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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555A24 it is the complementary color #AAA5DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555A24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #555A24: #5A5A1F, #6B6C32, #7C7E45, #8D9058 and #9EA26B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555A24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #555A24: #555A24, #444811, #333600, #222400 and #111200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

Complementary color

CMYK 22 / 25 / 0 / 14

HEX #AAA5DB

RGB 170 165 219

HSL 245.56, 0.43%, 0.75%

LAB 69.87, 13.15, -26.66

 

CMYK 0 / 0 / 66 / 65

HEX #5A5A1F

RGB 90 90 31

HSL 60, 0.49%, 0.24%

LAB 37.09, -8.61, 33.07

 

CMYK 1 / 0 / 54 / 58

HEX #6B6C32

RGB 107 108 50

HSL 61.03, 0.37%, 0.31%

LAB 44.35, -9.28, 31.94

 

CMYK 2 / 0 / 45 / 51

HEX #7C7E45

RGB 124 126 69

HSL 62.11, 0.29%, 0.38%

LAB 51.42, -9.75, 30.66

 

CMYK 2 / 0 / 39 / 44

HEX #8D9058

RGB 141 144 88

HSL 63.21, 0.24%, 0.45%

LAB 58.33, -10.1, 29.39

 

CMYK 2 / 0 / 34 / 36

HEX #9EA26B

RGB 158 162 107

HSL 64.36, 0.23%, 0.53%

LAB 65.1, -10.36, 28.18

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 6 / 0 / 76 / 72

HEX #444811

RGB 68 72 17

HSL 64.36, 0.62%, 0.17%

LAB 29.17, -9.85, 30.84

 

CMYK 6 / 0 / 100 / 79

HEX #333600

RGB 51 54 0

HSL 63.33, 1%, 0.11%

LAB 21.37, -8.79, 29.63

 

CMYK 6 / 0 / 100 / 86

HEX #222400

RGB 34 36 0

HSL 63.33, 1%, 0.07%

LAB 13.24, -6.76, 19.38

 

CMYK 6 / 0 / 100 / 93

HEX #111200

RGB 17 18 0

HSL 63.33, 1%, 0.04%

LAB 4.98, -3.15, 7.41

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 15 / 0 / 60 / 64

HEX #4D5B24

RGB 77 91 36

HSL 75.27, 0.43%, 0.25%

LAB 36.34, -14.84, 29.39

 

CMYK 25 / 0 / 60 / 64

HEX #445B24

RGB 68 91 36

HSL 85.09, 0.43%, 0.25%

LAB 35.67, -18.85, 28.45

 

CMYK 35 / 0 / 60 / 64

HEX #3B5B24

RGB 59 91 36

HSL 94.91, 0.43%, 0.25%

LAB 35.08, -22.62, 27.61

 

CMYK 45 / 0 / 60 / 64

HEX #325B24

RGB 50 91 36

HSL 104.73, 0.43%, 0.25%

LAB 34.57, -26.08, 26.89

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 6 / 0 / 60 / 45

HEX #858D38

RGB 133 141 56

HSL 65.65, 0.43%, 0.39%

LAB 56.41, -15.15, 43.27

 

CMYK 6 / 0 / 60 / 25

HEX #B5C04D

RGB 181 192 77

HSL 65.74, 0.48%, 0.53%

LAB 74.86, -19.32, 55.17

 

CMYK 5 / 0 / 60 / 5

HEX #E6F361

RGB 230 243 97

HSL 65.34, 0.86%, 0.67%

LAB 92.48, -22.95, 66.94

 

CMYK 5 / 0 / 59 / 85

HEX #252710

RGB 37 39 16

HSL 65.22, 0.42%, 0.11%

LAB 14.85, -5.33, 14.6

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 60 / 0 / 44 / 64

HEX #245B33

RGB 36 91 51

HSL 136.36, 0.43%, 0.25%

LAB 34.18, -28.13, 17.75

 

CMYK 20 / 60 / 0 / 64

HEX #49245B

RGB 73 36 91

HSL 280.36, 0.43%, 0.25%

LAB 21.7, 28.11, -26.07

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 60 / 5 / 0 / 64

HEX #24565B

RGB 36 86 91

HSL 185.45, 0.43%, 0.25%

LAB 33.53, -15.04, -7.99

 

CMYK 0 / 60 / 5 / 64

HEX #5B2456

RGB 91 36 86

HSL 305.45, 0.43%, 0.25%

LAB 24.19, 32.55, -18.66

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 60 / 0 / 44 / 64

HEX #245B33

RGB 36 91 51

HSL 136.36, 0.43%, 0.25%

LAB 34.18, -28.13, 17.75

 

CMYK 56 / 60 / 0 / 64

HEX #28245B

RGB 40 36 91

HSL 244.36, 0.43%, 0.25%

LAB 17.77, 19.08, -32.59

 

CMYK 0 / 60 / 18 / 64

HEX #5B244B

RGB 91 36 75

HSL 317.45, 0.43%, 0.25%

LAB 23.65, 30.53, -12.14

 

CMYK 6 / 0 / 60 / 65

HEX #555A24

RGB 85 90 36

HSL 65.56, 0.43%, 0.25%

LAB 36.69, -10.56, 29.96

 

CMYK 60 / 0 / 25 / 64

HEX #245B44

RGB 36 91 68

HSL 154.91, 0.43%, 0.25%

LAB 34.55, -24.35, 7.9

 

CMYK 56 / 60 / 0 / 64

HEX #28245B

RGB 40 36 91

HSL 244.36, 0.43%, 0.25%

LAB 17.77, 19.08, -32.59

 

CMYK 0 / 60 / 35 / 64

HEX #5B243B

RGB 91 36 59

HSL 334.91, 0.43%, 0.25%

LAB 23, 27.98, -2.25

 

Description

Color code: HEX #555A24 | qconv.com Color code: HEX #555A24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 90 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 90 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 60 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 60% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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