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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #564FB2 it is the complementary color #A9B04D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #564FB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #564FB2: #5B4FAD, #6C61C0, #7D73D3, #8E85E6 and #9F97F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #564FB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #564FB2: #564FB2, #453D9F, #342B8C, #231979 and #120766

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

Complementary color

CMYK 4 / 0 / 56 / 31

HEX #A9B04D

RGB 169 176 77

HSL 64.24, 0.39%, 0.5%

LAB 69.48, -16.24, 48.92

 

CMYK 47 / 54 / 0 / 32

HEX #5B4FAD

RGB 91 79 173

HSL 247.66, 0.37%, 0.49%

LAB 39.3, 29.75, -48.91

 

CMYK 44 / 49 / 0 / 25

HEX #6C61C0

RGB 108 97 192

HSL 246.95, 0.43%, 0.57%

LAB 46.37, 28.43, -48.61

 

CMYK 41 / 45 / 0 / 17

HEX #7D73D3

RGB 125 115 211

HSL 246.25, 0.52%, 0.64%

LAB 53.3, 27.29, -48.36

 

CMYK 38 / 42 / 0 / 10

HEX #8E85E6

RGB 142 133 230

HSL 245.57, 0.66%, 0.71%

LAB 60.1, 26.29, -48.15

 

CMYK 36 / 39 / 0 / 2

HEX #9F97F9

RGB 159 151 249

HSL 244.9, 0.89%, 0.78%

LAB 66.78, 25.42, -47.98

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 57 / 62 / 0 / 38

HEX #453D9F

RGB 69 61 159

HSL 244.9, 0.45%, 0.43%

LAB 32.05, 31.9, -52.35

 

CMYK 63 / 69 / 0 / 45

HEX #342B8C

RGB 52 43 140

HSL 245.57, 0.53%, 0.36%

LAB 24.8, 33.86, -52.58

 

CMYK 71 / 79 / 0 / 53

HEX #231979

RGB 35 25 121

HSL 246.25, 0.66%, 0.29%

LAB 17.61, 35.89, -52.46

 

CMYK 82 / 93 / 0 / 60

HEX #120766

RGB 18 7 102

HSL 246.95, 0.87%, 0.21%

LAB 10.85, 37.28, -51.34

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 44 / 56 / 0 / 31

HEX #644DB1

RGB 100 77 177

HSL 253.8, 0.39%, 0.5%

LAB 39.9, 34.23, -50.26

 

CMYK 34 / 56 / 0 / 31

HEX #754DB1

RGB 117 77 177

HSL 264, 0.39%, 0.5%

LAB 41.63, 38.32, -47.39

 

CMYK 24 / 56 / 0 / 31

HEX #864DB1

RGB 134 77 177

HSL 274.2, 0.39%, 0.5%

LAB 43.58, 42.65, -44.16

 

CMYK 15 / 56 / 0 / 31

HEX #964DB1

RGB 150 77 177

HSL 283.8, 0.39%, 0.5%

LAB 45.59, 46.87, -40.85

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 52 / 55 / 0 / 10

HEX #6F66E5

RGB 111 102 229

HSL 244.25, 0.71%, 0.65%

LAB 50.14, 37.17, -63.65

 

CMYK 52 / 56 / 0 / 90

HEX #0C0B19

RGB 12 11 25

HSL 244.29, 0.39%, 0.07%

LAB 3.5, 3.21, -7.85

 

CMYK 51 / 55 / 0 / 70

HEX #25224C

RGB 37 34 76

HSL 244.29, 0.38%, 0.22%

LAB 15.79, 14.37, -25.67

 

CMYK 52 / 56 / 0 / 50

HEX #3D387F

RGB 61 56 127

HSL 244.23, 0.39%, 0.36%

LAB 27.72, 22.83, -39.69

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 0 / 56 / 15 / 31

HEX #B14D96

RGB 177 77 150

HSL 316.2, 0.39%, 0.5%

LAB 48.08, 49.58, -20.7

 

CMYK 38 / 0 / 56 / 31

HEX #6EB14D

RGB 110 177 77

HSL 100.2, 0.39%, 0.5%

LAB 65.98, -39.57, 43.89

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 0 / 53 / 56 / 31

HEX #B1544D

RGB 177 84 77

HSL 4.2, 0.39%, 0.5%

LAB 47.27, 37.25, 22.09

 

CMYK 56 / 0 / 53 / 31

HEX #4DB154

RGB 77 177 84

HSL 124.2, 0.39%, 0.5%

LAB 64.69, -48.54, 38.64

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 0 / 56 / 15 / 31

HEX #B14D96

RGB 177 77 150

HSL 316.2, 0.39%, 0.5%

LAB 48.08, 49.58, -20.7

 

CMYK 4 / 0 / 56 / 31

HEX #AAB14D

RGB 170 177 77

HSL 64.2, 0.39%, 0.5%

LAB 69.84, -16.34, 49.34

 

CMYK 56 / 0 / 41 / 31

HEX #4DB168

RGB 77 177 104

HSL 136.2, 0.39%, 0.5%

LAB 64.98, -45.43, 28.76

 

CMYK 52 / 56 / 0 / 30

HEX #564FB2

RGB 86 79 178

HSL 244.24, 0.39%, 0.5%

LAB 39.22, 30.2, -52.02

 

CMYK 0 / 56 / 32 / 31

HEX #B14D78

RGB 177 77 120

HSL 334.2, 0.39%, 0.5%

LAB 46.99, 45.29, -4.3

 

CMYK 4 / 0 / 56 / 31

HEX #AAB14D

RGB 170 177 77

HSL 64.2, 0.39%, 0.5%

LAB 69.84, -16.34, 49.34

 

CMYK 56 / 0 / 24 / 31

HEX #4DB186

RGB 77 177 134

HSL 154.2, 0.39%, 0.5%

LAB 65.55, -39.54, 13.35

 

Description

Color code: HEX #564FB2 | qconv.com Color code: HEX #564FB2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 79 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 79 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 56 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 56% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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