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Color name
HEX #548BC9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #548BC9 it is the complementary color #AB7436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #548BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #548BC9 shade: #598BC4, #6A9DD7, #7BAFEA, #8CC1FD and #9DD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #548BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #548BC9 shade: #548BC9, #4379B6, #3267A3, #215590 and #10437D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #548BC9 shade: #548BC9, #546CC9, #5D54C9, #7C54C9 and #9B54C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #548BC9 shade: #548BC9, #546CC9 and #5454C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #548BC9 shade matches the following richer shades: #548BC9, #428ADB and #3089ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #548BC9 shade: #548BC9, #678CB7, #798DA5, #8B8F93 and #9D9081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #548BC9 shade: #54C9C7, #54ACC9, #548DC9, #546EC9 and #5A54C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #548BC9 shade: #31629A, #3B76BA, #548BC9, #74A1D3 and #93B6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #548BC9 shade: #548BC9, #A854C9 and #BCC954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #548BC9 shade: #548BC9, #C9548D and #8DC954

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #548BC9 shade: #548BC9, #A854C9, #C99154 and #76C954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #548BC9 shade: #548BC9, #C954C7, #C99154 and #54C956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

Complementary color

CMYK 0 / 32 / 68 / 33

HEX #AB7436

RGB 171 116 54

HSL 31.79, 0.52%, 0.44%

LAB 53.4, 15.59, 42

 

CMYK 55 / 29 / 0 / 23

HEX #598BC4

RGB 89 139 196

HSL 211.96, 0.48%, 0.56%

LAB 56.66, -0.18, -34.72

 

CMYK 51 / 27 / 0 / 16

HEX #6A9DD7

RGB 106 157 215

HSL 211.93, 0.58%, 0.63%

LAB 63.41, -0.86, -34.78

 

CMYK 47 / 25 / 0 / 8

HEX #7BAFEA

RGB 123 175 234

HSL 211.89, 0.73%, 0.7%

LAB 70.04, -1.41, -34.86

 

CMYK 45 / 24 / 0 / 1

HEX #8CC1FD

RGB 140 193 253

HSL 211.86, 0.97%, 0.77%

LAB 76.56, -1.87, -34.96

 

CMYK 38 / 17 / 0 / 0

HEX #9DD3FF

RGB 157 211 255

HSL 206.94, 1%, 0.81%

LAB 82.37, -6.71, -27.03

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 63 / 34 / 0 / 29

HEX #4379B6

RGB 67 121 182

HSL 211.83, 0.46%, 0.49%

LAB 49.79, 1.38, -37.55

 

CMYK 69 / 37 / 0 / 36

HEX #3267A3

RGB 50 103 163

HSL 211.86, 0.53%, 0.42%

LAB 42.8, 2.69, -37.55

 

CMYK 77 / 41 / 0 / 44

HEX #215590

RGB 33 85 144

HSL 211.89, 0.63%, 0.35%

LAB 35.66, 4.45, -37.53

 

CMYK 87 / 46 / 0 / 51

HEX #10437D

RGB 16 67 125

HSL 211.93, 0.77%, 0.28%

LAB 28.39, 6.87, -37.47

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 58 / 46 / 0 / 21

HEX #546CC9

RGB 84 108 201

HSL 227.69, 0.52%, 0.56%

LAB 48.04, 19.16, -51.22

 

CMYK 54 / 58 / 0 / 21

HEX #5D54C9

RGB 93 84 201

HSL 244.62, 0.52%, 0.56%

LAB 42.59, 35.79, -59.97

 

CMYK 38 / 58 / 0 / 21

HEX #7C54C9

RGB 124 84 201

HSL 260.51, 0.52%, 0.56%

LAB 45.42, 42.38, -55.26

 

CMYK 23 / 58 / 0 / 21

HEX #9B54C9

RGB 155 84 201

HSL 276.41, 0.52%, 0.56%

LAB 48.92, 49.8, -49.46

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 58 / 46 / 0 / 21

HEX #546CC9

RGB 84 108 201

HSL 227.69, 0.52%, 0.56%

LAB 48.04, 19.16, -51.22

 

CMYK 58 / 58 / 0 / 21

HEX #5454C9

RGB 84 84 201

HSL 240, 0.52%, 0.56%

LAB 41.91, 34.12, -61.1

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 70 / 37 / 0 / 14

HEX #428ADB

RGB 66 138 219

HSL 211.76, 0.68%, 0.56%

LAB 56.54, 3.91, -47.94

 

CMYK 80 / 42 / 0 / 7

HEX #3089ED

RGB 48 137 237

HSL 211.75, 0.84%, 0.56%

LAB 56.72, 8.84, -57.72

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 44 / 23 / 0 / 28

HEX #678CB7

RGB 103 140 183

HSL 212.25, 0.36%, 0.56%

LAB 57.13, -1.32, -26.54

 

