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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5475EB3F it is the complementary color #AB8A143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5475EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5475EB3F shade: #5975E63F, #6A87F93F, #7B99FF3F, #8CABFF3F and #9DBDFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5475EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5475EB3F shade: #5475EB3F, #4363D83F, #3251C53F, #213FB23F and #102D9F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5475EB3F shade: #5677EB, #5E56EB, #8656EB, #AE56EB and #D656EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5475EB3F shade: #5677EB and #5656EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5475EB3F shade matches the following richer shades: #5677EB and #476EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5475EB3F shade: #5677EB, #657FDC, #7588CD, #8490BD and #9399AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5475EB3F shade: #56C8EB, #56A1EB, #5679EB, #5B56EB and #8356EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5475EB3F shade: #1942D6, #3159E7, #5677EB, #7B94F0 and #A0B2F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5475EB3F shade: #5475EB, #E656EB and #B5EB56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5475EB3F shade: #5475EB, #EB5679 and #79EB56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5475EB3F shade: #5475EB, #E656EB, #EBC856 and #5BEB56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5475EB3F shade: #5475EB, #EB56C3, #EBC856 and #56EB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 13 / 0 / 2

HEX #5475EB3F

RGBA 84 117 235 0.25

HSLA 226.89, 0.79%, 0.63%, 0.25

LABA 52.52, 25.09, -63.28, 0.25

 

Complementary color

CMYK 0 / 5 / 22 / 8

HEX #AB8A143F

RGBA 171 138 20 0.25

HSLA 46.89, 0.79%, 0.37%, 0.25

LABA 58.87, 1.91, 60.04, 0.25

 

CMYK 15 / 12 / 0 / 2

HEX #5975E63F

RGBA 89 117 230 0.25

HSLA 228.09, 0.74%, 0.63%, 0.25

LABA 52.46, 24.24, -60.55, 0.25

 

CMYK 14 / 11 / 0 / 1

HEX #6A87F93F

RGBA 106 135 249 0.25

HSLA 227.83, 0.92%, 0.7%, 0.25

LABA 59.19, 22.68, -60.27, 0.25

 

CMYK 13 / 10 / 0 / 0

HEX #7B99FF3F

RGBA 123 153 255 0.25

HSLA 226.36, 1%, 0.74%, 0.25

LABA 65.13, 17.37, -54.02, 0.25

 

CMYK 11 / 8 / 0 / 0

HEX #8CABFF3F

RGBA 140 171 255 0.25

HSLA 223.83, 1%, 0.77%, 0.25

LABA 70.82, 10.9, -44.99, 0.25

 

CMYK 10 / 6 / 0 / 0

HEX #9DBDFF3F

RGBA 157 189 255 0.25

HSLA 220.41, 1%, 0.81%, 0.25

LABA 76.55, 5.12, -35.98, 0.25

 

CMYK 16 / 13 / 0 / 2

HEX #5475EB3F

RGBA 84 117 235 0.25

HSLA 226.89, 0.79%, 0.63%, 0.25

LABA 52.52, 25.09, -63.28, 0.25

 

CMYK 17 / 14 / 0 / 4

HEX #4363D83F

RGBA 67 99 216 0.25

HSLA 227.11, 0.66%, 0.55%, 0.25

LABA 45.74, 27.12, -63.56, 0.25

 

CMYK 19 / 15 / 0 / 6

HEX #3251C53F

RGBA 50 81 197 0.25

HSLA 227.35, 0.6%, 0.48%, 0.25

LABA 38.89, 29.57, -63.78, 0.25

 

CMYK 20 / 16 / 0 / 8

HEX #213FB23F

RGBA 33 63 178 0.25

HSLA 227.59, 0.69%, 0.41%, 0.25

LABA 32.02, 32.49, -63.88, 0.25

 

CMYK 22 / 18 / 0 / 9

HEX #102D9F3F

RGBA 16 45 159 0.25

HSLA 227.83, 0.82%, 0.34%, 0.25

LABA 25.23, 35.88, -63.63, 0.25

 

CMYK 63 / 49 / 0 / 8

HEX #5677EB

RGB 86 119 235

HSL 226.71, 0.79%, 0.63%

LAB 53.14, 24.19, -62.28

 

CMYK 60 / 63 / 0 / 8

HEX #5E56EB

RGB 94 86 235

HSL 243.22, 0.79%, 0.63%

LAB 45.68, 45.44, -74.34

 

CMYK 43 / 63 / 0 / 8

HEX #8656EB

RGB 134 86 235

HSL 259.33, 0.79%, 0.63%

LAB 49.16, 52.45, -68.53

 

