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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C271 it is the complementary color #BD3D8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C271 shade: #47C26C, #58D47F, #69E692, #7AF8A5 and #8BFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C271 shade: #42C271, #31B05E, #209E4B, #0F8C38 and #007A25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C271 shade: #42C271, #42C24F, #58C242, #7BC242 and #9DC242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C271 shade: #42C271, #42C293, #42C2B6, #42ABC2 and #4289C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C271 shade matches the following richer shades: #42C271, #2ED66C, #1AEA66 and #06FE61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C271 shade: #42C271, #57AE76, #6B997C, #7F8581 and #937187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C271 shade: #58C242, #42C24F, #42C271, #42C293 and #42C2B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C271 shade: #2C864D, #36A55F, #42C271, #61CC89 and #81D6A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C271 shade: #42C271, #427AC2 and #C24247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C271 shade: #42C271, #7142C2 and #C27142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C271 shade: #42C271, #427AC2, #C24293 and #C28B42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C271 shade: #42C271, #4253C2, #C24293 and #C2B142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

Complementary color

CMYK 0 / 68 / 25 / 26

HEX #BD3D8E

RGB 189 61 142

HSL 322.03, 0.51%, 0.49%

LAB 47.12, 58.79, -17.21

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 58 / 0 / 40 / 17

HEX #58D47F

RGB 88 212 127

HSL 138.87, 0.59%, 0.59%

LAB 76.49, -53.03, 31.97

 

CMYK 54 / 0 / 37 / 10

HEX #69E692

RGB 105 230 146

HSL 139.68, 0.71%, 0.66%

LAB 82.74, -53.07, 30.64

 

CMYK 51 / 0 / 33 / 3

HEX #7AF8A5

RGB 122 248 165

HSL 140.48, 0.9%, 0.73%

LAB 88.92, -53, 29.39

 

CMYK 45 / 0 / 28 / 0

HEX #8BFFB8

RGB 139 255 184

HSL 143.28, 1%, 0.77%

LAB 91.9, -48.26, 23.92

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 72 / 0 / 47 / 31

HEX #31B05E

RGB 49 176 94

HSL 141.26, 0.56%, 0.44%

LAB 63.76, -52.42, 32.26

 

CMYK 80 / 0 / 53 / 38

HEX #209E4B

RGB 32 158 75

HSL 140.48, 0.66%, 0.37%

LAB 57.34, -51.47, 33.89

 

CMYK 89 / 0 / 60 / 45

HEX #0F8C38

RGB 15 140 56

HSL 139.68, 0.81%, 0.3%

LAB 50.85, -49.87, 35.55

 

CMYK 100 / 0 / 70 / 52

HEX #007A25

RGB 0 122 37

HSL 138.2, 1%, 0.24%

LAB 44.31, -47.48, 37.06

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 66 / 0 / 59 / 24

HEX #42C24F

RGB 66 194 79

HSL 126.09, 0.51%, 0.51%

LAB 69.69, -57.99, 46.87

 

CMYK 55 / 0 / 66 / 24

HEX #58C242

RGB 88 194 66

HSL 109.69, 0.51%, 0.51%

LAB 70.21, -54.26, 53.3

 

CMYK 37 / 0 / 66 / 24

HEX #7BC242

RGB 123 194 66

HSL 93.28, 0.51%, 0.51%

LAB 71.68, -43.5, 55.31

 

CMYK 19 / 0 / 66 / 24

HEX #9DC242

RGB 157 194 66

HSL 77.34, 0.51%, 0.51%

LAB 73.64, -30.82, 57.97

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 66 / 0 / 24 / 24

HEX #42C293

RGB 66 194 147

HSL 157.97, 0.51%, 0.51%

LAB 70.77, -46.1, 13.55

 

CMYK 66 / 0 / 6 / 24

HEX #42C2B6

RGB 66 194 182

HSL 174.38, 0.51%, 0.51%

LAB 71.64, -37.38, -4.22

 

CMYK 66 / 12 / 0 / 24

HEX #42ABC2

RGB 66 171 194

HSL 190.78, 0.51%, 0.51%

LAB 65.1, -22.75, -20.63

 

CMYK 66 / 29 / 0 / 24

HEX #4289C2

RGB 66 137 194

HSL 206.72, 0.51%, 0.51%

LAB 55.02, -4.16, -36.23

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 79 / 0 / 50 / 16

HEX #2ED66C

RGB 46 214 108

HSL 142.14, 0.67%, 0.51%

LAB 75.92, -63.99, 40.55

 

CMYK 89 / 0 / 56 / 8

HEX #1AEA66

RGB 26 234 102

HSL 141.92, 0.83%, 0.51%

LAB 81.85, -73.05, 50.54

 

