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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55F404 it is the complementary color #AA0BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55F404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55F404 shade: #5AF400, #6BFF12, #7CFF25, #8DFF38 and #9EFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55F404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55F404 shade: #55F404, #44E200, #33D000, #22BE00 and #11AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55F404 shade: #56F604, #97F604, #D8F604, #F6D304 and #F69104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55F404 shade: #56F604, #14F604, #04F635, #04F676 and #04F6B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55F404 shade matches the following richer shades: #56F604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55F404 shade: #56F604, #5CE218, #63CE2C, #69BA40 and #70A555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55F404 shade: #DAF604, #99F604, #59F604, #18F604 and #04F630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55F404 shade: #39A503, #47CE03, #56F604, #6FFC27 and #8AFC50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55F404 shade: #55F404, #04F6D2 and #F604BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55F404 shade: #55F404, #0459F6 and #F60459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55F404 shade: #55F404, #04F6D2, #A104F6 and #F60428

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55F404 shade: #55F404, #04D2F6, #A104F6 and #F62804

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 98 / 4

HEX #55F404

RGB 85 244 4

HSL 99.75, 0.97%, 0.49%

LAB 85.32, -74.57, 81.34

 

Complementary color

CMYK 32 / 96 / 0 / 2

HEX #AA0BFB

RGB 170 11 251

HSL 279.75, 0.97%, 0.51%

LAB 46.65, 85.29, -81.42

 

CMYK 63 / 0 / 100 / 4

HEX #5AF400

RGB 90 244 0

HSL 97.87, 1%, 0.48%

LAB 85.44, -73.59, 81.8

 

CMYK 58 / 0 / 93 / 0

HEX #6BFF12

RGB 107 255 18

HSL 97.47, 1%, 0.54%

LAB 89.25, -73.02, 83.54

 

CMYK 51 / 0 / 85 / 0

HEX #7CFF25

RGB 124 255 37

HSL 96.06, 1%, 0.57%

LAB 89.83, -68.19, 81.36

 

CMYK 45 / 0 / 78 / 0

HEX #8DFF38

RGB 141 255 56

HSL 94.37, 1%, 0.61%

LAB 90.54, -62.54, 77.72

 

CMYK 38 / 0 / 71 / 0

HEX #9EFF4B

RGB 158 255 75

HSL 92.33, 1%, 0.65%

LAB 91.37, -56.15, 72.83

 

CMYK 65 / 0 / 98 / 4

HEX #55F404

RGB 85 244 4

HSL 99.75, 0.97%, 0.49%

LAB 85.32, -74.57, 81.34

 

CMYK 70 / 0 / 100 / 11

HEX #44E200

RGB 68 226 0

HSL 101.95, 1%, 0.44%

LAB 79.4, -72.36, 76.79

 

CMYK 75 / 0 / 100 / 18

HEX #33D000

RGB 51 208 0

HSL 105.29, 1%, 0.41%

LAB 73.43, -69.77, 71.9

 

CMYK 82 / 0 / 100 / 25

HEX #22BE00

RGB 34 190 0

HSL 109.26, 1%, 0.37%

LAB 67.4, -66.76, 66.98

 

CMYK 90 / 0 / 100 / 33

HEX #11AC00

RGB 17 172 0

HSL 114.07, 1%, 0.34%

LAB 61.33, -63.21, 62.05

 

CMYK 65 / 0 / 98 / 4

HEX #56F604

RGB 86 246 4

HSL 99.67, 0.97%, 0.49%

LAB 85.96, -74.99, 81.85

 

CMYK 39 / 0 / 98 / 4

HEX #97F604

RGB 151 246 4

HSL 83.55, 0.97%, 0.49%

LAB 88.21, -57.35, 84.59

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 0 / 14 / 98 / 4

HEX #F6D304

RGB 246 211 4

HSL 51.32, 0.97%, 0.49%

LAB 85.09, -3.7, 85.1

 

CMYK 0 / 41 / 98 / 4

HEX #F69104

RGB 246 145 4

HSL 34.96, 0.97%, 0.49%

LAB 69.36, 30.65, 74.3

 

CMYK 65 / 0 / 98 / 4

HEX #56F604

RGB 86 246 4

HSL 99.67, 0.97%, 0.49%

LAB 85.96, -74.99, 81.85

 

CMYK 92 / 0 / 98 / 4

HEX #14F604

RGB 20 246 4

HSL 116.03, 0.97%, 0.49%

LAB 85.03, -83.12, 80.72

 

CMYK 98 / 0 / 78 / 4

HEX #04F635

RGB 4 246 53

HSL 132.15, 0.97%, 0.49%

LAB 85.1, -82.05, 72.47

 

CMYK 98 / 0 / 52 / 4

HEX #04F676

RGB 4 246 118

HSL 148.26, 0.97%, 0.49%

LAB 85.63, -75.37, 47.72

 

CMYK 98 / 0 / 26 / 4

HEX #04F6B7

RGB 4 246 183

HSL 164.38, 0.97%, 0.49%

LAB 86.68, -63.1, 16.8

 

CMYK 65 / 0 / 98 / 4

HEX #56F604

RGB 86 246 4

HSL 99.67, 0.97%, 0.49%

LAB 85.96, -74.99, 81.85

 

CMYK 65 / 0 / 98 / 4

HEX #56F604

RGB 86 246 4

HSL 99.67, 0.97%, 0.49%

LAB 85.96, -74.99, 81.85

 

