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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54E75D it is the complementary color #AB18A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54E75D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54E75D shade: #59E758, #6AF96B, #7BFF7E, #8CFF91 and #9DFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54E75D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54E75D shade: #54E75D, #43D54A, #32C337, #21B124 and #109F11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54E75D shade: #55E75E, #74E755, #9BE755, #C2E755 and #E7E455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54E75D shade: #55E75E, #55E786, #55E7AD, #55E7D4 and #55D2E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54E75D shade matches the following richer shades: #55E75E and #46F651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54E75D shade: #55E75E, #65D76C, #75C77A, #84B888 and #94A895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54E75D shade: #9CE755, #75E755, #55E75D, #55E783 and #55E7AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54E75D shade: #1DCC28, #31E23C, #55E75E, #7AEC81 and #9EF1A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54E75D shade: #54E75D, #55C2E7 and #E75588

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54E75D shade: #54E75D, #5D55E7 and #E75D55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54E75D shade: #54E75D, #55C2E7, #E755E0 and #E77A55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54E75D shade: #54E75D, #5597E7, #E755E0 and #E7A555

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 60 / 9

HEX #54E75D

RGB 84 231 93

HSL 123.67, 0.75%, 0.62%

LAB 81.74, -65.65, 54.64

 

Complementary color

CMYK 0 / 86 / 5 / 33

HEX #AB18A2

RGB 171 24 162

HSL 303.67, 0.75%, 0.38%

LAB 41.09, 68.38, -38.88

 

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

CMYK 57 / 0 / 57 / 2

HEX #6AF96B

RGB 106 249 107

HSL 120.42, 0.92%, 0.7%

LAB 87.91, -65.62, 55.8

 

CMYK 52 / 0 / 51 / 0

HEX #7BFF7E

RGB 123 255 126

HSL 121.36, 1%, 0.74%

LAB 90.43, -61.43, 50.35

 

CMYK 45 / 0 / 43 / 0

HEX #8CFF91

RGB 140 255 145

HSL 122.61, 1%, 0.77%

LAB 91.3, -54.38, 42.55

 

CMYK 38 / 0 / 36 / 0

HEX #9DFFA4

RGB 157 255 164

HSL 124.29, 1%, 0.81%

LAB 92.3, -46.71, 34.65

 

CMYK 64 / 0 / 60 / 9

HEX #54E75D

RGB 84 231 93

HSL 123.67, 0.75%, 0.62%

LAB 81.74, -65.65, 54.64

 

CMYK 69 / 0 / 65 / 16

HEX #43D54A

RGB 67 213 74

HSL 122.88, 0.63%, 0.55%

LAB 75.62, -64.85, 55.72

 

CMYK 74 / 0 / 72 / 24

HEX #32C337

RGB 50 195 55

HSL 122.07, 0.59%, 0.48%

LAB 69.46, -63.61, 56.52

 

CMYK 81 / 0 / 80 / 31

HEX #21B124

RGB 33 177 36

HSL 121.25, 0.69%, 0.41%

LAB 63.26, -61.75, 56.73

 

CMYK 90 / 0 / 89 / 38

HEX #109F11

RGB 16 159 17

HSL 120.42, 0.82%, 0.34%

LAB 57.02, -59.05, 55.87

 

CMYK 63 / 0 / 59 / 9

HEX #55E75E

RGB 85 231 94

HSL 123.7, 0.75%, 0.62%

LAB 81.78, -65.34, 54.25

 

CMYK 50 / 0 / 63 / 9

HEX #74E755

RGB 116 231 85

HSL 107.26, 0.75%, 0.62%

LAB 82.66, -58.8, 59.33

 

CMYK 33 / 0 / 63 / 9

HEX #9BE755

RGB 155 231 85

HSL 91.23, 0.75%, 0.62%

LAB 84.37, -46.62, 61.7

 

CMYK 16 / 0 / 63 / 9

HEX #C2E755

RGB 194 231 85

HSL 75.21, 0.75%, 0.62%

LAB 86.64, -32.27, 64.81

 

CMYK 0 / 1 / 63 / 9

HEX #E7E455

RGB 231 228 85

HSL 58.77, 0.75%, 0.62%

LAB 88.51, -16.06, 67.6

 

CMYK 63 / 0 / 59 / 9

HEX #55E75E

RGB 85 231 94

HSL 123.7, 0.75%, 0.62%

LAB 81.78, -65.34, 54.25

 

CMYK 63 / 0 / 42 / 9

HEX #55E786

RGB 85 231 134

HSL 140.14, 0.75%, 0.62%

LAB 82.27, -59.75, 35.97

 

CMYK 63 / 0 / 25 / 9

HEX #55E7AD

RGB 85 231 173

HSL 156.16, 0.75%, 0.62%

LAB 82.97, -52.31, 16.93

 

CMYK 63 / 0 / 8 / 9

HEX #55E7D4

RGB 85 231 212

HSL 172.19, 0.75%, 0.62%

LAB 83.88, -43.13, -2.26

 

CMYK 63 / 9 / 0 / 9

HEX #55D2E7

RGB 85 210 231

HSL 188.63, 0.75%, 0.62%

LAB 78.34, -28.19, -20.64

 

CMYK 63 / 0 / 59 / 9

HEX #55E75E

RGB 85 231 94

HSL 123.7, 0.75%, 0.62%

LAB 81.78, -65.34, 54.25

 

CMYK 72 / 0 / 67 / 4

HEX #46F651

RGB 70 246 81

HSL 123.75, 0.91%, 0.62%

LAB 85.91, -74.29, 64.09

 