CMYK 27 / 15 / 0 / 35

HEX #798DA5

RGB 121 141 165

HSL 212.73, 0.2%, 0.56%

LAB 57.88, -1.52, -15.04

 

CMYK 5 / 3 / 0 / 42

HEX #8B8F93

RGB 139 143 147

HSL 210, 0.04%, 0.56%

LAB 59.2, -0.65, -2.63

 

CMYK 0 / 8 / 18 / 38

HEX #9D9081

RGB 157 144 129

HSL 32.14, 0.13%, 0.56%

LAB 60.52, 2.25, 9.72

 

CMYK 58 / 0 / 1 / 21

HEX #54C9C7

RGB 84 201 199

HSL 178.97, 0.52%, 0.56%

LAB 74.69, -33.02, -8.89

 

CMYK 58 / 14 / 0 / 21

HEX #54ACC9

RGB 84 172 201

HSL 194.87, 0.52%, 0.56%

LAB 66.22, -17.97, -22.76

 

CMYK 58 / 30 / 0 / 21

HEX #548DC9

RGB 84 141 201

HSL 210.77, 0.52%, 0.56%

LAB 57.22, -0.8, -36.68

 

CMYK 58 / 45 / 0 / 21

HEX #546EC9

RGB 84 110 201

HSL 226.67, 0.52%, 0.56%

LAB 48.58, 17.92, -50.36

 

CMYK 55 / 58 / 0 / 21

HEX #5A54C9

RGB 90 84 201

HSL 243.08, 0.52%, 0.56%

LAB 42.36, 35.22, -60.36

 

CMYK 68 / 36 / 0 / 40

HEX #31629A

RGB 49 98 154

HSL 212, 0.52%, 0.4%

LAB 40.77, 2.37, -35.41

 

CMYK 68 / 37 / 0 / 27

HEX #3B76BA

RGB 59 118 186

HSL 212.13, 0.52%, 0.48%

LAB 48.8, 3.2, -41.45

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 45 / 24 / 0 / 17

HEX #74A1D3

RGB 116 161 211

HSL 211.58, 0.52%, 0.64%

LAB 64.89, -1.89, -30.23

 

CMYK 33 / 18 / 0 / 13

HEX #93B6DD

RGB 147 182 221

HSL 211.62, 0.52%, 0.72%

LAB 72.81, -2.54, -23.4

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 16 / 58 / 0 / 21

HEX #A854C9

RGB 168 84 201

HSL 283.08, 0.52%, 0.56%

LAB 50.55, 53.06, -46.76

 

CMYK 6 / 0 / 58 / 21

HEX #BCC954

RGB 188 201 84

HSL 66.67, 0.52%, 0.56%

LAB 77.94, -20.39, 55.64

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 0 / 58 / 30 / 21

HEX #C9548D

RGB 201 84 141

HSL 330.77, 0.52%, 0.56%

LAB 52.6, 52.39, -8.15

 

CMYK 30 / 0 / 58 / 21

HEX #8DC954

RGB 141 201 84

HSL 90.77, 0.52%, 0.56%

LAB 74.87, -38.61, 51.35

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 16 / 58 / 0 / 21

HEX #A854C9

RGB 168 84 201

HSL 283.08, 0.52%, 0.56%

LAB 50.55, 53.06, -46.76

 

CMYK 0 / 28 / 58 / 21

HEX #C99154

RGB 201 145 84

HSL 31.28, 0.52%, 0.56%

LAB 64.41, 14.54, 40.33

 

CMYK 41 / 0 / 58 / 21

HEX #76C954

RGB 118 201 84

HSL 102.56, 0.52%, 0.56%

LAB 73.72, -46.44, 49.72

 

CMYK 58 / 31 / 0 / 21

HEX #548BC9

RGB 84 139 201

HSL 211.79, 0.52%, 0.56%

LAB 56.65, 0.36, -37.58

 

CMYK 0 / 58 / 1 / 21

HEX #C954C7

RGB 201 84 199

HSL 301.03, 0.52%, 0.56%

LAB 54.95, 61.12, -38.36

 

CMYK 0 / 28 / 58 / 21

HEX #C99154

RGB 201 145 84

HSL 31.28, 0.52%, 0.56%

LAB 64.41, 14.54, 40.33

 

CMYK 58 / 0 / 57 / 21

HEX #54C956

RGB 84 201 86

HSL 121.03, 0.52%, 0.56%

LAB 72.45, -55.75, 47

 

Description

Color code: HEX #548BC9 | qconv.com Color code: HEX #548BC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 139 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 139 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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