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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55C241 it is the complementary color #AA3DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55C241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55C241 shade: #5AC23C, #6BD44F, #7CE662, #8DF875 and #9EFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55C241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55C241 shade: #55C241, #44B02E, #339E1B, #228C08 and #117A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55C241 shade: #56C242, #78C242, #9BC242, #BDC242 and #C2A442

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55C241 shade: #56C242, #42C251, #42C273, #42C296 and #42C2B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55C241 shade matches the following richer shades: #56C242, #48D62E, #3AEA1A and #2CFE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55C241 shade: #56C242, #64AE57, #72996B, #80857F and #8E7193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55C241 shade: #9CC242, #7AC242, #58C242, #42C24F and #42C271

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55C241 shade: #3A862C, #47A536, #56C242, #72CC61 and #8ED681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55C241 shade: #55C241, #42BEC2 and #C2428B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55C241 shade: #55C241, #4258C2 and #C24258

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55C241 shade: #55C241, #42BEC2, #AD42C2 and #C24742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55C241 shade: #55C241, #4297C2, #AD42C2 and #C26D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 66 / 24

HEX #55C241

RGB 85 194 65

HSL 110.7, 0.51%, 0.51%

LAB 70.1, -55.14, 53.56

 

Complementary color

CMYK 11 / 68 / 0 / 25

HEX #AA3DBE

RGB 170 61 190

HSL 290.7, 0.51%, 0.49%

LAB 46.45, 61.7, -46.92

 

CMYK 54 / 0 / 69 / 24

HEX #5AC23C

RGB 90 194 60

HSL 106.57, 0.53%, 0.5%

LAB 70.23, -54.26, 55.75

 

CMYK 50 / 0 / 63 / 17

HEX #6BD44F

RGB 107 212 79

HSL 107.37, 0.61%, 0.57%

LAB 76.54, -54.66, 54.99

 

CMYK 46 / 0 / 57 / 10

HEX #7CE662

RGB 124 230 98

HSL 108.18, 0.73%, 0.64%

LAB 82.79, -54.85, 53.98

 

CMYK 43 / 0 / 53 / 3

HEX #8DF875

RGB 141 248 117

HSL 109.01, 0.9%, 0.72%

LAB 88.96, -54.9, 52.87

 

CMYK 38 / 0 / 47 / 0

HEX #9EFF88

RGB 158 255 136

HSL 108.91, 1%, 0.77%

LAB 91.94, -50.36, 47.83

 

CMYK 56 / 0 / 66 / 24

HEX #55C241

RGB 85 194 65

HSL 110.7, 0.51%, 0.51%

LAB 70.1, -55.14, 53.56

 

CMYK 61 / 0 / 74 / 31

HEX #44B02E

RGB 68 176 46

HSL 109.85, 0.59%, 0.44%

LAB 63.74, -54.43, 54.12

 

CMYK 68 / 0 / 83 / 38

HEX #339E1B

RGB 51 158 27

HSL 109.01, 0.71%, 0.36%

LAB 57.31, -53.24, 53.91

 

CMYK 76 / 0 / 94 / 45

HEX #228C08

RGB 34 140 8

HSL 108.18, 0.89%, 0.29%

LAB 50.82, -51.33, 52.3

 

CMYK 86 / 0 / 100 / 52

HEX #117A00

RGB 17 122 0

HSL 111.64, 1%, 0.24%

LAB 44.29, -48.39, 48.41

 

CMYK 56 / 0 / 66 / 24

HEX #56C242

RGB 86 194 66

HSL 110.63, 0.51%, 0.51%

LAB 70.14, -54.79, 53.2

 

CMYK 38 / 0 / 66 / 24

HEX #78C242

RGB 120 194 66

HSL 94.69, 0.51%, 0.51%

LAB 71.53, -44.53, 55.11

 

CMYK 20 / 0 / 66 / 24

HEX #9BC242

RGB 155 194 66

HSL 78.28, 0.51%, 0.51%

LAB 73.51, -31.61, 57.8

 