CMYK 63 / 0 / 59 / 9

HEX #55E75E

RGB 85 231 94

HSL 123.7, 0.75%, 0.62%

LAB 81.78, -65.34, 54.25

 

CMYK 53 / 0 / 50 / 16

HEX #65D76C

RGB 101 215 108

HSL 123.68, 0.59%, 0.62%

LAB 77.55, -54.04, 42.87

 

CMYK 41 / 0 / 39 / 22

HEX #75C77A

RGB 117 199 122

HSL 123.66, 0.42%, 0.62%

LAB 73.57, -40.89, 30.91

 

CMYK 28 / 0 / 26 / 28

HEX #84B888

RGB 132 184 136

HSL 124.62, 0.27%, 0.62%

LAB 70.15, -26.8, 19.03

 

CMYK 12 / 0 / 11 / 34

HEX #94A895

RGB 148 168 149

HSL 123, 0.1%, 0.62%

LAB 66.88, -10.71, 7.47

 

CMYK 32 / 0 / 63 / 9

HEX #9CE755

RGB 156 231 85

HSL 90.82, 0.75%, 0.62%

LAB 84.42, -46.27, 61.77

 

CMYK 49 / 0 / 63 / 9

HEX #75E755

RGB 117 231 85

HSL 106.85, 0.75%, 0.62%

LAB 82.69, -58.52, 59.38

 

CMYK 63 / 0 / 60 / 9

HEX #55E75D

RGB 85 231 93

HSL 123.29, 0.75%, 0.62%

LAB 81.77, -65.45, 54.68

 

CMYK 63 / 0 / 43 / 9

HEX #55E783

RGB 85 231 131

HSL 138.9, 0.75%, 0.62%

LAB 82.23, -60.24, 37.4

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AA

RGB 85 231 170

HSL 154.93, 0.75%, 0.62%

LAB 82.91, -52.95, 18.41

 

CMYK 86 / 0 / 80 / 20

HEX #1DCC28

RGB 29 204 40

HSL 123.77, 0.75%, 0.46%

LAB 71.96, -69.92, 63.77

 

CMYK 78 / 0 / 73 / 11

HEX #31E23C

RGB 49 226 60

HSL 123.73, 0.75%, 0.54%

LAB 79.26, -72.9, 64.7

 

CMYK 63 / 0 / 59 / 9

HEX #55E75E

RGB 85 231 94

HSL 123.7, 0.75%, 0.62%

LAB 81.78, -65.34, 54.25

 

CMYK 48 / 0 / 45 / 7

HEX #7AEC81

RGB 122 236 129

HSL 123.68, 0.75%, 0.7%

LAB 84.85, -53.91, 41.97

 

CMYK 34 / 0 / 32 / 5

HEX #9EF1A3

RGB 158 241 163

HSL 123.61, 0.75%, 0.78%

LAB 88.36, -40.47, 29.91

 

CMYK 64 / 0 / 60 / 9

HEX #54E75D

RGB 84 231 93

HSL 123.67, 0.75%, 0.62%

LAB 81.74, -65.65, 54.64

 

CMYK 63 / 16 / 0 / 9

HEX #55C2E7

RGB 85 194 231

HSL 195.21, 0.75%, 0.62%

LAB 73.73, -20.17, -27.67

 

CMYK 0 / 63 / 41 / 9

HEX #E75588

RGB 231 85 136

HSL 339.04, 0.75%, 0.62%

LAB 57.33, 60.62, 2.31

 

CMYK 64 / 0 / 60 / 9

HEX #54E75D

RGB 84 231 93

HSL 123.67, 0.75%, 0.62%

LAB 81.74, -65.65, 54.64

 

CMYK 60 / 63 / 0 / 9

HEX #5D55E7

RGB 93 85 231

HSL 243.29, 0.75%, 0.62%

LAB 45.07, 44.62, -73.08

 

CMYK 0 / 60 / 63 / 9

HEX #E75D55

RGB 231 93 85

HSL 3.29, 0.75%, 0.62%

LAB 57.53, 53.02, 32.29

 

CMYK 64 / 0 / 60 / 9

HEX #54E75D

RGB 84 231 93

HSL 123.67, 0.75%, 0.62%

LAB 81.74, -65.65, 54.64

 

CMYK 63 / 16 / 0 / 9

HEX #55C2E7

RGB 85 194 231

HSL 195.21, 0.75%, 0.62%

LAB 73.73, -20.17, -27.67

 

CMYK 0 / 63 / 3 / 9

HEX #E755E0

RGB 231 85 224

HSL 302.88, 0.75%, 0.62%

LAB 60.66, 72.25, -43.24

 

CMYK 0 / 47 / 63 / 9

HEX #E77A55

RGB 231 122 85

HSL 15.21, 0.75%, 0.62%

LAB 62.98, 39.05, 38.98

 

CMYK 64 / 0 / 60 / 9

HEX #54E75D

RGB 84 231 93

HSL 123.67, 0.75%, 0.62%

LAB 81.74, -65.65, 54.64

 

CMYK 63 / 35 / 0 / 9

HEX #5597E7

RGB 85 151 231

HSL 212.88, 0.75%, 0.62%

LAB 61.51, 3.42, -46.7

 

CMYK 0 / 63 / 3 / 9

HEX #E755E0

RGB 231 85 224

HSL 302.88, 0.75%, 0.62%

LAB 60.66, 72.25, -43.24

 

CMYK 0 / 29 / 63 / 9

HEX #E7A555

RGB 231 165 85

HSL 32.88, 0.75%, 0.62%

LAB 72.6, 16.42, 50.24

 

Description

Color code: HEX #54E75D | qconv.com Color code: HEX #54E75D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 231 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 231 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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