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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #558BC9 it is the complementary color #AA7436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #558BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #558BC9 shade: #5A8BC4, #6B9DD7, #7CAFEA, #8DC1FD and #9ED3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #558BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #558BC9 shade: #558BC9, #4479B6, #3367A3, #225590 and #11437D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #558BC9 shade: #548BC9, #546BC9, #5D54C9, #7D54C9 and #9C54C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #558BC9 shade: #548BC9, #546BC9 and #5454C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #558BC9 shade matches the following richer shades: #548BC9, #428ADB and #3088ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #558BC9 shade: #548BC9, #678CB7, #798DA5, #8B8F93 and #9D9081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #558BC9 shade: #54C9C9, #54AAC9, #548BC9, #546CC9 and #5C54C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #558BC9 shade: #31629A, #3B76BA, #548BC9, #74A0D3 and #93B6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #558BC9 shade: #558BC9, #AA54C9 and #BAC954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #558BC9 shade: #558BC9, #C9548B and #8BC954

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #558BC9 shade: #558BC9, #AA54C9, #C99354 and #74C954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #558BC9 shade: #558BC9, #C954C5, #C99354 and #54C958

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 31 / 0 / 21

HEX #558BC9

RGB 85 139 201

HSL 212.07, 0.52%, 0.56%

LAB 56.7, 0.57, -37.5

 

Complementary color

CMYK 0 / 32 / 68 / 33

HEX #AA7436

RGB 170 116 54

HSL 32.07, 0.52%, 0.44%

LAB 53.28, 15.15, 41.83

 

CMYK 54 / 29 / 0 / 23

HEX #5A8BC4

RGB 90 139 196

HSL 212.26, 0.47%, 0.56%

LAB 56.71, 0.04, -34.64

 

CMYK 50 / 27 / 0 / 16

HEX #6B9DD7

RGB 107 157 215

HSL 212.22, 0.57%, 0.63%

LAB 63.46, -0.63, -34.69

 

CMYK 47 / 25 / 0 / 8

HEX #7CAFEA

RGB 124 175 234

HSL 212.18, 0.72%, 0.7%

LAB 70.1, -1.17, -34.77

 

CMYK 44 / 24 / 0 / 1

HEX #8DC1FD

RGB 141 193 253

HSL 212.14, 0.97%, 0.77%

LAB 76.62, -1.63, -34.88

 

CMYK 38 / 17 / 0 / 0

HEX #9ED3FF

RGB 158 211 255

HSL 207.22, 1%, 0.81%

LAB 82.42, -6.45, -26.94

 

CMYK 58 / 31 / 0 / 21

HEX #558BC9

RGB 85 139 201

HSL 212.07, 0.52%, 0.56%

LAB 56.7, 0.57, -37.5

 

CMYK 63 / 34 / 0 / 29

HEX #4479B6

RGB 68 121 182

HSL 212.11, 0.46%, 0.49%

LAB 49.84, 1.57, -37.48

 

CMYK 69 / 37 / 0 / 36

HEX #3367A3

RGB 51 103 163

HSL 212.14, 0.52%, 0.42%

LAB 42.84, 2.86, -37.48

 

CMYK 76 / 41 / 0 / 44

HEX #225590

RGB 34 85 144

HSL 212.18, 0.62%, 0.35%

LAB 35.7, 4.58, -37.48

 

CMYK 86 / 46 / 0 / 51

HEX #11437D

RGB 17 67 125

HSL 212.22, 0.76%, 0.28%

LAB 28.42, 6.97, -37.43

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 58 / 47 / 0 / 21

HEX #546BC9

RGB 84 107 201

HSL 228.21, 0.52%, 0.56%

LAB 47.77, 19.79, -51.65

 

CMYK 54 / 58 / 0 / 21

HEX #5D54C9

RGB 93 84 201

HSL 244.62, 0.52%, 0.56%

LAB 42.59, 35.79, -59.97

 

CMYK 38 / 58 / 0 / 21

HEX #7D54C9

RGB 125 84 201

HSL 261.03, 0.52%, 0.56%

LAB 45.52, 42.61, -55.09

 

CMYK 22 / 58 / 0 / 21

HEX #9C54C9

RGB 156 84 201

HSL 276.92, 0.52%, 0.56%

LAB 49.04, 50.05, -49.26

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 58 / 47 / 0 / 21

HEX #546BC9

RGB 84 107 201

HSL 228.21, 0.52%, 0.56%

LAB 47.77, 19.79, -51.65

 

CMYK 58 / 58 / 0 / 21

HEX #5454C9

RGB 84 84 201

HSL 240, 0.52%, 0.56%

LAB 41.91, 34.12, -61.1

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 70 / 37 / 0 / 14

HEX #428ADB

RGB 66 138 219

HSL 211.76, 0.68%, 0.56%

LAB 56.54, 3.91, -47.94

 

CMYK 80 / 43 / 0 / 7

HEX #3088ED

RGB 48 136 237

HSL 212.06, 0.84%, 0.56%

LAB 56.44, 9.44, -58.16

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 44 / 23 / 0 / 28

HEX #678CB7

RGB 103 140 183

HSL 212.25, 0.36%, 0.56%

LAB 57.13, -1.32, -26.54

 

