.45

 

CMYK 90 / 63 / 0 / 30

HEX #1243B3

RGB 18 67 179

HSL 221.74, 0.82%, 0.39%

LAB 32.7, 29.2, -63.38

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 66 / 56 / 0 / 0

HEX #566FFF

RGB 86 111 255

HSL 231.12, 1%, 0.67%

LAB 52.47, 35.85, -74.47

 

CMYK 65 / 66 / 0 / 0

HEX #5956FF

RGB 89 86 255

HSL 241.07, 1%, 0.67%

LAB 46.97, 51.03, -83.44

 

CMYK 54 / 66 / 0 / 0

HEX #7556FF

RGB 117 86 255

HSL 251.01, 1%, 0.67%

LAB 49.08, 54.99, -79.91

 

CMYK 43 / 66 / 0 / 0

HEX #9156FF

RGB 145 86 255

HSL 260.95, 1%, 0.67%

LAB 51.72, 59.73, -75.49

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 67 / 45 / 0 / 80

HEX #111C33

RGB 17 28 51

HSL 220.59, 0.5%, 0.13%

LAB 10.47, 3.72, -16.69

 

CMYK 67 / 45 / 0 / 60

HEX #223866

RGB 34 56 102

HSL 220.59, 0.5%, 0.27%

LAB 24.09, 7.71, -29.69

 

CMYK 66 / 46 / 0 / 40

HEX #345399

RGB 52 83 153

HSL 221.58, 0.49%, 0.4%

LAB 36.4, 12.21, -41.76

 

CMYK 66 / 46 / 0 / 20

HEX #456FCC

RGB 69 111 204

HSL 221.33, 0.57%, 0.54%

LAB 48.25, 15.6, -52.64

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 8 / 66 / 0 / 0

HEX #EB56FF

RGB 235 86 255

HSL 292.9, 1%, 0.67%

LAB 62.96, 77.92, -56.81

 

CMYK 19 / 0 / 66 / 0

HEX #CFFF56

RGB 207 255 86

HSL 77.04, 1%, 0.67%

LAB 94.08, -38.14, 72.49

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 0 / 66 / 45 / 0

HEX #FF568B

RGB 255 86 139

HSL 341.18, 1%, 0.67%

LAB 61.46, 67.64, 7.01

 

CMYK 45 / 0 / 66 / 0

HEX #8BFF56

RGB 139 255 86

HSL 101.18, 1%, 0.67%

LAB 90.63, -61.22, 67.82

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 8 / 66 / 0 / 0

HEX #EB56FF

RGB 235 86 255

HSL 292.9, 1%, 0.67%

LAB 62.96, 77.92, -56.81

 

CMYK 0 / 21 / 66 / 0

HEX #FFC956

RGB 255 201 86

HSL 40.83, 1%, 0.67%

LAB 83.81, 7.58, 62.86

 

CMYK 58 / 0 / 66 / 0

HEX #6AFF56

RGB 106 255 86

HSL 112.9, 1%, 0.67%

LAB 89.51, -69.82, 66.29

 

CMYK 66 / 45 / 0 / 0

HEX #568BFF

RGB 86 139 255

HSL 221.18, 1%, 0.67%

LAB 59.58, 18.83, -62.99

 

CMYK 0 / 66 / 12 / 0

HEX #FF56E0

RGB 255 86 224

HSL 311.01, 1%, 0.67%

LAB 64.4, 77.6, -37.13

 

CMYK 0 / 21 / 66 / 0

HEX #FFC956

RGB 255 201 86

HSL 40.83, 1%, 0.67%

LAB 83.81, 7.58, 62.86

 

CMYK 66 / 0 / 54 / 0

HEX #56FF75

RGB 86 255 117

HSL 131.01, 1%, 0.67%

LAB 89.29, -70.57, 52.85

 

Description

Color code: HEX #568BFF | qconv.com Color code: HEX #568BFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 139 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 139 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 45 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 45% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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