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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56719F it is the complementary color #A98E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56719F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56719F shade: #5B719A, #6C83AD, #7D95C0, #8EA7D3 and #9FB9E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56719F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56719F shade: #56719F, #455F8C, #344D79, #233B66 and #122953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56719F shade: #56719F, #565D9F, #62569F, #76569F and #8A569F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56719F shade: #56719F, #565D9F and #56569F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56719F shade matches the following richer shades: #56719F, #426CB3, #2E67C7, #1A61DB and #065CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56719F shade: #56719F, #69768B, #7D7B78, #918064 and #A58550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56719F shade: #56999F, #56859F, #56729F, #565E9F and #61569F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56719F shade: #394B69, #475E84, #56719F, #6D86B1 and #889DBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56719F shade: #56719F, #92569F and #8F9F56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56719F shade: #56719F, #9F5672 and #729F56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56719F shade: #56719F, #92569F, #9F8356 and #639F56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56719F shade: #56719F, #9F5697, #9F8356 and #569F5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

Complementary color

CMYK 0 / 16 / 43 / 34

HEX #A98E60

RGB 169 142 96

HSL 37.81, 0.3%, 0.52%

LAB 60.45, 3.75, 28.27

 

CMYK 41 / 27 / 0 / 40

HEX #5B719A

RGB 91 113 154

HSL 219.05, 0.26%, 0.48%

LAB 47.45, 2.87, -24.78

 

CMYK 38 / 24 / 0 / 32

HEX #6C83AD

RGB 108 131 173

HSL 218.77, 0.28%, 0.55%

LAB 54.49, 2.44, -24.88

 

CMYK 35 / 22 / 0 / 25

HEX #7D95C0

RGB 125 149 192

HSL 218.51, 0.35%, 0.62%

LAB 61.36, 2.07, -25.01

 

CMYK 33 / 21 / 0 / 17

HEX #8EA7D3

RGB 142 167 211

HSL 218.26, 0.44%, 0.69%

LAB 68.09, 1.75, -25.17

 

CMYK 31 / 20 / 0 / 10

HEX #9FB9E6

RGB 159 185 230

HSL 218.03, 0.59%, 0.76%

LAB 74.69, 1.47, -25.36

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 51 / 32 / 0 / 45

HEX #455F8C

RGB 69 95 140

HSL 218.03, 0.34%, 0.41%

LAB 40.15, 3.68, -27.91

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 66 / 42 / 0 / 60

HEX #233B66

RGB 35 59 102

HSL 218.51, 0.49%, 0.27%

LAB 25.09, 5.83, -28.1

 

CMYK 78 / 51 / 0 / 67

HEX #122953

RGB 18 41 83

HSL 218.77, 0.64%, 0.2%

LAB 17.17, 7.73, -28.27

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 46 / 42 / 0 / 38

HEX #565D9F

RGB 86 93 159

HSL 234.25, 0.3%, 0.48%

LAB 41.71, 15.39, -36.78

 

CMYK 38 / 46 / 0 / 38

HEX #62569F

RGB 98 86 159

HSL 249.86, 0.3%, 0.48%

LAB 40.82, 22.98, -38.11

 

CMYK 26 / 46 / 0 / 38

HEX #76569F

RGB 118 86 159

HSL 266.3, 0.3%, 0.48%

LAB 42.78, 28.67, -34.89

 

CMYK 13 / 46 / 0 / 38

HEX #8A569F

RGB 138 86 159

HSL 282.74, 0.3%, 0.48%

LAB 45.03, 34.67, -31.2

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 46 / 42 / 0 / 38

HEX #565D9F

RGB 86 93 159

HSL 234.25, 0.3%, 0.48%

LAB 41.71, 15.39, -36.78

 

CMYK 46 / 46 / 0 / 38

HEX #56569F

RGB 86 86 159

HSL 240, 0.3%, 0.48%

LAB 39.81, 19.82, -39.78

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 63 / 40 / 0 / 30

HEX #426CB3

RGB 66 108 179

HSL 217.7, 0.46%, 0.48%

LAB 45.82, 8.13, -42.1

 

CMYK 77 / 48 / 0 / 22

HEX #2E67C7

RGB 46 103 199

HSL 217.65, 0.62%, 0.48%

LAB 44.81, 15.61, -55.36

 

CMYK 88 / 56 / 0 / 14

HEX #1A61DB

RGB 26 97 219

HSL 217.93, 0.79%, 0.48%

LAB 44.07, 25.47, -68.04

 

CMYK 97 / 61 / 0 / 7

HEX #065CEE

RGB 6 92 238

HSL 217.76, 0.95%, 0.48%

LAB 44.04, 35.27, -78.85

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 24 / 15 / 0 / 45

HEX #69768B

RGB 105 118 139

HSL 217.06, 0.14%, 0.48%

LAB 49.28, 0.13, -13.05

 

