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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5514DC it is the complementary color #AAEB23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5514DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5514DC shade: #5A14D7, #6B26EA, #7C38FD, #8D4AFF and #9E5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5514DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5514DC shade: #5514DC, #4402C9, #3300B6, #2200A3 and #110090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5514DC shade: #5514DB, #8B14DB, #C014DB, #DB14C1 and #DB148B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5514DC shade: #5514DB, #1F14DB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5514DC shade matches the following richer shades: #5514DB and #4E01EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5514DC shade: #5514DB, #5C28C8, #633BB5, #694FA1 and #70628E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5514DC shade: #143FDB, #1E14DB, #5314DB, #8814DB and #BD14DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5514DC shade: #380D90, #4611B6, #5514DB, #6B2DEC and #8653EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5514DC shade: #5514DC, #DB1475 and #25DB14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5514DC shade: #5514DC, #DB5314 and #14DB53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5514DC shade: #5514DC, #DB1475, #9CDB14 and #14DB7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5514DC shade: #5514DC, #DB1439, #9CDB14 and #14DBB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 91 / 0 / 14

HEX #5514DC

RGB 85 20 220

HSL 259.5, 0.83%, 0.47%

LAB 33.13, 69.46, -86.48

 

Complementary color

CMYK 28 / 0 / 85 / 8

HEX #AAEB23

RGB 170 235 35

HSL 79.5, 0.83%, 0.53%

LAB 86.05, -45.63, 79.33

 

CMYK 58 / 91 / 0 / 16

HEX #5A14D7

RGB 90 20 215

HSL 261.54, 0.83%, 0.46%

LAB 33.09, 68.62, -83.65

 

CMYK 54 / 84 / 0 / 8

HEX #6B26EA

RGB 107 38 234

HSL 261.12, 0.82%, 0.53%

LAB 38.64, 69.63, -85.29

 

CMYK 51 / 78 / 0 / 1

HEX #7C38FD

RGB 124 56 253

HSL 260.71, 0.98%, 0.61%

LAB 44.53, 69.64, -86.23

 

CMYK 45 / 71 / 0 / 0

HEX #8D4AFF

RGB 141 74 255

HSL 262.21, 1%, 0.65%

LAB 49.23, 64.8, -79.57

 

CMYK 38 / 64 / 0 / 0

HEX #9E5CFF

RGB 158 92 255

HSL 264.29, 1%, 0.68%

LAB 54.18, 59.19, -71.43

 

CMYK 61 / 91 / 0 / 14

HEX #5514DC

RGB 85 20 220

HSL 259.5, 0.83%, 0.47%

LAB 33.13, 69.46, -86.48

 

CMYK 66 / 99 / 0 / 21

HEX #4402C9

RGB 68 2 201

HSL 259.9, 0.98%, 0.4%

LAB 28.09, 67.25, -83.88

 

CMYK 72 / 100 / 0 / 29

HEX #3300B6

RGB 51 0 182

HSL 256.81, 1%, 0.36%

LAB 23.94, 62.38, -79.59

 

CMYK 79 / 100 / 0 / 36

HEX #2200A3

RGB 34 0 163

HSL 252.52, 1%, 0.32%

LAB 19.98, 57.16, -74.76

 

CMYK 88 / 100 / 0 / 44

HEX #110090

RGB 17 0 144

HSL 247.08, 1%, 0.28%

LAB 16.17, 51.94, -69.44

 

CMYK 61 / 91 / 0 / 14

HEX #5514DB

RGB 85 20 219

HSL 259.6, 0.83%, 0.47%

LAB 33.02, 69.22, -86.09

 

CMYK 37 / 91 / 0 / 14

HEX #8B14DB

RGB 139 20 219

HSL 275.88, 0.83%, 0.47%

LAB 39.75, 74.31, -74.75

 

CMYK 12 / 91 / 0 / 14

HEX #C014DB

RGB 192 20 219

HSL 291.86, 0.83%, 0.47%

LAB 48.03, 81.6, -60.91

 

CMYK 0 / 91 / 12 / 14

HEX #DB14C1

RGB 219 20 193

HSL 307.84, 0.83%, 0.47%

LAB 51.16, 82.33, -40.67

 

CMYK 0 / 91 / 37 / 14

HEX #DB148B

RGB 219 20 139

HSL 324.12, 0.83%, 0.47%

LAB 48.79, 76.1, -12.36

 

CMYK 61 / 91 / 0 / 14

HEX #5514DB

RGB 85 20 219

HSL 259.6, 0.83%, 0.47%

LAB 33.02, 69.22, -86.09

 

CMYK 86 / 91 / 0 / 14

HEX #1F14DB

RGB 31 20 219

HSL 243.32, 0.83%, 0.47%

LAB 29.17, 66.81, -92.6

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 61 / 91 / 0 / 14

HEX #5514DB

RGB 85 20 219

HSL 259.6, 0.83%, 0.47%

LAB 33.02, 69.22, -86.09

 

CMYK 67 / 100 / 0 / 6

HEX #4E01EF

RGB 78 1 239

HSL 259.41, 0.99%, 0.47%

LAB 33.72, 76.68, -96.39

 

CMYK 61 / 91 / 0 / 14

HEX #5514DB

RGB 85 20 219

HSL 259.6, 0.83%, 0.47%

LAB 33.02, 69.22, -86.09

 

