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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55E06D it is the complementary color #AA1F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55E06D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55E06D shade: #5AE068, #6BF27B, #7CFF8E, #8DFFA1 and #9EFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55E06D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55E06D shade: #55E06D, #44CE5A, #33BC47, #22AA34 and #119821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55E06D shade: #57E06F, #64E057, #89E057, #AEE057 and #D3E057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55E06D shade: #57E06F, #57E094, #57E0B9, #57E0DE and #57BEE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55E06D shade matches the following richer shades: #57E06F and #47F064

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55E06D shade: #57E06F, #67D079, #77C084, #87B08E and #97A099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55E06D shade: #89E057, #65E057, #57E06E, #57E092 and #57E0B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55E06D shade: #23C13F, #34DA51, #57E06F, #7AE78D and #9DEDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55E06D shade: #55E06D, #57AEE0 and #E05777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55E06D shade: #55E06D, #6E57E0 and #E06E57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55E06D shade: #55E06D, #57AEE0, #E057C9 and #E08957

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55E06D shade: #55E06D, #5785E0, #E057C9 and #E0B257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 51 / 12

HEX #55E06D

RGB 85 224 109

HSL 130.36, 0.69%, 0.61%

LAB 79.81, -60.98, 45.06

 

Complementary color

CMYK 0 / 82 / 14 / 33

HEX #AA1F92

RGB 170 31 146

HSL 310.36, 0.69%, 0.39%

LAB 40.58, 64.32, -30.03

 

CMYK 60 / 0 / 54 / 12

HEX #5AE068

RGB 90 224 104

HSL 126.27, 0.68%, 0.62%

LAB 79.89, -60.58, 47.54

 

CMYK 56 / 0 / 49 / 5

HEX #6BF27B

RGB 107 242 123

HSL 127.11, 0.84%, 0.68%

LAB 86.04, -60.83, 46.23

 

CMYK 51 / 0 / 44 / 0

HEX #7CFF8E

RGB 124 255 142

HSL 128.24, 1%, 0.74%

LAB 90.67, -58.99, 43.08

 

CMYK 45 / 0 / 37 / 0

HEX #8DFFA1

RGB 141 255 161

HSL 130.53, 1%, 0.78%

LAB 91.58, -51.68, 35.07

 

CMYK 38 / 0 / 29 / 0

HEX #9EFFB4

RGB 158 255 180

HSL 133.61, 1%, 0.81%

LAB 92.61, -43.82, 27.06

 

CMYK 62 / 0 / 51 / 12

HEX #55E06D

RGB 85 224 109

HSL 130.36, 0.69%, 0.61%

LAB 79.81, -60.98, 45.06

 

CMYK 67 / 0 / 56 / 19

HEX #44CE5A

RGB 68 206 90

HSL 129.57, 0.58%, 0.54%

LAB 73.62, -60.46, 46.42

 

CMYK 73 / 0 / 62 / 26

HEX #33BC47

RGB 51 188 71

HSL 128.76, 0.57%, 0.47%

LAB 67.37, -59.57, 47.73

 

CMYK 80 / 0 / 69 / 33

HEX #22AA34

RGB 34 170 52

HSL 127.94, 0.67%, 0.4%

LAB 61.08, -58.16, 48.83

 

CMYK 89 / 0 / 78 / 40

HEX #119821

RGB 17 152 33

HSL 127.11, 0.8%, 0.33%

LAB 54.75, -55.98, 49.42

 

CMYK 61 / 0 / 50 / 12

HEX #57E06F

RGB 87 224 111

HSL 130.51, 0.69%, 0.61%

LAB 79.89, -60.28, 44.21

 

CMYK 55 / 0 / 61 / 12

HEX #64E057

RGB 100 224 87

HSL 114.31, 0.69%, 0.61%

LAB 80.02, -60.21, 55.39

 

CMYK 39 / 0 / 61 / 12

HEX #89E057

RGB 137 224 87

HSL 98.1, 0.69%, 0.61%

LAB 81.47, -49.55, 57.42

 

CMYK 22 / 0 / 61 / 12

HEX #AEE057

RGB 174 224 87

HSL 81.9, 0.69%, 0.61%

LAB 83.44, -36.54, 60.16

 

CMYK 6 / 0 / 61 / 12

HEX #D3E057

RGB 211 224 87

HSL 65.69, 0.69%, 0.61%

LAB 85.93, -22.09, 63.59

 

CMYK 61 / 0 / 50 / 12

HEX #57E06F

RGB 87 224 111

HSL 130.51, 0.69%, 0.61%

LAB 79.89, -60.28, 44.21

 

CMYK 61 / 0 / 34 / 12

HEX #57E094

RGB 87 224 148

HSL 146.72, 0.69%, 0.61%

LAB 80.45, -54.18, 26.45

 

CMYK 61 / 0 / 17 / 12

HEX #57E0B9

RGB 87 224 185

HSL 162.92, 0.69%, 0.61%

LAB 81.2, -46.35, 8.14

 

CMYK 61 / 0 / 1 / 12

HEX #57E0DE

RGB 87 224 222

HSL 179.12, 0.69%, 0.61%

LAB 82.17, -37.03, -10.08

 

CMYK 61 / 15 / 0 / 12

HEX #57BEE0

RGB 87 190 224

HSL 194.89, 0.69%, 0.61%

LAB 72.39, -19.88, -25.93

 

CMYK 61 / 0 / 50 / 12

HEX #57E06F

RGB 87 224 111

HSL 130.51, 0.69%, 0.61%

LAB 79.89, -60.28, 44.21

 

CMYK 70 / 0 / 58 / 6

HEX #47F064

RGB 71 240 100

HSL 130.3, 0.85%, 0.61%

LAB 84.27, -70.22, 54.42

 

