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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5647DF it is the complementary color #A9B820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5647DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5647DF shade: #5B47DA, #6C59ED, #7D6BFF, #8E7DFF and #9F8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5647DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5647DF shade: #5647DF, #4535CC, #3423B9, #2311A6 and #120093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5647DF shade: #5849DF, #8049DF, #A949DF, #D149DF and #DF49C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5647DF shade: #5849DF and #4949DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5647DF shade matches the following richer shades: #5849DF and #4A38F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5647DF shade: #5849DF, #665ACE, #746CBC, #817DAB and #8F8E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5647DF shade: #498CDF, #4964DF, #5549DF, #7D49DF and #A549DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5647DF shade: #2F20B5, #3826D8, #5849DF, #786CE5 and #988FEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5647DF shade: #5647DF, #DF49B4 and #78DF49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5647DF shade: #5647DF, #DF5549 and #49DF55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5647DF shade: #5647DF, #DF49B4, #D2DF49 and #49DF73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5647DF shade: #5647DF, #DF4987, #D2DF49 and #49DFA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 68 / 0 / 13

HEX #5647DF

RGB 86 71 223

HSL 245.92, 0.7%, 0.58%

LAB 40.92, 49.11, -75.36

 

Complementary color

CMYK 8 / 0 / 83 / 28

HEX #A9B820

RGB 169 184 32

HSL 65.92, 0.7%, 0.42%

LAB 71.43, -22.75, 67.5

 

CMYK 58 / 67 / 0 / 15

HEX #5B47DA

RGB 91 71 218

HSL 248.16, 0.67%, 0.57%

LAB 40.88, 48.3, -72.54

 

CMYK 54 / 62 / 0 / 7

HEX #6C59ED

RGB 108 89 237

HSL 247.7, 0.8%, 0.64%

LAB 47.56, 46.59, -72.36

 

CMYK 51 / 58 / 0 / 0

HEX #7D6BFF

RGB 125 107 255

HSL 247.3, 1%, 0.71%

LAB 54.13, 44.71, -71.66

 

CMYK 44 / 51 / 0 / 0

HEX #8E7DFF

RGB 142 125 255

HSL 247.85, 1%, 0.75%

LAB 59.56, 37.87, -62.84

 

CMYK 38 / 44 / 0 / 0

HEX #9F8FFF

RGB 159 143 255

HSL 248.57, 1%, 0.78%

LAB 65.15, 31.57, -53.84

 

CMYK 61 / 68 / 0 / 13

HEX #5647DF

RGB 86 71 223

HSL 245.92, 0.7%, 0.58%

LAB 40.92, 49.11, -75.36

 

CMYK 66 / 74 / 0 / 20

HEX #4535CC

RGB 69 53 204

HSL 246.36, 0.6%, 0.5%

LAB 34.34, 50.97, -75.28

 

CMYK 72 / 81 / 0 / 27

HEX #3423B9

RGB 52 35 185

HSL 246.8, 0.68%, 0.43%

LAB 27.94, 52.59, -74.73

 

CMYK 79 / 90 / 0 / 35

HEX #2311A6

RGB 35 17 166

HSL 247.25, 0.81%, 0.36%

LAB 21.99, 53.33, -73.24

 

CMYK 88 / 100 / 0 / 42

HEX #120093

RGB 18 0 147

HSL 247.35, 1%, 0.29%

LAB 16.68, 52.74, -70.46

 

CMYK 61 / 67 / 0 / 13

HEX #5849DF

RGB 88 73 223

HSL 246, 0.7%, 0.58%

LAB 41.48, 48.27, -74.43

 

CMYK 43 / 67 / 0 / 13

HEX #8049DF

RGB 128 73 223

HSL 262, 0.7%, 0.58%

LAB 45.2, 54.88, -68.21

 

CMYK 24 / 67 / 0 / 13

HEX #A949DF

RGB 169 73 223

HSL 278.4, 0.7%, 0.58%

LAB 50.13, 63.02, -59.98

 

CMYK 6 / 67 / 0 / 13

HEX #D149DF

RGB 209 73 223

HSL 294.4, 0.7%, 0.58%

LAB 55.73, 71.63, -50.7

 

CMYK 0 / 67 / 12 / 13

HEX #DF49C4

RGB 223 73 196

HSL 310.8, 0.7%, 0.58%

LAB 56.52, 70.57, -33.94

 

CMYK 61 / 67 / 0 / 13

HEX #5849DF

RGB 88 73 223

HSL 246, 0.7%, 0.58%

LAB 41.48, 48.27, -74.43

 

CMYK 67 / 67 / 0 / 13

HEX #4949DF

RGB 73 73 223

HSL 240, 0.7%, 0.58%

LAB 40.43, 46.29, -76.2

 

CMYK 61 / 67 / 0 / 13

HEX #5849DF

RGB 88 73 223

HSL 246, 0.7%, 0.58%

LAB 41.48, 48.27, -74.43

 

CMYK 69 / 77 / 0 / 6

HEX #4A38F0

RGB 74 56 240

HSL 245.87, 0.86%, 0.58%

LAB 38.86, 60.78, -88.43

 

