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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549593 it is the complementary color #AB6A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #549593: #59958E, #6AA7A1, #7BB9B4, #8CCBC7 and #9DDDDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #549593: #549593, #438380, #32716D, #215F5A and #104D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

Complementary color

CMYK 0 / 38 / 37 / 33

HEX #AB6A6C

RGB 171 106 108

HSL 358.15, 0.28%, 0.54%

LAB 51.89, 26.24, 9.88

 

CMYK 40 / 0 / 5 / 42

HEX #59958E

RGB 89 149 142

HSL 173, 0.25%, 0.47%

LAB 57.63, -21.21, -2.45

 

CMYK 37 / 0 / 4 / 35

HEX #6AA7A1

RGB 106 167 161

HSL 174.1, 0.26%, 0.54%

LAB 64.38, -21.09, -3.15

 

CMYK 34 / 0 / 3 / 27

HEX #7BB9B4

RGB 123 185 180

HSL 175.16, 0.31%, 0.6%

LAB 71.01, -20.97, -3.81

 

CMYK 31 / 0 / 2 / 20

HEX #8CCBC7

RGB 140 203 199

HSL 176.19, 0.38%, 0.67%

LAB 77.53, -20.85, -4.44

 

CMYK 29 / 0 / 1 / 13

HEX #9DDDDA

RGB 157 221 218

HSL 177.19, 0.48%, 0.74%

LAB 83.94, -20.73, -5.04

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 49 / 0 / 2 / 49

HEX #438380

RGB 67 131 128

HSL 177.19, 0.32%, 0.39%

LAB 50.67, -21.27, -4.73

 

CMYK 56 / 0 / 4 / 56

HEX #32716D

RGB 50 113 109

HSL 176.19, 0.39%, 0.32%

LAB 43.64, -21.19, -3.94

 

CMYK 65 / 0 / 5 / 63

HEX #215F5A

RGB 33 95 90

HSL 175.16, 0.48%, 0.25%

LAB 36.45, -20.95, -3.02

 

CMYK 79 / 0 / 8 / 70

HEX #104D47

RGB 16 77 71

HSL 174.1, 0.66%, 0.18%

LAB 29.09, -20.36, -1.93

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 44 / 6 / 0 / 41

HEX #548D96

RGB 84 141 150

HSL 188.18, 0.28%, 0.46%

LAB 55.21, -16.22, -10.65

 

CMYK 44 / 13 / 0 / 41

HEX #548296

RGB 84 130 150

HSL 198.18, 0.28%, 0.46%

LAB 51.9, -10.15, -15.66

 

CMYK 44 / 21 / 0 / 41

HEX #547796

RGB 84 119 150

HSL 208.18, 0.28%, 0.46%

LAB 48.61, -3.82, -20.68

 

CMYK 44 / 28 / 0 / 41

HEX #546C96

RGB 84 108 150

HSL 218.18, 0.28%, 0.46%

LAB 45.38, 2.76, -25.68

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 44 / 0 / 1 / 22

HEX #71C8C5

RGB 113 200 197

HSL 177.93, 0.44%, 0.61%

LAB 75.36, -26.93, -6.7

 

CMYK 43 / 0 / 1 / 2

HEX #8EFBF8

RGB 142 251 248

HSL 178.35, 0.93%, 0.77%

LAB 92.36, -32.07, -8.37

 

CMYK 45 / 0 / 2 / 82

HEX #1A2F2E

RGB 26 47 46

HSL 177.14, 0.29%, 0.14%

LAB 17.69, -8.68, -2.02

 

CMYK 44 / 0 / 1 / 62

HEX #376261

RGB 55 98 97

HSL 178.6, 0.28%, 0.3%

LAB 38.57, -15.17, -4.12

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 37 / 44 / 0 / 41

HEX #5F5496

RGB 95 84 150

HSL 250, 0.28%, 0.46%

LAB 39.54, 20.8, -34.77

 

CMYK 0 / 19 / 44 / 41

HEX #967954

RGB 150 121 84

HSL 33.64, 0.28%, 0.46%

LAB 52.73, 6.1, 24.53

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 2 / 44 / 0 / 41

HEX #935496

RGB 147 84 150

HSL 297.27, 0.28%, 0.46%

LAB 45.28, 36.71, -25.35

 

CMYK 0 / 2 / 44 / 41

HEX #969354

RGB 150 147 84

HSL 57.27, 0.28%, 0.46%

LAB 59.88, -8.38, 33.64

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 37 / 44 / 0 / 41

HEX #5F5496

RGB 95 84 150

HSL 250, 0.28%, 0.46%

LAB 39.54, 20.8, -34.77

 

CMYK 0 / 44 / 43 / 41

HEX #965456

RGB 150 84 86

HSL 358.18, 0.28%, 0.46%

LAB 43.5, 27.58, 10.9

 

CMYK 7 / 0 / 44 / 41

HEX #8B9654

RGB 139 150 84

HSL 70, 0.28%, 0.46%

LAB 59.84, -14.61, 33.39

 

CMYK 44 / 0 / 1 / 42

HEX #549593

RGB 84 149 147

HSL 178.15, 0.28%, 0.46%

LAB 57.55, -21.26, -5.45

 

CMYK 23 / 44 / 0 / 41

HEX #735496

RGB 115 84 150

HSL 268.18, 0.28%, 0.46%

LAB 41.51, 26.71, -31.52

 

CMYK 0 / 44 / 43 / 41

HEX #965456

RGB 150 84 86

HSL 358.18, 0.28%, 0.46%

LAB 43.5, 27.58, 10.9

 

CMYK 21 / 0 / 44 / 41

HEX #779654

RGB 119 150 84

HSL 88.18, 0.28%, 0.46%

LAB 58.39, -22.69, 31.27

 

Description

Color code: HEX #549593 | qconv.com Color code: HEX #549593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 149 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 149 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 1 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 1% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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