CMYK 61 / 0 / 50 / 12

HEX #57E06F

RGB 87 224 111

HSL 130.51, 0.69%, 0.61%

LAB 79.89, -60.28, 44.21

 

CMYK 50 / 0 / 42 / 18

HEX #67D079

RGB 103 208 121

HSL 130.29, 0.53%, 0.61%

LAB 75.68, -48.81, 34.07

 

CMYK 38 / 0 / 31 / 25

HEX #77C084

RGB 119 192 132

HSL 130.68, 0.37%, 0.61%

LAB 71.75, -35.46, 23.25

 

CMYK 23 / 0 / 19 / 31

HEX #87B08E

RGB 135 176 142

HSL 130.24, 0.21%, 0.61%

LAB 68.13, -20.71, 12.99

 

CMYK 6 / 0 / 4 / 37

HEX #97A099

RGB 151 160 153

HSL 133.33, 0.05%, 0.61%

LAB 64.98, -4.57, 2.53

 

CMYK 39 / 0 / 61 / 12

HEX #89E057

RGB 137 224 87

HSL 98.1, 0.69%, 0.61%

LAB 81.47, -49.55, 57.42

 

CMYK 55 / 0 / 61 / 12

HEX #65E057

RGB 101 224 87

HSL 113.87, 0.69%, 0.61%

LAB 80.05, -59.96, 55.44

 

CMYK 61 / 0 / 51 / 12

HEX #57E06E

RGB 87 224 110

HSL 130.07, 0.69%, 0.61%

LAB 79.88, -60.42, 44.68

 

CMYK 61 / 0 / 35 / 12

HEX #57E092

RGB 87 224 146

HSL 145.84, 0.69%, 0.61%

LAB 80.41, -54.56, 27.43

 

CMYK 61 / 0 / 18 / 12

HEX #57E0B7

RGB 87 224 183

HSL 162.04, 0.69%, 0.61%

LAB 81.16, -46.81, 9.13

 

CMYK 82 / 0 / 67 / 24

HEX #23C13F

RGB 35 193 63

HSL 130.63, 0.69%, 0.45%

LAB 68.65, -64.22, 52.47

 

CMYK 76 / 0 / 63 / 15

HEX #34DA51

RGB 52 218 81

HSL 130.48, 0.69%, 0.53%

LAB 76.96, -68.11, 54.2

 

CMYK 61 / 0 / 50 / 12

HEX #57E06F

RGB 87 224 111

HSL 130.51, 0.69%, 0.61%

LAB 79.89, -60.28, 44.21

 

CMYK 47 / 0 / 39 / 9

HEX #7AE78D

RGB 122 231 141

HSL 130.46, 0.69%, 0.69%

LAB 83.55, -50.07, 34.36

 

CMYK 34 / 0 / 28 / 7

HEX #9DEDAB

RGB 157 237 171

HSL 130.5, 0.69%, 0.77%

LAB 87.33, -37.65, 24.42

 

CMYK 62 / 0 / 51 / 12

HEX #55E06D

RGB 85 224 109

HSL 130.36, 0.69%, 0.61%

LAB 79.81, -60.98, 45.06

 

CMYK 61 / 22 / 0 / 12

HEX #57AEE0

RGB 87 174 224

HSL 201.9, 0.69%, 0.61%

LAB 67.78, -11.43, -33.02

 

CMYK 0 / 61 / 47 / 12

HEX #E05777

RGB 224 87 119

HSL 345.99, 0.69%, 0.61%

LAB 56.08, 55.95, 10.39

 

CMYK 62 / 0 / 51 / 12

HEX #55E06D

RGB 85 224 109

HSL 130.36, 0.69%, 0.61%

LAB 79.81, -60.98, 45.06

 

CMYK 51 / 61 / 0 / 12

HEX #6E57E0

RGB 110 87 224

HSL 250.07, 0.69%, 0.61%

LAB 46.33, 44.24, -67.01

 

CMYK 0 / 51 / 61 / 12

HEX #E06E57

RGB 224 110 87

HSL 10.07, 0.69%, 0.61%

LAB 59.61, 42.58, 33.52

 

CMYK 62 / 0 / 51 / 12

HEX #55E06D

RGB 85 224 109

HSL 130.36, 0.69%, 0.61%

LAB 79.81, -60.98, 45.06

 

CMYK 61 / 22 / 0 / 12

HEX #57AEE0

RGB 87 174 224

HSL 201.9, 0.69%, 0.61%

LAB 67.78, -11.43, -33.02

 

CMYK 0 / 61 / 10 / 12

HEX #E057C9

RGB 224 87 201

HSL 310.07, 0.69%, 0.61%

LAB 58.86, 66.12, -33.14

 

CMYK 0 / 39 / 61 / 12

HEX #E08957

RGB 224 137 87

HSL 21.9, 0.69%, 0.61%

LAB 65.3, 28.6, 40.49

 

CMYK 62 / 0 / 51 / 12

HEX #55E06D

RGB 85 224 109

HSL 130.36, 0.69%, 0.61%

LAB 79.81, -60.98, 45.06

 

CMYK 61 / 41 / 0 / 12

HEX #5785E0

RGB 87 133 224

HSL 219.85, 0.69%, 0.61%

LAB 56.27, 12.11, -51.1

 

CMYK 0 / 61 / 10 / 12

HEX #E057C9

RGB 224 87 201

HSL 310.07, 0.69%, 0.61%

LAB 58.86, 66.12, -33.14

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

Description

Color code: HEX #55E06D | qconv.com Color code: HEX #55E06D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 224 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 224 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 51 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 51% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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