CMYK 61 / 67 / 0 / 13

HEX #5849DF

RGB 88 73 223

HSL 246, 0.7%, 0.58%

LAB 41.48, 48.27, -74.43

 

CMYK 50 / 56 / 0 / 19

HEX #665ACE

RGB 102 90 206

HSL 246.21, 0.54%, 0.58%

LAB 45.07, 35.52, -58.8

 

CMYK 38 / 43 / 0 / 26

HEX #746CBC

RGB 116 108 188

HSL 246, 0.37%, 0.58%

LAB 49.58, 22.65, -41.15

 

CMYK 25 / 27 / 0 / 33

HEX #817DAB

RGB 129 125 171

HSL 245.22, 0.21%, 0.58%

LAB 54.32, 11.78, -23.86

 

CMYK 7 / 8 / 0 / 40

HEX #8F8E9A

RGB 143 142 154

HSL 245, 0.06%, 0.58%

LAB 59.45, 2.78, -6.22

 

CMYK 67 / 37 / 0 / 13

HEX #498CDF

RGB 73 140 223

HSL 213.2, 0.7%, 0.58%

LAB 57.56, 5.18, -48.53

 

CMYK 67 / 55 / 0 / 13

HEX #4964DF

RGB 73 100 223

HSL 229.2, 0.7%, 0.58%

LAB 46.79, 29.82, -65.81

 

CMYK 62 / 67 / 0 / 13

HEX #5549DF

RGB 85 73 223

HSL 244.8, 0.7%, 0.58%

LAB 41.25, 47.85, -74.81

 

CMYK 44 / 67 / 0 / 13

HEX #7D49DF

RGB 125 73 223

HSL 260.8, 0.7%, 0.58%

LAB 44.88, 54.33, -68.74

 

CMYK 26 / 67 / 0 / 13

HEX #A549DF

RGB 165 73 223

HSL 276.8, 0.7%, 0.58%

LAB 49.61, 62.19, -60.85

 

CMYK 74 / 82 / 0 / 29

HEX #2F20B5

RGB 47 32 181

HSL 246.04, 0.7%, 0.42%

LAB 26.66, 52.4, -74.48

 

CMYK 74 / 82 / 0 / 15

HEX #3826D8

RGB 56 38 216

HSL 246.07, 0.7%, 0.5%

LAB 32.22, 60.64, -85.75

 

CMYK 61 / 67 / 0 / 13

HEX #5849DF

RGB 88 73 223

HSL 246, 0.7%, 0.58%

LAB 41.48, 48.27, -74.43

 

CMYK 48 / 53 / 0 / 10

HEX #786CE5

RGB 120 108 229

HSL 245.95, 0.7%, 0.66%

LAB 52.26, 35.48, -60.21

 

CMYK 35 / 39 / 0 / 8

HEX #988FEB

RGB 152 143 235

HSL 245.87, 0.7%, 0.74%

LAB 63.61, 24.46, -45.33

 

CMYK 61 / 68 / 0 / 13

HEX #5647DF

RGB 86 71 223

HSL 245.92, 0.7%, 0.58%

LAB 40.92, 49.11, -75.36

 

CMYK 0 / 67 / 19 / 13

HEX #DF49B4

RGB 223 73 180

HSL 317.2, 0.7%, 0.58%

LAB 55.83, 68.32, -25.78

 

CMYK 46 / 0 / 67 / 13

HEX #78DF49

RGB 120 223 73

HSL 101.2, 0.7%, 0.58%

LAB 80.32, -55.65, 61.66

 

CMYK 61 / 68 / 0 / 13

HEX #5647DF

RGB 86 71 223

HSL 245.92, 0.7%, 0.58%

LAB 40.92, 49.11, -75.36

 

CMYK 0 / 62 / 67 / 13

HEX #DF5549

RGB 223 85 73

HSL 4.8, 0.7%, 0.58%

LAB 54.73, 53.12, 35.34

 

CMYK 67 / 0 / 62 / 13

HEX #49DF55

RGB 73 223 85

HSL 124.8, 0.7%, 0.58%

LAB 78.95, -65.94, 54.85

 

CMYK 61 / 68 / 0 / 13

HEX #5647DF

RGB 86 71 223

HSL 245.92, 0.7%, 0.58%

LAB 40.92, 49.11, -75.36

 

CMYK 0 / 67 / 19 / 13

HEX #DF49B4

RGB 223 73 180

HSL 317.2, 0.7%, 0.58%

LAB 55.83, 68.32, -25.78

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 0 / 48 / 13

HEX #49DF73

RGB 73 223 115

HSL 136.8, 0.7%, 0.58%

LAB 79.29, -62.06, 41.46

 

CMYK 61 / 68 / 0 / 13

HEX #5647DF

RGB 86 71 223

HSL 245.92, 0.7%, 0.58%

LAB 40.92, 49.11, -75.36

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 0 / 28 / 13

HEX #49DFA0

RGB 73 223 160

HSL 154.8, 0.7%, 0.58%

LAB 80.03, -53.9, 19.59

 

Description

Color code: HEX #5647DF | qconv.com Color code: HEX #5647DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 71 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 71 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 68 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 68% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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