CMYK 27 / 15 / 0 / 35

HEX #798DA5

RGB 121 141 165

HSL 212.73, 0.2%, 0.56%

LAB 57.88, -1.52, -15.04

 

CMYK 5 / 3 / 0 / 42

HEX #8B8F93

RGB 139 143 147

HSL 210, 0.04%, 0.56%

LAB 59.2, -0.65, -2.63

 

CMYK 0 / 8 / 18 / 38

HEX #9D9081

RGB 157 144 129

HSL 32.14, 0.13%, 0.56%

LAB 60.52, 2.25, 9.72

 

CMYK 58 / 0 / 0 / 21

HEX #54C9C9

RGB 84 201 201

HSL 180, 0.52%, 0.56%

LAB 74.75, -32.47, -9.89

 

CMYK 58 / 15 / 0 / 21

HEX #54AAC9

RGB 84 170 201

HSL 195.9, 0.52%, 0.56%

LAB 65.63, -16.92, -23.66

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 58 / 46 / 0 / 21

HEX #546CC9

RGB 84 108 201

HSL 227.69, 0.52%, 0.56%

LAB 48.04, 19.16, -51.22

 

CMYK 54 / 58 / 0 / 21

HEX #5C54C9

RGB 92 84 201

HSL 244.1, 0.52%, 0.56%

LAB 42.51, 35.6, -60.1

 

CMYK 68 / 36 / 0 / 40

HEX #31629A

RGB 49 98 154

HSL 212, 0.52%, 0.4%

LAB 40.77, 2.37, -35.41

 

CMYK 68 / 37 / 0 / 27

HEX #3B76BA

RGB 59 118 186

HSL 212.13, 0.52%, 0.48%

LAB 48.8, 3.2, -41.45

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 45 / 24 / 0 / 17

HEX #74A0D3

RGB 116 160 211

HSL 212.21, 0.52%, 0.64%

LAB 64.61, -1.33, -30.66

 

CMYK 33 / 18 / 0 / 13

HEX #93B6DD

RGB 147 182 221

HSL 211.62, 0.52%, 0.72%

LAB 72.81, -2.54, -23.4

 

CMYK 58 / 31 / 0 / 21

HEX #558BC9

RGB 85 139 201

HSL 212.07, 0.52%, 0.56%

LAB 56.7, 0.57, -37.5

 

CMYK 15 / 58 / 0 / 21

HEX #AA54C9

RGB 170 84 201

HSL 284.1, 0.52%, 0.56%

LAB 50.81, 53.56, -46.33

 

CMYK 7 / 0 / 58 / 21

HEX #BAC954

RGB 186 201 84

HSL 67.69, 0.52%, 0.56%

LAB 77.79, -21.21, 55.43

 

CMYK 58 / 31 / 0 / 21

HEX #558BC9

RGB 85 139 201

HSL 212.07, 0.52%, 0.56%

LAB 56.7, 0.57, -37.5

 

CMYK 0 / 58 / 31 / 21

HEX #C9548B

RGB 201 84 139

HSL 331.79, 0.52%, 0.56%

LAB 52.53, 52.13, -7.06

 

CMYK 31 / 0 / 58 / 21

HEX #8BC954

RGB 139 201 84

HSL 91.79, 0.52%, 0.56%

LAB 74.76, -39.32, 51.2

 

CMYK 58 / 31 / 0 / 21

HEX #558BC9

RGB 85 139 201

HSL 212.07, 0.52%, 0.56%

LAB 56.7, 0.57, -37.5

 

CMYK 15 / 58 / 0 / 21

HEX #AA54C9

RGB 170 84 201

HSL 284.1, 0.52%, 0.56%

LAB 50.81, 53.56, -46.33

 

CMYK 0 / 27 / 58 / 21

HEX #C99354

RGB 201 147 84

HSL 32.31, 0.52%, 0.56%

LAB 64.9, 13.45, 40.93

 

CMYK 42 / 0 / 58 / 21

HEX #74C954

RGB 116 201 84

HSL 103.59, 0.52%, 0.56%

LAB 73.63, -47.07, 49.6

 

CMYK 58 / 31 / 0 / 21

HEX #558BC9

RGB 85 139 201

HSL 212.07, 0.52%, 0.56%

LAB 56.7, 0.57, -37.5

 

CMYK 0 / 58 / 2 / 21

HEX #C954C5

RGB 201 84 197

HSL 302.05, 0.52%, 0.56%

LAB 54.85, 60.78, -37.36

 

CMYK 0 / 27 / 58 / 21

HEX #C99354

RGB 201 147 84

HSL 32.31, 0.52%, 0.56%

LAB 64.9, 13.45, 40.93

 

CMYK 58 / 0 / 56 / 21

HEX #54C958

RGB 84 201 88

HSL 122.05, 0.52%, 0.56%

LAB 72.47, -55.5, 46.1

 

Description

Color code: HEX #558BC9 | qconv.com Color code: HEX #558BC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 139 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 139 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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