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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E758 it is the complementary color #A618A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E758 shade: #5EE753, #6FF966, #80FF79, #91FF8C and #A2FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E758 shade: #59E758, #48D545, #37C332, #26B11F and #159F0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E758 shade: #5BE75A, #81E75A, #A7E75A, #CDE75A and #E7DB5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E758 shade: #5BE75A, #5AE77F, #5AE7A5, #5AE7CB and #5ADDE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E758 shade matches the following richer shades: #5BE75A and #4CF74B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E758 shade: #5BE75A, #6AD869, #79C978, #88BA88 and #97AA97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E758 shade: #A8E75A, #82E75A, #5CE75A, #5AE77D and #5AE7A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E758 shade: #1FD11E, #37E236, #5BE75A, #7FED7E and #A3F2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E758 shade: #59E758, #5ACDE7 and #E75A95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E758 shade: #59E758, #5A5CE7 and #E75A5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E758 shade: #59E758, #5ACDE7, #E55AE7 and #E7745A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E758 shade: #59E758, #5AA3E7, #E55AE7 and #E79E5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

Complementary color

CMYK 1 / 86 / 0 / 35

HEX #A618A7

RGB 166 24 167

HSL 299.58, 0.75%, 0.37%

LAB 40.49, 68.2, -42.88

 

CMYK 59 / 0 / 64 / 9

HEX #5EE753

RGB 94 231 83

HSL 115.54, 0.76%, 0.62%

LAB 81.92, -64.54, 59.14

 

CMYK 55 / 0 / 59 / 2

HEX #6FF966

RGB 111 249 102

HSL 116.33, 0.92%, 0.69%

LAB 88.01, -65, 58.14

 

CMYK 50 / 0 / 53 / 0

HEX #80FF79

RGB 128 255 121

HSL 116.87, 1%, 0.74%

LAB 90.55, -60.77, 52.83

 

CMYK 43 / 0 / 45 / 0

HEX #91FF8C

RGB 145 255 140

HSL 117.39, 1%, 0.77%

LAB 91.43, -53.67, 45.17

 

CMYK 36 / 0 / 38 / 0

HEX #A2FF9F

RGB 162 255 159

HSL 118.13, 1%, 0.81%

LAB 92.44, -45.99, 37.37

 

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

CMYK 66 / 0 / 68 / 16

HEX #48D545

RGB 72 213 69

HSL 118.75, 0.63%, 0.55%

LAB 75.7, -64.38, 57.85

 

CMYK 72 / 0 / 74 / 24

HEX #37C332

RGB 55 195 50

HSL 117.93, 0.59%, 0.48%

LAB 69.52, -63.19, 58.4

 

CMYK 79 / 0 / 82 / 31

HEX #26B11F

RGB 38 177 31

HSL 117.12, 0.7%, 0.41%

LAB 63.31, -61.41, 58.25

 

CMYK 87 / 0 / 92 / 38

HEX #159F0C

RGB 21 159 12

HSL 116.33, 0.86%, 0.34%

LAB 57.06, -58.79, 56.83

 

CMYK 61 / 0 / 61 / 9

HEX #5BE75A

RGB 91 231 90

HSL 119.57, 0.75%, 0.63%

LAB 81.9, -64.51, 56.16

 

CMYK 44 / 0 / 61 / 9

HEX #81E75A

RGB 129 231 90

HSL 103.4, 0.75%, 0.63%

LAB 83.21, -54.58, 57.99

 

CMYK 28 / 0 / 61 / 9

HEX #A7E75A

RGB 167 231 90

HSL 87.23, 0.75%, 0.63%

LAB 85.05, -41.98, 60.56

 

CMYK 11 / 0 / 61 / 9

HEX #CDE75A

RGB 205 231 90

HSL 71.06, 0.75%, 0.63%

LAB 87.42, -27.62, 63.83

 

CMYK 0 / 5 / 61 / 9

HEX #E7DB5A

RGB 231 219 90

HSL 54.89, 0.75%, 0.63%

LAB 86.2, -11.29, 63.08

 

CMYK 61 / 0 / 61 / 9

HEX #5BE75A

RGB 91 231 90

HSL 119.57, 0.75%, 0.63%

LAB 81.9, -64.51, 56.16

 

CMYK 61 / 0 / 45 / 9

HEX #5AE77F

RGB 90 231 127

HSL 135.74, 0.75%, 0.63%

LAB 82.3, -59.88, 39.5

 

CMYK 61 / 0 / 29 / 9

HEX #5AE7A5

RGB 90 231 165

HSL 151.91, 0.75%, 0.63%

LAB 82.94, -53.06, 21.07

 

CMYK 61 / 0 / 12 / 9

HEX #5AE7CB

RGB 90 231 203

HSL 168.09, 0.75%, 0.63%

LAB 83.78, -44.54, 2.35

 

CMYK 61 / 4 / 0 / 9

HEX #5ADDE7

RGB 90 221 231

HSL 184.26, 0.75%, 0.63%

LAB 81.65, -32.67, -15.63

 

CMYK 61 / 0 / 61 / 9

HEX #5BE75A

RGB 91 231 90

HSL 119.57, 0.75%, 0.63%

LAB 81.9, -64.51, 56.16

 

CMYK 69 / 0 / 70 / 3

HEX #4CF74B

RGB 76 247 75

HSL 119.65, 0.91%, 0.63%

LAB 86.29, -74.14, 66.77

 