CMYK 3 / 0 / 66 / 24

HEX #BDC242

RGB 189 194 66

HSL 62.34, 0.51%, 0.51%

LAB 75.94, -17.72, 61.09

 

CMYK 0 / 15 / 66 / 24

HEX #C2A442

RGB 194 164 66

HSL 45.94, 0.51%, 0.51%

LAB 68.32, -0.01, 53.25

 

CMYK 56 / 0 / 66 / 24

HEX #56C242

RGB 86 194 66

HSL 110.63, 0.51%, 0.51%

LAB 70.14, -54.79, 53.2

 

CMYK 66 / 0 / 58 / 24

HEX #42C251

RGB 66 194 81

HSL 127.03, 0.51%, 0.51%

LAB 69.71, -57.75, 45.98

 

CMYK 66 / 0 / 41 / 24

HEX #42C273

RGB 66 194 115

HSL 142.97, 0.51%, 0.51%

LAB 70.16, -52.6, 29.74

 

CMYK 66 / 0 / 23 / 24

HEX #42C296

RGB 66 194 150

HSL 159.38, 0.51%, 0.51%

LAB 70.83, -45.42, 12.03

 

CMYK 66 / 0 / 5 / 24

HEX #42C2B8

RGB 66 194 184

HSL 175.31, 0.51%, 0.51%

LAB 71.69, -36.83, -5.23

 

CMYK 56 / 0 / 66 / 24

HEX #56C242

RGB 86 194 66

HSL 110.63, 0.51%, 0.51%

LAB 70.14, -54.79, 53.2

 

CMYK 66 / 0 / 79 / 16

HEX #48D62E

RGB 72 214 46

HSL 110.71, 0.67%, 0.51%

LAB 75.87, -66.43, 65.99

 

CMYK 75 / 0 / 89 / 8

HEX #3AEA1A

RGB 58 234 26

HSL 110.77, 0.83%, 0.51%

LAB 81.74, -75.81, 75.73

 

CMYK 83 / 0 / 98 / 0

HEX #2CFE06

RGB 44 254 6

HSL 110.81, 0.99%, 0.51%

LAB 87.69, -83.48, 82.8

 

CMYK 56 / 0 / 66 / 24

HEX #56C242

RGB 86 194 66

HSL 110.63, 0.51%, 0.51%

LAB 70.14, -54.79, 53.2

 

CMYK 43 / 0 / 50 / 32

HEX #64AE57

RGB 100 174 87

HSL 111.03, 0.35%, 0.51%

LAB 64.7, -40.33, 37.36

 

CMYK 25 / 0 / 30 / 40

HEX #72996B

RGB 114 153 107

HSL 110.87, 0.18%, 0.51%

LAB 59.36, -22.64, 19.97

 

CMYK 4 / 0 / 5 / 48

HEX #80857F

RGB 128 133 127

HSL 110, 0.02%, 0.51%

LAB 54.97, -3.04, 2.58

 

CMYK 3 / 23 / 0 / 42

HEX #8E7193

RGB 142 113 147

HSL 291.18, 0.14%, 0.51%

LAB 51.46, 17.74, -14.15

 

CMYK 20 / 0 / 66 / 24

HEX #9CC242

RGB 156 194 66

HSL 77.81, 0.51%, 0.51%

LAB 73.57, -31.21, 57.89

 

CMYK 37 / 0 / 66 / 24

HEX #7AC242

RGB 122 194 66

HSL 93.75, 0.51%, 0.51%

LAB 71.63, -43.85, 55.24

 

CMYK 55 / 0 / 66 / 24

HEX #58C242

RGB 88 194 66

HSL 109.69, 0.51%, 0.51%

LAB 70.21, -54.26, 53.3

 

