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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14DBB7 it is the complementary color #EB2448. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14DBB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14DBB7 shade: #19DBB2, #2AEDC5, #3BFFD8, #4CFFEB and #5DFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14DBB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14DBB7 shade: #14DBB7, #03C9A4, #00B791, #00A57E and #00936B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14DBB7 shade: #14DBB7, #14DB82, #14DB4C, #14DB16 and #48DB14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14DBB7 shade: #14DBB7, #14CADB, #1494DB, #145EDB and #1429DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14DBB7 shade matches the following richer shades: #14DBB7 and #01EFC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14DBB7 shade: #14DBB7, #28C8AB, #3BB59F, #4FA192 and #628E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14DBB7 shade: #14DB4D, #14DB82, #14DBB7, #14CBDB and #1496DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14DBB7 shade: #0D9078, #11B698, #14DBB7, #2DECC9 and #53EFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14DBB7 shade: #14DBB7, #1814DB and #DB6714

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14DBB7 shade: #14DBB7, #B714DB and #DBB714

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14DBB7 shade: #14DBB7, #1814DB, #DB1439 and #D8DB14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14DBB7 shade: #14DBB7, #5314DB, #DB1439 and #9CDB14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

Complementary color

CMYK 0 / 85 / 69 / 8

HEX #EB2448

RGB 235 36 72

HSL 349.15, 0.83%, 0.53%

LAB 51.14, 72.56, 32.09

 

CMYK 89 / 0 / 19 / 14

HEX #19DBB2

RGB 25 219 178

HSL 167.32, 0.8%, 0.48%

LAB 78.51, -53.25, 7.85

 

CMYK 82 / 0 / 17 / 7

HEX #2AEDC5

RGB 42 237 197

HSL 167.69, 0.84%, 0.55%

LAB 84.53, -54.56, 6.49

 

CMYK 77 / 0 / 15 / 0

HEX #3BFFD8

RGB 59 255 216

HSL 168.06, 1%, 0.62%

LAB 90.51, -55.58, 5.24

 

CMYK 70 / 0 / 8 / 0

HEX #4CFFEB

RGB 76 255 235

HSL 173.3, 1%, 0.65%

LAB 91.26, -48.88, -3.48

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFE

RGB 93 255 254

HSL 179.63, 1%, 0.68%

LAB 92.13, -41.59, -11.99

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 99 / 0 / 18 / 21

HEX #03C9A4

RGB 3 201 164

HSL 168.79, 0.97%, 0.4%

LAB 72.54, -50.45, 6.78

 

CMYK 100 / 0 / 21 / 28

HEX #00B791

RGB 0 183 145

HSL 167.54, 1%, 0.36%

LAB 66.45, -48.2, 8.42

 

CMYK 100 / 0 / 24 / 35

HEX #00A57E

RGB 0 165 126

HSL 165.82, 1%, 0.32%

LAB 60.26, -45.79, 10.15

 

CMYK 100 / 0 / 27 / 42

HEX #00936B

RGB 0 147 107

HSL 163.67, 1%, 0.29%

LAB 53.95, -43.32, 11.96

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 91 / 0 / 41 / 14

HEX #14DB82

RGB 20 219 130

HSL 153.17, 0.83%, 0.47%

LAB 77.53, -64.06, 31.59

 

CMYK 91 / 0 / 65 / 14

HEX #14DB4C

RGB 20 219 76

HSL 136.88, 0.83%, 0.47%

LAB 76.88, -71.97, 56.1

 

CMYK 91 / 0 / 90 / 14

HEX #14DB16

RGB 20 219 22

HSL 120.6, 0.83%, 0.47%

LAB 76.6, -75.54, 71.83

 

CMYK 67 / 0 / 91 / 14

HEX #48DB14

RGB 72 219 20

HSL 104.32, 0.83%, 0.47%

LAB 77.34, -69.1, 73.05

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 91 / 8 / 0 / 14

HEX #14CADB

RGB 20 202 219

HSL 185.13, 0.83%, 0.47%

LAB 74.51, -34.52, -20.09

 

CMYK 91 / 32 / 0 / 14

HEX #1494DB

RGB 20 148 219

HSL 201.41, 0.83%, 0.47%

LAB 58.46, -6.38, -44.96

 

CMYK 91 / 57 / 0 / 14

HEX #145EDB

RGB 20 94 219

HSL 217.69, 0.83%, 0.47%

LAB 43.17, 27.12, -69.51

 