CMYK 61 / 0 / 61 / 9

HEX #5BE75A

RGB 91 231 90

HSL 119.57, 0.75%, 0.63%

LAB 81.9, -64.51, 56.16

 

CMYK 51 / 0 / 51 / 15

HEX #6AD869

RGB 106 216 105

HSL 119.46, 0.59%, 0.63%

LAB 77.99, -53.53, 44.89

 

CMYK 40 / 0 / 40 / 21

HEX #79C978

RGB 121 201 120

HSL 119.26, 0.43%, 0.63%

LAB 74.31, -40.86, 32.95

 

CMYK 27 / 0 / 27 / 27

HEX #88BA88

RGB 136 186 136

HSL 120, 0.27%, 0.63%

LAB 70.96, -26.43, 20.18

 

CMYK 11 / 0 / 11 / 33

HEX #97AA97

RGB 151 170 151

HSL 120, 0.1%, 0.63%

LAB 67.7, -10.33, 7.56

 

CMYK 27 / 0 / 61 / 9

HEX #A8E75A

RGB 168 231 90

HSL 86.81, 0.75%, 0.63%

LAB 85.11, -41.62, 60.63

 

CMYK 44 / 0 / 61 / 9

HEX #82E75A

RGB 130 231 90

HSL 102.98, 0.75%, 0.63%

LAB 83.25, -54.28, 58.05

 

CMYK 60 / 0 / 61 / 9

HEX #5CE75A

RGB 92 231 90

HSL 119.15, 0.75%, 0.63%

LAB 81.93, -64.29, 56.2

 

CMYK 61 / 0 / 46 / 9

HEX #5AE77D

RGB 90 231 125

HSL 134.89, 0.75%, 0.63%

LAB 82.27, -60.19, 40.44

 

CMYK 61 / 0 / 29 / 9

HEX #5AE7A3

RGB 90 231 163

HSL 151.06, 0.75%, 0.63%

LAB 82.9, -53.46, 22.05

 

CMYK 85 / 0 / 86 / 18

HEX #1FD11E

RGB 31 209 30

HSL 119.66, 0.75%, 0.47%

LAB 73.54, -71.67, 67.7

 

CMYK 76 / 0 / 76 / 11

HEX #37E236

RGB 55 226 54

HSL 119.65, 0.75%, 0.55%

LAB 79.31, -72.54, 66.75

 

CMYK 61 / 0 / 61 / 9

HEX #5BE75A

RGB 91 231 90

HSL 119.57, 0.75%, 0.63%

LAB 81.9, -64.51, 56.16

 

CMYK 46 / 0 / 47 / 7

HEX #7FED7E

RGB 127 237 126

HSL 119.46, 0.76%, 0.71%

LAB 85.29, -53.37, 44.02

 

CMYK 33 / 0 / 33 / 5

HEX #A3F2A2

RGB 163 242 162

HSL 119.25, 0.75%, 0.79%

LAB 88.87, -39.53, 31.15

 

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

CMYK 61 / 11 / 0 / 9

HEX #5ACDE7

RGB 90 205 231

HSL 191.06, 0.75%, 0.63%

LAB 77.04, -24.89, -22.59

 

CMYK 0 / 61 / 35 / 9

HEX #E75A95

RGB 231 90 149

HSL 334.89, 0.75%, 0.63%

LAB 58.48, 59.91, -3.62

 

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

CMYK 61 / 60 / 0 / 9

HEX #5A5CE7

RGB 90 92 231

HSL 239.15, 0.75%, 0.63%

LAB 46.44, 40.01, -70.86

 

CMYK 0 / 61 / 60 / 9

HEX #E75A5C

RGB 231 90 92

HSL 359.15, 0.75%, 0.63%

LAB 57.15, 54.8, 27.8

 

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

CMYK 61 / 11 / 0 / 9

HEX #5ACDE7

RGB 90 205 231

HSL 191.06, 0.75%, 0.63%

LAB 77.04, -24.89, -22.59

 

CMYK 1 / 61 / 0 / 9

HEX #E55AE7

RGB 229 90 231

HSL 299.15, 0.75%, 0.63%

LAB 61.43, 70.94, -45.98

 

CMYK 0 / 50 / 61 / 9

HEX #E7745A

RGB 231 116 90

HSL 11.06, 0.75%, 0.63%

LAB 61.84, 42.41, 34.87

 

CMYK 61 / 0 / 62 / 9

HEX #59E758

RGB 89 231 88

HSL 119.58, 0.75%, 0.63%

LAB 81.83, -65.15, 56.92

 

CMYK 61 / 29 / 0 / 9

HEX #5AA3E7

RGB 90 163 231

HSL 208.94, 0.75%, 0.63%

LAB 65.07, -2.57, -41.08

 

CMYK 1 / 61 / 0 / 9

HEX #E55AE7

RGB 229 90 231

HSL 299.15, 0.75%, 0.63%

LAB 61.43, 70.94, -45.98

 

CMYK 0 / 32 / 61 / 9

HEX #E79E5A

RGB 231 158 90

HSL 28.94, 0.75%, 0.63%

LAB 71, 20.48, 45.93

 

Description

Color code: HEX #59E758 | qconv.com Color code: HEX #59E758 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 231 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 231 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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