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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8F604 it is the complementary color #2709FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8F604. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8F604 shade: #DDF600, #EEFF12, #FFFF25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8F604. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8F604 shade: #D8F604, #C7E400, #B6D200, #A5C000 and #94AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8F604 shade: #D8F604, #F6D304, #F69104, #F65004 and #F60F04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8F604 shade: #D8F604, #97F604, #55F604, #14F604 and #04F635

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8F604 shade matches the following richer shades: #D8F604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8F604 shade: #D8F604, #C9E218, #BACE2C, #AABA40 and #9BA555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8F604 shade: #F69104, #F6D204, #DAF604, #99F604 and #59F604

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8F604 shade: #91A503, #B4CE03, #D8F604, #E1FC27 and #E7FC50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8F604 shade: #D8F604, #04F651 and #B104F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8F604 shade: #D8F604, #04DAF6 and #F604DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8F604 shade: #D8F604, #04F651, #2004F6 and #F604A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8F604 shade: #D8F604, #04F699, #2004F6 and #F60461

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

Complementary color

CMYK 84 / 96 / 0 / 2

HEX #2709FB

RGB 39 9 251

HSL 247.44, 0.97%, 0.51%

LAB 33.12, 77.25, -104.23

 

CMYK 10 / 0 / 100 / 4

HEX #DDF600

RGB 221 246 0

HSL 66.1, 1%, 0.48%

LAB 92.26, -31.2, 89.76

 

CMYK 7 / 0 / 93 / 0

HEX #EEFF12

RGB 238 255 18

HSL 64.3, 1%, 0.54%

LAB 95.89, -28.33, 91.62

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF25

RGB 255 255 37

HSL 60, 1%, 0.57%

LAB 97.19, -21.12, 90.49

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 13 / 0 / 100 / 11

HEX #C7E400

RGB 199 228 0

HSL 67.63, 1%, 0.45%

LAB 85.82, -31.8, 84.28

 

CMYK 13 / 0 / 100 / 18

HEX #B6D200

RGB 182 210 0

HSL 68, 1%, 0.41%

LAB 79.64, -30.37, 79.13

 

CMYK 14 / 0 / 100 / 25

HEX #A5C000

RGB 165 192 0

HSL 68.44, 1%, 0.38%

LAB 73.35, -28.92, 73.89

 

CMYK 15 / 0 / 100 / 32

HEX #94AE00

RGB 148 174 0

HSL 68.97, 1%, 0.34%

LAB 66.95, -27.46, 68.57

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 0 / 14 / 98 / 4

HEX #F6D304

RGB 246 211 4

HSL 51.32, 0.97%, 0.49%

LAB 85.09, -3.7, 85.1

 

CMYK 0 / 41 / 98 / 4

HEX #F69104

RGB 246 145 4

HSL 34.96, 0.97%, 0.49%

LAB 69.36, 30.65, 74.3

 

CMYK 0 / 67 / 98 / 4

HEX #F65004

RGB 246 80 4

HSL 18.84, 0.97%, 0.49%

LAB 57.4, 61.08, 67.17

 

CMYK 0 / 94 / 98 / 4

HEX #F60F04

RGB 246 15 4

HSL 2.73, 0.97%, 0.49%

LAB 51.77, 76.86, 64.51

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 39 / 0 / 98 / 4

HEX #97F604

RGB 151 246 4

HSL 83.55, 0.97%, 0.49%

LAB 88.21, -57.35, 84.59

 

CMYK 65 / 0 / 98 / 4

HEX #55F604

RGB 85 246 4

HSL 99.92, 0.97%, 0.49%

LAB 85.93, -75.19, 81.82

 

CMYK 92 / 0 / 98 / 4

HEX #14F604

RGB 20 246 4

HSL 116.03, 0.97%, 0.49%

LAB 85.03, -83.12, 80.72

 

CMYK 98 / 0 / 78 / 4

HEX #04F635

RGB 4 246 53

HSL 132.15, 0.97%, 0.49%

LAB 85.1, -82.05, 72.47

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 11 / 0 / 89 / 11

HEX #C9E218

RGB 201 226 24

HSL 67.43, 0.81%, 0.49%

LAB 85.44, -29.76, 81.58

 

CMYK 10 / 0 / 79 / 19

HEX #BACE2C

RGB 186 206 44

HSL 67.41, 0.65%, 0.49%

LAB 78.9, -25.9, 71.34

 