CMYK 66 / 0 / 59 / 24

HEX #42C24F

RGB 66 194 79

HSL 126.09, 0.51%, 0.51%

LAB 69.69, -57.99, 46.87

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 57 / 0 / 67 / 47

HEX #3A862C

RGB 58 134 44

HSL 110.67, 0.51%, 0.35%

LAB 49.66, -41.39, 40.09

 

CMYK 57 / 0 / 67 / 35

HEX #47A536

RGB 71 165 54

HSL 110.81, 0.51%, 0.43%

LAB 60.35, -48.95, 47.48

 

CMYK 56 / 0 / 66 / 24

HEX #56C242

RGB 86 194 66

HSL 110.63, 0.51%, 0.51%

LAB 70.14, -54.79, 53.2

 

CMYK 44 / 0 / 52 / 20

HEX #72CC61

RGB 114 204 97

HSL 110.47, 0.51%, 0.59%

LAB 74.59, -47.45, 44.65

 

CMYK 34 / 0 / 40 / 16

HEX #8ED681

RGB 142 214 129

HSL 110.82, 0.51%, 0.67%

LAB 79.29, -38.66, 35.02

 

CMYK 56 / 0 / 66 / 24

HEX #55C241

RGB 85 194 65

HSL 110.7, 0.51%, 0.51%

LAB 70.1, -55.14, 53.56

 

CMYK 66 / 2 / 0 / 24

HEX #42BEC2

RGB 66 190 194

HSL 181.88, 0.51%, 0.51%

LAB 70.79, -32.16, -12.04

 

CMYK 0 / 66 / 28 / 24

HEX #C2428B

RGB 194 66 139

HSL 325.78, 0.51%, 0.51%

LAB 48.55, 57.83, -13.16

 

CMYK 56 / 0 / 66 / 24

HEX #55C241

RGB 85 194 65

HSL 110.7, 0.51%, 0.51%

LAB 70.1, -55.14, 53.56

 

CMYK 66 / 55 / 0 / 24

HEX #4258C2

RGB 66 88 194

HSL 229.69, 0.51%, 0.51%

LAB 41.27, 26.17, -58.14

 

CMYK 0 / 66 / 55 / 24

HEX #C24258

RGB 194 66 88

HSL 349.69, 0.51%, 0.51%

LAB 47.07, 52.56, 15.68

 

CMYK 56 / 0 / 66 / 24

HEX #55C241

RGB 85 194 65

HSL 110.7, 0.51%, 0.51%

LAB 70.1, -55.14, 53.56

 

CMYK 66 / 2 / 0 / 24

HEX #42BEC2

RGB 66 190 194

HSL 181.88, 0.51%, 0.51%

LAB 70.79, -32.16, -12.04

 

CMYK 11 / 66 / 0 / 24

HEX #AD42C2

RGB 173 66 194

HSL 290.16, 0.51%, 0.51%

LAB 47.85, 61.08, -46.98

 

CMYK 0 / 63 / 66 / 24

HEX #C24742

RGB 194 71 66

HSL 2.34, 0.51%, 0.51%

LAB 47.46, 48.9, 29.4

 

CMYK 56 / 0 / 66 / 24

HEX #55C241

RGB 85 194 65

HSL 110.7, 0.51%, 0.51%

LAB 70.1, -55.14, 53.56

 

CMYK 66 / 22 / 0 / 24

HEX #4297C2

RGB 66 151 194

HSL 200.16, 0.51%, 0.51%

LAB 59.15, -12.1, -29.79

 

CMYK 11 / 66 / 0 / 24

HEX #AD42C2

RGB 173 66 194

HSL 290.16, 0.51%, 0.51%

LAB 47.85, 61.08, -46.98

 

CMYK 0 / 44 / 66 / 24

HEX #C26D42

RGB 194 109 66

HSL 20.16, 0.51%, 0.51%

LAB 54.87, 29.99, 38.27

 

Description

Color code: HEX #55C241 | qconv.com Color code: HEX #55C241 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 194 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 194 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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