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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5639F3 it is the complementary color #A9C60C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5639F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5639F3: #5B39EE, #6C4BFF, #7D5DFF, #8E6FFF and #9F81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5639F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5639F3: #5639F3, #4527E0, #3415CD, #2303BA and #1200A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

Complementary color

CMYK 15 / 0 / 94 / 22

HEX #A9C60C

RGB 169 198 12

HSL 69.35, 0.89%, 0.41%

LAB 75.36, -29.95, 74.29

 

CMYK 62 / 76 / 0 / 7

HEX #5B39EE

RGB 91 57 238

HSL 251.27, 0.84%, 0.58%

LAB 40.12, 61.38, -85.17

 

CMYK 58 / 71 / 0 / 0

HEX #6C4BFF

RGB 108 75 255

HSL 251, 1%, 0.65%

LAB 46.23, 59.43, -84.6

 

CMYK 51 / 64 / 0 / 0

HEX #7D5DFF

RGB 125 93 255

HSL 251.85, 1%, 0.68%

LAB 51.16, 52.53, -76.48

 

CMYK 44 / 56 / 0 / 0

HEX #8E6FFF

RGB 142 111 255

HSL 252.92, 1%, 0.72%

LAB 56.43, 45.82, -67.88

 

CMYK 38 / 49 / 0 / 0

HEX #9F81FF

RGB 159 129 255

HSL 254.29, 1%, 0.75%

LAB 61.9, 39.52, -59

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 69 / 83 / 0 / 12

HEX #4527E0

RGB 69 39 224

HSL 249.73, 0.75%, 0.52%

LAB 34.19, 63.36, -87.07

 

CMYK 75 / 90 / 0 / 20

HEX #3415CD

RGB 52 21 205

HSL 250.11, 0.81%, 0.44%

LAB 28.58, 63.51, -85.44

 

CMYK 81 / 98 / 0 / 27

HEX #2303BA

RGB 35 3 186

HSL 250.49, 0.97%, 0.37%

LAB 23.56, 62.23, -82.63

 

CMYK 89 / 100 / 0 / 35

HEX #1200A7

RGB 18 0 167

HSL 246.47, 1%, 0.33%

LAB 19.71, 57.86, -77.66

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 52 / 77 / 0 / 5

HEX #7439F3

RGB 116 57 243

HSL 259.03, 0.89%, 0.59%

LAB 42.93, 65.68, -83.28

 

CMYK 40 / 77 / 0 / 5

HEX #9339F3

RGB 147 57 243

HSL 269.03, 0.89%, 0.59%

LAB 46.45, 70.03, -77.38

 

CMYK 27 / 77 / 0 / 5

HEX #B239F3

RGB 178 57 243

HSL 279.03, 0.89%, 0.59%

LAB 50.53, 75.02, -70.56

 

CMYK 14 / 77 / 0 / 5

HEX #D139F3

RGB 209 57 243

HSL 289.03, 0.89%, 0.59%

LAB 55.02, 80.46, -63.07

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 64 / 77 / 0 / 85

HEX #0E0927

RGB 14 9 39

HSL 250, 0.63%, 0.09%

LAB 3.93, 9.48, -18.14

 

CMYK 64 / 77 / 0 / 65

HEX #20155A

RGB 32 21 90

HSL 249.57, 0.62%, 0.22%

LAB 13.12, 27.23, -39.53

 

CMYK 65 / 77 / 0 / 45

HEX #32218D

RGB 50 33 141

HSL 249.44, 0.62%, 0.34%

LAB 22.62, 39.76, -56.8

 

CMYK 65 / 77 / 0 / 25

HEX #442DC0

RGB 68 45 192

HSL 249.39, 0.62%, 0.46%

LAB 31.6, 51.34, -72.76

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 0 / 77 / 27 / 5

HEX #F339B2

RGB 243 57 178

HSL 320.97, 0.89%, 0.59%

LAB 57.27, 78.07, -22.14

 

CMYK 58 / 0 / 77 / 5

HEX #67F339

RGB 103 243 57

HSL 105.16, 0.89%, 0.59%

LAB 85.65, -68.55, 72.34

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 0 / 65 / 77 / 5

HEX #F35539

RGB 243 85 57

HSL 9.03, 0.89%, 0.59%

LAB 57.89, 59.14, 48.43

 

CMYK 77 / 0 / 65 / 5

HEX #39F355

RGB 57 243 85

HSL 129.03, 0.89%, 0.59%

LAB 84.81, -74.84, 61.27

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 0 / 77 / 27 / 5

HEX #F339B2

RGB 243 57 178

HSL 320.97, 0.89%, 0.59%

LAB 57.27, 78.07, -22.14

 

CMYK 12 / 0 / 77 / 5

HEX #D7F339

RGB 215 243 57

HSL 69.03, 0.89%, 0.59%

LAB 91.16, -31.06, 79.48

 

CMYK 77 / 0 / 50 / 5

HEX #39F37A

RGB 57 243 122

HSL 140.97, 0.89%, 0.59%

LAB 85.19, -70.25, 45.4

 

CMYK 65 / 77 / 0 / 5

HEX #5639F3

RGB 86 57 243

HSL 249.35, 0.89%, 0.59%

LAB 40.21, 62.28, -87.86

 

CMYK 0 / 77 / 50 / 5

HEX #F3397A

RGB 243 57 122

HSL 339.03, 0.89%, 0.59%

LAB 55.47, 72.6, 8.19

 

CMYK 12 / 0 / 77 / 5

HEX #D7F339

RGB 215 243 57

HSL 69.03, 0.89%, 0.59%

LAB 91.16, -31.06, 79.48

 

CMYK 77 / 0 / 27 / 5

HEX #39F3B2

RGB 57 243 178

HSL 159.03, 0.89%, 0.59%

LAB 86.1, -59.93, 18.63

 

Description

Color code: HEX #5639F3 | qconv.com Color code: HEX #5639F3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 57 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 57 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 77 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 77% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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