CMYK 0 / 2 / 4 / 51

HEX #7D7B78

RGB 125 123 120

HSL 36, 0.02%, 0.48%

LAB 51.7, 0.17, 1.9

 

CMYK 0 / 12 / 31 / 43

HEX #918064

RGB 145 128 100

HSL 37.33, 0.18%, 0.48%

LAB 54.43, 2.02, 17.6

 

CMYK 0 / 19 / 52 / 35

HEX #A58550

RGB 165 133 80

HSL 37.41, 0.35%, 0.48%

LAB 57.42, 5.4, 33.02

 

CMYK 46 / 4 / 0 / 38

HEX #56999F

RGB 86 153 159

HSL 184.93, 0.3%, 0.48%

LAB 59.22, -19.63, -9.79

 

CMYK 46 / 16 / 0 / 38

HEX #56859F

RGB 86 133 159

HSL 201.37, 0.3%, 0.48%

LAB 53.23, -8.72, -18.85

 

CMYK 46 / 28 / 0 / 38

HEX #56729F

RGB 86 114 159

HSL 216.99, 0.3%, 0.48%

LAB 47.64, 2.4, -27.45

 

CMYK 46 / 41 / 0 / 38

HEX #565E9F

RGB 86 94 159

HSL 233.42, 0.3%, 0.48%

LAB 41.98, 14.76, -36.34

 

CMYK 39 / 46 / 0 / 38

HEX #61569F

RGB 97 86 159

HSL 249.04, 0.3%, 0.48%

LAB 40.74, 22.71, -38.26

 

CMYK 46 / 29 / 0 / 59

HEX #394B69

RGB 57 75 105

HSL 217.5, 0.3%, 0.32%

LAB 31.63, 1.8, -19.65

 

CMYK 46 / 29 / 0 / 48

HEX #475E84

RGB 71 94 132

HSL 217.38, 0.3%, 0.4%

LAB 39.6, 2.27, -23.92

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 38 / 24 / 0 / 31

HEX #6D86B1

RGB 109 134 177

HSL 217.94, 0.3%, 0.56%

LAB 55.56, 2.08, -25.52

 

CMYK 29 / 18 / 0 / 25

HEX #889DBF

RGB 136 157 191

HSL 217.09, 0.3%, 0.64%

LAB 64.25, 0.53, -19.96

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 8 / 46 / 0 / 38

HEX #92569F

RGB 146 86 159

HSL 289.32, 0.3%, 0.48%

LAB 46, 37.12, -29.6

 

CMYK 10 / 0 / 46 / 38

HEX #8F9F56

RGB 143 159 86

HSL 73.15, 0.3%, 0.48%

LAB 62.77, -17.43, 36.06

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 0 / 46 / 28 / 38

HEX #9F5672

RGB 159 86 114

HSL 336.99, 0.3%, 0.48%

LAB 45.96, 33.56, -2.47

 

CMYK 28 / 0 / 46 / 38

HEX #729F56

RGB 114 159 86

HSL 96.99, 0.3%, 0.48%

LAB 60.82, -28.77, 33.21

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 8 / 46 / 0 / 38

HEX #92569F

RGB 146 86 159

HSL 289.32, 0.3%, 0.48%

LAB 46, 37.12, -29.6

 

CMYK 0 / 18 / 46 / 38

HEX #9F8356

RGB 159 131 86

HSL 36.99, 0.3%, 0.48%

LAB 56.36, 4.53, 28.29

 

CMYK 38 / 0 / 46 / 38

HEX #639F56

RGB 99 159 86

HSL 109.32, 0.3%, 0.48%

LAB 60, -34.08, 32

 

CMYK 46 / 29 / 0 / 38

HEX #56719F

RGB 86 113 159

HSL 217.81, 0.3%, 0.48%

LAB 47.36, 3, -27.9

 

CMYK 0 / 46 / 5 / 38

HEX #9F5697

RGB 159 86 151

HSL 306.58, 0.3%, 0.48%

LAB 47.31, 39.62, -22.68

 

CMYK 0 / 18 / 46 / 38

HEX #9F8356

RGB 159 131 86

HSL 36.99, 0.3%, 0.48%

LAB 56.36, 4.53, 28.29

 

CMYK 46 / 0 / 41 / 38

HEX #569F5E

RGB 86 159 94

HSL 126.58, 0.3%, 0.48%

LAB 59.51, -36.99, 27.01

 

Description

Color code: HEX #56719F | qconv.com Color code: HEX #56719F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 113 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 113 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 29 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 29% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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