CMYK 9 / 0 / 66 / 27

HEX #AABA40

RGB 170 186 64

HSL 67.87, 0.49%, 0.49%

LAB 72.25, -21.8, 57.61

 

CMYK 6 / 0 / 48 / 35

HEX #9BA555

RGB 155 165 85

HSL 67.5, 0.32%, 0.49%

LAB 65.38, -15.7, 39.97

 

CMYK 0 / 41 / 98 / 4

HEX #F69104

RGB 246 145 4

HSL 34.96, 0.97%, 0.49%

LAB 69.36, 30.65, 74.3

 

CMYK 0 / 15 / 98 / 4

HEX #F6D204

RGB 246 210 4

HSL 51.07, 0.97%, 0.49%

LAB 84.84, -3.19, 84.92

 

CMYK 11 / 0 / 98 / 4

HEX #DAF604

RGB 218 246 4

HSL 66.94, 0.97%, 0.49%

LAB 92.05, -32.37, 89.22

 

CMYK 38 / 0 / 98 / 4

HEX #99F604

RGB 153 246 4

HSL 83.06, 0.97%, 0.49%

LAB 88.3, -56.68, 84.7

 

CMYK 64 / 0 / 98 / 4

HEX #59F604

RGB 89 246 4

HSL 98.93, 0.97%, 0.49%

LAB 86.03, -74.38, 81.94

 

CMYK 12 / 0 / 98 / 35

HEX #91A503

RGB 145 165 3

HSL 67.41, 0.96%, 0.33%

LAB 64.11, -24.31, 65.94

 

CMYK 13 / 0 / 99 / 19

HEX #B4CE03

RGB 180 206 3

HSL 67.68, 0.97%, 0.41%

LAB 78.38, -29.28, 77.83

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 11 / 0 / 85 / 1

HEX #E1FC27

RGB 225 252 39

HSL 67.61, 0.97%, 0.57%

LAB 94.22, -31.8, 86.77

 

CMYK 8 / 0 / 68 / 1

HEX #E7FC50

RGB 231 252 80

HSL 67.33, 0.97%, 0.65%

LAB 94.82, -27.83, 75.93

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 98 / 0 / 67 / 4

HEX #04F651

RGB 4 246 81

HSL 139.09, 0.97%, 0.49%

LAB 85.27, -79.86, 63.21

 

CMYK 28 / 98 / 0 / 4

HEX #B104F6

RGB 177 4 246

HSL 282.89, 0.97%, 0.49%

LAB 47.09, 85.79, -77.85

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 98 / 11 / 0 / 4

HEX #04DAF6

RGB 4 218 246

HSL 186.94, 0.97%, 0.49%

LAB 80.08, -34.04, -26.09

 

CMYK 0 / 98 / 11 / 4

HEX #F604DA

RGB 246 4 218

HSL 306.94, 0.97%, 0.49%

LAB 56.82, 91.62, -45.76

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 98 / 0 / 67 / 4

HEX #04F651

RGB 4 246 81

HSL 139.09, 0.97%, 0.49%

LAB 85.27, -79.86, 63.21

 

CMYK 87 / 98 / 0 / 4

HEX #2004F6

RGB 32 4 246

HSL 246.94, 0.97%, 0.49%

LAB 31.92, 76.68, -103.43

 

CMYK 0 / 98 / 31 / 4

HEX #F604A9

RGB 246 4 169

HSL 319.09, 0.97%, 0.49%

LAB 54.6, 86, -20.92

 

CMYK 12 / 0 / 98 / 4

HEX #D8F604

RGB 216 246 4

HSL 67.44, 0.97%, 0.49%

LAB 91.92, -33.18, 89.05

 

CMYK 98 / 0 / 38 / 4

HEX #04F699

RGB 4 246 153

HSL 156.94, 0.97%, 0.49%

LAB 86.12, -69.43, 31.34

 

CMYK 87 / 98 / 0 / 4

HEX #2004F6

RGB 32 4 246

HSL 246.94, 0.97%, 0.49%

LAB 31.92, 76.68, -103.43

 

CMYK 0 / 98 / 61 / 4

HEX #F60461

RGB 246 4 97

HSL 336.94, 0.97%, 0.49%

LAB 52.45, 80.32, 19.14

 

Description

Color code: HEX #D8F604 | qconv.com Color code: HEX #D8F604 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 246 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 246 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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