CMYK 54 / 80 / 0 / 22

HEX #5C28C8

RGB 92 40 200

HSL 259.5, 0.67%, 0.47%

LAB 33.91, 58.63, -73.58

 

CMYK 45 / 67 / 0 / 29

HEX #633BB5

RGB 99 59 181

HSL 259.67, 0.51%, 0.47%

LAB 36.21, 45.47, -58.61

 

CMYK 35 / 51 / 0 / 37

HEX #694FA1

RGB 105 79 161

HSL 259.02, 0.34%, 0.47%

LAB 39.86, 29.74, -40.79

 

CMYK 21 / 31 / 0 / 44

HEX #70628E

RGB 112 98 142

HSL 259.09, 0.18%, 0.47%

LAB 44.42, 15.24, -22.21

 

CMYK 91 / 71 / 0 / 14

HEX #143FDB

RGB 20 63 219

HSL 227.04, 0.83%, 0.47%

LAB 35.63, 46.76, -81.88

 

CMYK 86 / 91 / 0 / 14

HEX #1E14DB

RGB 30 20 219

HSL 243.02, 0.83%, 0.47%

LAB 29.14, 66.79, -92.66

 

CMYK 62 / 91 / 0 / 14

HEX #5314DB

RGB 83 20 219

HSL 258.99, 0.83%, 0.47%

LAB 32.82, 69.08, -86.43

 

CMYK 38 / 91 / 0 / 14

HEX #8814DB

RGB 136 20 219

HSL 274.97, 0.83%, 0.47%

LAB 39.33, 73.96, -75.47

 

CMYK 14 / 91 / 0 / 14

HEX #BD14DB

RGB 189 20 219

HSL 290.95, 0.83%, 0.47%

LAB 47.54, 81.14, -61.74

 

CMYK 61 / 91 / 0 / 44

HEX #380D90

RGB 56 13 144

HSL 259.69, 0.83%, 0.31%

LAB 20.6, 49.88, -61.97

 

CMYK 62 / 91 / 0 / 29

HEX #4611B6

RGB 70 17 182

HSL 259.27, 0.83%, 0.39%

LAB 26.96, 59.73, -74.51

 

CMYK 61 / 91 / 0 / 14

HEX #5514DB

RGB 85 20 219

HSL 259.6, 0.83%, 0.47%

LAB 33.02, 69.22, -86.09

 

CMYK 55 / 81 / 0 / 7

HEX #6B2DEC

RGB 107 45 236

HSL 259.48, 0.83%, 0.55%

LAB 39.68, 67.66, -84.72

 

CMYK 44 / 65 / 0 / 6

HEX #8653EF

RGB 134 83 239

HSL 259.62, 0.83%, 0.63%

LAB 48.87, 55.08, -71.25

 

CMYK 61 / 91 / 0 / 14

HEX #5514DC

RGB 85 20 220

HSL 259.5, 0.83%, 0.47%

LAB 33.13, 69.46, -86.48

 

CMYK 0 / 91 / 47 / 14

HEX #DB1475

RGB 219 20 117

HSL 330.75, 0.83%, 0.47%

LAB 48.06, 74.13, -0.04

 

CMYK 83 / 0 / 91 / 14

HEX #25DB14

RGB 37 219 20

HSL 114.87, 0.83%, 0.47%

LAB 76.74, -74.27, 72.32

 

CMYK 61 / 91 / 0 / 14

HEX #5514DC

RGB 85 20 220

HSL 259.5, 0.83%, 0.47%

LAB 33.13, 69.46, -86.48

 

CMYK 0 / 62 / 91 / 14

HEX #DB5314

RGB 219 83 20

HSL 18.99, 0.83%, 0.47%

LAB 53.27, 50.81, 58.61

 

CMYK 91 / 0 / 62 / 14

HEX #14DB53

RGB 20 219 83

HSL 138.99, 0.83%, 0.47%

LAB 76.94, -71.2, 53.23

 

CMYK 61 / 91 / 0 / 14

HEX #5514DC

RGB 85 20 220

HSL 259.5, 0.83%, 0.47%

LAB 33.13, 69.46, -86.48

 

CMYK 0 / 91 / 47 / 14

HEX #DB1475

RGB 219 20 117

HSL 330.75, 0.83%, 0.47%

LAB 48.06, 74.13, -0.04

 

CMYK 29 / 0 / 91 / 14

HEX #9CDB14

RGB 156 219 20

HSL 78.99, 0.83%, 0.47%

LAB 80.62, -44.37, 77.1

 

CMYK 91 / 0 / 44 / 14

HEX #14DB7B

RGB 20 219 123

HSL 151.06, 0.83%, 0.47%

LAB 77.43, -65.33, 34.99

 

CMYK 61 / 91 / 0 / 14

HEX #5514DC

RGB 85 20 220

HSL 259.5, 0.83%, 0.47%

LAB 33.13, 69.46, -86.48

 

CMYK 0 / 91 / 74 / 14

HEX #DB1439

RGB 219 20 57

HSL 348.84, 0.83%, 0.47%

LAB 46.78, 70.57, 35.04

 

CMYK 29 / 0 / 91 / 14

HEX #9CDB14

RGB 156 219 20

HSL 78.99, 0.83%, 0.47%

LAB 80.62, -44.37, 77.1

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

Description

Color code: HEX #5514DC | qconv.com Color code: HEX #5514DC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 20 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 20 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 91 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 91% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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