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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54EDFA it is the complementary color #AB1205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54EDFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #54EDFA: #59EDF5, #6AFFFF, #7BFFFF, #8CFFFF and #9DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54EDFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #54EDFA: #54EDFA, #43DBE7, #32C9D4, #21B7C1 and #10A5AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

Complementary color

CMYK 0 / 89 / 97 / 33

HEX #AB1205

RGB 171 18 5

HSL 4.7, 0.94%, 0.35%

LAB 36.18, 57.01, 48.05

 

CMYK 64 / 3 / 0 / 4

HEX #59EDF5

RGB 89 237 245

HSL 183.08, 0.89%, 0.65%

LAB 86.64, -36.44, -15.52

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 71 / 5 / 0 / 9

HEX #43DBE7

RGB 67 219 231

HSL 184.39, 0.77%, 0.58%

LAB 80.53, -35.03, -17.37

 

CMYK 76 / 5 / 0 / 17

HEX #32C9D4

RGB 50 201 212

HSL 184.07, 0.65%, 0.51%

LAB 74.32, -34.08, -16.56

 

CMYK 83 / 5 / 0 / 24

HEX #21B7C1

RGB 33 183 193

HSL 183.75, 0.71%, 0.44%

LAB 68.05, -32.85, -15.67

 

CMYK 91 / 5 / 0 / 32

HEX #10A5AE

RGB 16 165 174

HSL 183.42, 0.83%, 0.37%

LAB 61.72, -31.25, -14.67

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 67 / 16 / 0 / 2

HEX #51D2F9

RGB 81 210 249

HSL 193.93, 0.93%, 0.65%

LAB 78.86, -23.44, -29.48

 

CMYK 67 / 27 / 0 / 2

HEX #51B6F9

RGB 81 182 249

HSL 203.93, 0.93%, 0.65%

LAB 70.9, -8.77, -41.8

 

CMYK 67 / 38 / 0 / 2

HEX #519AF9

RGB 81 154 249

HSL 213.93, 0.93%, 0.65%

LAB 63.09, 7.09, -54.1

 

CMYK 67 / 49 / 0 / 2

HEX #517EF9

RGB 81 126 249

HSL 223.93, 0.93%, 0.65%

LAB 55.59, 23.91, -66.11

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 67 / 4 / 0 / 82

HEX #0F2C2E

RGB 15 44 46

HSL 183.87, 0.51%, 0.12%

LAB 16, -10.05, -4.59

 

CMYK 66 / 5 / 0 / 62

HEX #215C61

RGB 33 92 97

HSL 184.69, 0.49%, 0.25%

LAB 35.68, -17.1, -8.54

 

CMYK 66 / 5 / 0 / 42

HEX #328C94

RGB 50 140 148

HSL 184.9, 0.49%, 0.39%

LAB 53.57, -23.57, -12.1

 

CMYK 66 / 5 / 0 / 22

HEX #43BDC7

RGB 67 189 199

HSL 184.55, 0.54%, 0.52%

LAB 70.67, -30.08, -14.95

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 49 / 67 / 0 / 2

HEX #7E51F9

RGB 126 81 249

HSL 256.07, 0.93%, 0.65%

LAB 48.46, 57.38, -77.54

 

CMYK 0 / 22 / 67 / 2

HEX #F9C151

RGB 249 193 81

HSL 40, 0.93%, 0.65%

LAB 81.22, 8.95, 62.07

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 0 / 67 / 4 / 2

HEX #F951EE

RGB 249 81 238

HSL 303.93, 0.93%, 0.65%

LAB 63.51, 80.04, -46.41

 

CMYK 4 / 0 / 67 / 2

HEX #EEF951

RGB 238 249 81

HSL 63.93, 0.93%, 0.65%

LAB 94.54, -23.58, 75.46

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 49 / 67 / 0 / 2

HEX #7E51F9

RGB 126 81 249

HSL 256.07, 0.93%, 0.65%

LAB 48.46, 57.38, -77.54

 

CMYK 0 / 63 / 67 / 2

HEX #F95D51

RGB 249 93 81

HSL 4.29, 0.93%, 0.65%

LAB 60.39, 58.87, 38.69

 

CMYK 18 / 0 / 67 / 2

HEX #CCF951

RGB 204 249 81

HSL 76.07, 0.93%, 0.65%

LAB 92.21, -36.89, 72.36

 

CMYK 66 / 5 / 0 / 2

HEX #54EDFA

RGB 84 237 250

HSL 184.7, 0.94%, 0.65%

LAB 86.68, -35.77, -18.1

 

CMYK 29 / 67 / 0 / 2

HEX #B051F9

RGB 176 81 249

HSL 273.93, 0.93%, 0.65%

LAB 53.98, 66.53, -68.33

 

CMYK 0 / 63 / 67 / 2

HEX #F95D51

RGB 249 93 81

HSL 4.29, 0.93%, 0.65%

LAB 60.39, 58.87, 38.69

 

CMYK 38 / 0 / 67 / 2

HEX #9AF951

RGB 154 249 81

HSL 93.93, 0.93%, 0.65%

LAB 89.49, -54.65, 68.7

 

Description

Color code: HEX #54EDFA | qconv.com Color code: HEX #54EDFA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 237 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 237 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 5 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 5% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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