CMYK 59 / 0 / 89 / 11

HEX #5CE218

RGB 92 226 24

HSL 99.8, 0.81%, 0.49%

LAB 80.03, -66.9, 74.91

 

CMYK 52 / 0 / 79 / 19

HEX #63CE2C

RGB 99 206 44

HSL 99.63, 0.65%, 0.49%

LAB 74.18, -57.3, 65.26

 

CMYK 44 / 0 / 66 / 27

HEX #69BA40

RGB 105 186 64

HSL 99.84, 0.49%, 0.49%

LAB 68.38, -46.33, 52.34

 

CMYK 32 / 0 / 48 / 35

HEX #70A555

RGB 112 165 85

HSL 99.75, 0.32%, 0.49%

LAB 62.52, -32.48, 35.81

 

CMYK 11 / 0 / 98 / 4

HEX #DAF604

RGB 218 246 4

HSL 66.94, 0.97%, 0.49%

LAB 92.05, -32.37, 89.22

 

CMYK 38 / 0 / 98 / 4

HEX #99F604

RGB 153 246 4

HSL 83.06, 0.97%, 0.49%

LAB 88.3, -56.68, 84.7

 

CMYK 64 / 0 / 98 / 4

HEX #59F604

RGB 89 246 4

HSL 98.93, 0.97%, 0.49%

LAB 86.03, -74.38, 81.94

 

CMYK 90 / 0 / 98 / 4

HEX #18F604

RGB 24 246 4

HSL 115.04, 0.97%, 0.49%

LAB 85.05, -82.91, 80.75

 

CMYK 98 / 0 / 80 / 4

HEX #04F630

RGB 4 246 48

HSL 130.91, 0.97%, 0.49%

LAB 85.07, -82.33, 73.81

 

CMYK 65 / 0 / 98 / 35

HEX #39A503

RGB 57 165 3

HSL 100, 0.96%, 0.33%

LAB 59.7, -55.12, 60.6

 

CMYK 66 / 0 / 99 / 19

HEX #47CE03

RGB 71 206 3

HSL 99.9, 0.97%, 0.41%

LAB 73.21, -65.52, 71.59

 

CMYK 65 / 0 / 98 / 4

HEX #56F604

RGB 86 246 4

HSL 99.67, 0.97%, 0.49%

LAB 85.96, -74.99, 81.85

 

CMYK 56 / 0 / 85 / 1

HEX #6FFC27

RGB 111 252 39

HSL 99.72, 0.97%, 0.57%

LAB 88.52, -70.48, 79.65

 

CMYK 45 / 0 / 68 / 1

HEX #8AFC50

RGB 138 252 80

HSL 99.77, 0.97%, 0.65%

LAB 89.67, -60.84, 69.04

 

CMYK 65 / 0 / 98 / 4

HEX #55F404

RGB 85 244 4

HSL 99.75, 0.97%, 0.49%

LAB 85.32, -74.57, 81.34

 

CMYK 98 / 0 / 15 / 4

HEX #04F6D2

RGB 4 246 210

HSL 171.07, 0.97%, 0.49%

LAB 87.29, -56.54, 3.64

 

CMYK 0 / 98 / 24 / 4

HEX #F604BA

RGB 246 4 186

HSL 314.88, 0.97%, 0.49%

LAB 55.3, 87.8, -29.77

 

CMYK 65 / 0 / 98 / 4

HEX #55F404

RGB 85 244 4

HSL 99.75, 0.97%, 0.49%

LAB 85.32, -74.57, 81.34

 

CMYK 98 / 64 / 0 / 4

HEX #0459F6

RGB 4 89 246

HSL 218.93, 0.97%, 0.49%

LAB 43.98, 40.13, -83.44

 

CMYK 0 / 98 / 64 / 4

HEX #F60459

RGB 246 4 89

HSL 338.93, 0.97%, 0.49%

LAB 52.29, 79.89, 23.78

 

CMYK 65 / 0 / 98 / 4

HEX #55F404

RGB 85 244 4

HSL 99.75, 0.97%, 0.49%

LAB 85.32, -74.57, 81.34

 

CMYK 98 / 0 / 15 / 4

HEX #04F6D2

RGB 4 246 210

HSL 171.07, 0.97%, 0.49%

LAB 87.29, -56.54, 3.64

 

CMYK 35 / 98 / 0 / 4

HEX #A104F6

RGB 161 4 246

HSL 278.93, 0.97%, 0.49%

LAB 44.69, 83.99, -81.88

 

CMYK 0 / 98 / 84 / 4

HEX #F60428

RGB 246 4 40

HSL 351.07, 0.97%, 0.49%

LAB 51.65, 78.15, 51.22

 

CMYK 65 / 0 / 98 / 4

HEX #55F404

RGB 85 244 4

HSL 99.75, 0.97%, 0.49%

LAB 85.32, -74.57, 81.34

 

CMYK 98 / 15 / 0 / 4

HEX #04D2F6

RGB 4 210 246

HSL 188.93, 0.97%, 0.49%

LAB 77.74, -30.2, -29.68

 

CMYK 35 / 98 / 0 / 4

HEX #A104F6

RGB 161 4 246

HSL 278.93, 0.97%, 0.49%

LAB 44.69, 83.99, -81.88

 

CMYK 0 / 84 / 98 / 4

HEX #F62804

RGB 246 40 4

HSL 8.93, 0.97%, 0.49%

LAB 53.08, 73.11, 65.07

 

Description

Color code: HEX #55F404 | qconv.com Color code: HEX #55F404 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 244 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 244 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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