CMYK 98 / 0 / 62 / 0

HEX #06FE61

RGB 6 254 97

HSL 142.02, 0.99%, 0.51%

LAB 87.87, -80.41, 59.66

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 50 / 0 / 32 / 32

HEX #57AE76

RGB 87 174 118

HSL 141.38, 0.35%, 0.51%

LAB 64.65, -39.07, 20.9

 

CMYK 30 / 0 / 19 / 40

HEX #6B997C

RGB 107 153 124

HSL 142.17, 0.18%, 0.51%

LAB 59.31, -21.89, 10.32

 

CMYK 5 / 0 / 3 / 48

HEX #7F8581

RGB 127 133 129

HSL 140, 0.02%, 0.51%

LAB 54.94, -3.02, 1.38

 

CMYK 0 / 23 / 8 / 42

HEX #937187

RGB 147 113 135

HSL 321.18, 0.14%, 0.51%

LAB 51.57, 17.19, -6.88

 

CMYK 55 / 0 / 66 / 24

HEX #58C242

RGB 88 194 66

HSL 109.69, 0.51%, 0.51%

LAB 70.21, -54.26, 53.3

 

CMYK 66 / 0 / 59 / 24

HEX #42C24F

RGB 66 194 79

HSL 126.09, 0.51%, 0.51%

LAB 69.69, -57.99, 46.87

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 66 / 0 / 24 / 24

HEX #42C293

RGB 66 194 147

HSL 157.97, 0.51%, 0.51%

LAB 70.77, -46.1, 13.55

 

CMYK 66 / 0 / 7 / 24

HEX #42C2B5

RGB 66 194 181

HSL 173.91, 0.51%, 0.51%

LAB 71.61, -37.65, -3.72

 

CMYK 67 / 0 / 43 / 47

HEX #2C864D

RGB 44 134 77

HSL 142, 0.51%, 0.35%

LAB 49.64, -40, 23.11

 

CMYK 67 / 0 / 42 / 35

HEX #36A55F

RGB 54 165 95

HSL 142.16, 0.51%, 0.43%

LAB 60.36, -47.18, 27.37

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 52 / 0 / 33 / 20

HEX #61CC89

RGB 97 204 137

HSL 142.43, 0.51%, 0.59%

LAB 74.53, -45.9, 24.22

 

CMYK 40 / 0 / 25 / 16

HEX #81D6A0

RGB 129 214 160

HSL 141.88, 0.51%, 0.67%

LAB 79.21, -37.45, 18.74

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 66 / 37 / 0 / 24

HEX #427AC2

RGB 66 122 194

HSL 213.75, 0.51%, 0.51%

LAB 50.65, 4.76, -43.1

 

CMYK 0 / 66 / 63 / 24

HEX #C24247

RGB 194 66 71

HSL 357.66, 0.51%, 0.51%

LAB 46.74, 51.35, 25.54

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 42 / 66 / 0 / 24

HEX #7142C2

RGB 113 66 194

HSL 262.03, 0.51%, 0.51%

LAB 40.08, 48, -59.88

 

CMYK 0 / 42 / 66 / 24

HEX #C27142

RGB 194 113 66

HSL 22.03, 0.51%, 0.51%

LAB 55.76, 27.83, 39.3

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 66 / 37 / 0 / 24

HEX #427AC2

RGB 66 122 194

HSL 213.75, 0.51%, 0.51%

LAB 50.65, 4.76, -43.1

 

CMYK 0 / 66 / 24 / 24

HEX #C24293

RGB 194 66 147

HSL 322.03, 0.51%, 0.51%

LAB 48.85, 58.86, -17.49

 

CMYK 0 / 28 / 66 / 24

HEX #C28B42

RGB 194 139 66

HSL 34.22, 0.51%, 0.51%

LAB 61.94, 13.58, 46.3

 

CMYK 66 / 0 / 42 / 24

HEX #42C271

RGB 66 194 113

HSL 142.03, 0.51%, 0.51%

LAB 70.13, -52.96, 30.73

 

CMYK 66 / 57 / 0 / 24

HEX #4253C2

RGB 66 83 194

HSL 232.03, 0.51%, 0.51%

LAB 39.98, 29.37, -60.22

 

CMYK 0 / 66 / 24 / 24

HEX #C24293

RGB 194 66 147

HSL 322.03, 0.51%, 0.51%

LAB 48.85, 58.86, -17.49

 

CMYK 0 / 9 / 66 / 24

HEX #C2B142

RGB 194 177 66

HSL 52.03, 0.51%, 0.51%

LAB 71.76, -6.89, 56.89

 

Description

Color code: HEX #42C271 | qconv.com Color code: HEX #42C271 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 194 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 194 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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