CMYK 91 / 81 / 0 / 14

HEX #1429DB

RGB 20 41 219

HSL 233.67, 0.83%, 0.47%

LAB 31.46, 58.65, -88.8

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 100 / 0 / 18 / 6

HEX #01EFC4

RGB 1 239 196

HSL 169.16, 0.99%, 0.47%

LAB 84.86, -57.42, 7.45

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 80 / 0 / 15 / 22

HEX #28C8AB

RGB 40 200 171

HSL 169.13, 0.67%, 0.47%

LAB 72.69, -46.16, 3.25

 

CMYK 67 / 0 / 12 / 29

HEX #3BB59F

RGB 59 181 159

HSL 169.18, 0.51%, 0.47%

LAB 66.89, -38.69, 1.42

 

CMYK 51 / 0 / 9 / 37

HEX #4FA192

RGB 79 161 146

HSL 169.02, 0.34%, 0.47%

LAB 60.98, -28.79, 0.14

 

CMYK 31 / 0 / 6 / 44

HEX #628E86

RGB 98 142 134

HSL 169.09, 0.18%, 0.47%

LAB 55.75, -16.85, -0.56

 

CMYK 91 / 0 / 65 / 14

HEX #14DB4D

RGB 20 219 77

HSL 137.19, 0.83%, 0.47%

LAB 76.89, -71.86, 55.7

 

CMYK 91 / 0 / 41 / 14

HEX #14DB82

RGB 20 219 130

HSL 153.17, 0.83%, 0.47%

LAB 77.53, -64.06, 31.59

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 91 / 7 / 0 / 14

HEX #14CBDB

RGB 20 203 219

HSL 184.82, 0.83%, 0.47%

LAB 74.81, -34.99, -19.64

 

CMYK 91 / 32 / 0 / 14

HEX #1496DB

RGB 20 150 219

HSL 200.8, 0.83%, 0.47%

LAB 59.04, -7.52, -44.03

 

CMYK 91 / 0 / 17 / 44

HEX #0D9078

RGB 13 144 120

HSL 169.01, 0.83%, 0.31%

LAB 53.37, -37.95, 3.72

 

CMYK 91 / 0 / 16 / 29

HEX #11B698

RGB 17 182 152

HSL 169.09, 0.83%, 0.39%

LAB 66.4, -45.29, 4.5

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 81 / 0 / 15 / 7

HEX #2DECC9

RGB 45 236 201

HSL 169.01, 0.83%, 0.55%

LAB 84.36, -52.91, 4.15

 

CMYK 65 / 0 / 12 / 6

HEX #53EFD3

RGB 83 239 211

HSL 169.23, 0.83%, 0.63%

LAB 86.14, -47.17, 1.57

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 89 / 91 / 0 / 14

HEX #1814DB

RGB 24 20 219

HSL 241.21, 0.83%, 0.47%

LAB 28.93, 66.67, -93.02

 

CMYK 0 / 53 / 91 / 14

HEX #DB6714

RGB 219 103 20

HSL 25.03, 0.83%, 0.47%

LAB 56.89, 41.41, 61.19

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 16 / 91 / 0 / 14

HEX #B714DB

RGB 183 20 219

HSL 289.15, 0.83%, 0.47%

LAB 46.55, 80.24, -63.38

 

CMYK 0 / 16 / 91 / 14

HEX #DBB714

RGB 219 183 20

HSL 49.15, 0.83%, 0.47%

LAB 75.44, -0.79, 75.03

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 89 / 91 / 0 / 14

HEX #1814DB

RGB 24 20 219

HSL 241.21, 0.83%, 0.47%

LAB 28.93, 66.67, -93.02

 

CMYK 0 / 91 / 74 / 14

HEX #DB1439

RGB 219 20 57

HSL 348.84, 0.83%, 0.47%

LAB 46.78, 70.57, 35.04

 

CMYK 1 / 0 / 91 / 14

HEX #D8DB14

RGB 216 219 20

HSL 60.9, 0.83%, 0.47%

LAB 84.64, -20.27, 82

 

CMYK 91 / 0 / 16 / 14

HEX #14DBB7

RGB 20 219 183

HSL 169.15, 0.83%, 0.47%

LAB 78.6, -52.22, 5.31

 

CMYK 62 / 91 / 0 / 14

HEX #5314DB

RGB 83 20 219

HSL 258.99, 0.83%, 0.47%

LAB 32.82, 69.08, -86.43

 

CMYK 0 / 91 / 74 / 14

HEX #DB1439

RGB 219 20 57

HSL 348.84, 0.83%, 0.47%

LAB 46.78, 70.57, 35.04

 

CMYK 29 / 0 / 91 / 14

HEX #9CDB14

RGB 156 219 20

HSL 78.99, 0.83%, 0.47%

LAB 80.62, -44.37, 77.1

 

Description

Color code: HEX #14DBB7 | qconv.com Color code: HEX #14DBB7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 219 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 219 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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