CMYK 26 / 63 / 0 / 8

HEX #AE56EB

RGB 174 86 235

HSL 275.44, 0.79%, 0.63%

LAB 53.66, 60.78, -61.04

 

CMYK 9 / 63 / 0 / 8

HEX #D656EB

RGB 214 86 235

HSL 291.54, 0.79%, 0.63%

LAB 58.93, 69.75, -52.31

 

CMYK 63 / 49 / 0 / 8

HEX #5677EB

RGB 86 119 235

HSL 226.71, 0.79%, 0.63%

LAB 53.14, 24.19, -62.28

 

CMYK 63 / 63 / 0 / 8

HEX #5656EB

RGB 86 86 235

HSL 240, 0.79%, 0.63%

LAB 45.13, 44.27, -75.27

 

CMYK 63 / 49 / 0 / 8

HEX #5677EB

RGB 86 119 235

HSL 226.71, 0.79%, 0.63%

LAB 53.14, 24.19, -62.28

 

CMYK 72 / 56 / 0 / 2

HEX #476EFA

RGB 71 110 250

HSL 226.93, 0.95%, 0.63%

LAB 51.14, 32.77, -73.89

 

CMYK 63 / 49 / 0 / 8

HEX #5677EB

RGB 86 119 235

HSL 226.71, 0.79%, 0.63%

LAB 53.14, 24.19, -62.28

 

CMYK 54 / 42 / 0 / 14

HEX #657FDC

RGB 101 127 220

HSL 226.89, 0.63%, 0.63%

LAB 55.19, 17.21, -50.54

 

CMYK 43 / 34 / 0 / 20

HEX #7588CD

RGB 117 136 205

HSL 227.05, 0.47%, 0.63%

LAB 57.84, 11.03, -37.83

 

CMYK 30 / 24 / 0 / 26

HEX #8490BD

RGB 132 144 189

HSL 227.37, 0.3%, 0.63%

LAB 60.36, 6.2, -24.81

 

CMYK 16 / 12 / 0 / 32

HEX #9399AE

RGB 147 153 174

HSL 226.67, 0.14%, 0.63%

LAB 63.38, 2.27, -11.67

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 63 / 31 / 0 / 8

HEX #56A1EB

RGB 86 161 235

HSL 209.8, 0.79%, 0.63%

LAB 64.54, -0.84, -44.13

 

CMYK 63 / 49 / 0 / 8

HEX #5679EB

RGB 86 121 235

HSL 225.91, 0.79%, 0.63%

LAB 53.66, 22.96, -61.44

 

CMYK 61 / 63 / 0 / 8

HEX #5B56EB

RGB 91 86 235

HSL 242.01, 0.79%, 0.63%

LAB 45.47, 44.99, -74.7

 

CMYK 44 / 63 / 0 / 8

HEX #8356EB

RGB 131 86 235

HSL 258.12, 0.79%, 0.63%

LAB 48.86, 51.87, -69.03

 

CMYK 88 / 69 / 0 / 16

HEX #1942D6

RGB 25 66 214

HSL 226.98, 0.79%, 0.47%

LAB 35.9, 43.36, -78.55

 

CMYK 79 / 61 / 0 / 9

HEX #3159E7

RGB 49 89 231

HSL 226.81, 0.79%, 0.55%

LAB 43.61, 36.77, -75.58

 

CMYK 63 / 49 / 0 / 8

HEX #5677EB

RGB 86 119 235

HSL 226.71, 0.79%, 0.63%

LAB 53.14, 24.19, -62.28

 

CMYK 49 / 38 / 0 / 6

HEX #7B94F0

RGB 123 148 240

HSL 227.18, 0.8%, 0.71%

LAB 63.08, 15.76, -49.06

 

CMYK 34 / 27 / 0 / 4

HEX #A0B2F4

RGB 160 178 244

HSL 227.14, 0.79%, 0.79%

LAB 73.45, 9.14, -34.84

 

CMYK 64 / 50 / 0 / 8

HEX #5475EB

RGB 84 117 235

HSL 226.89, 0.79%, 0.63%

LAB 52.52, 25.09, -63.28

 

CMYK 2 / 63 / 0 / 8

HEX #E656EB

RGB 230 86 235

HSL 297.99, 0.79%, 0.63%

LAB 61.2, 73.43, -48.56

 

CMYK 23 / 0 / 63 / 8

HEX #B5EB56

RGB 181 235 86

HSL 81.74, 0.79%, 0.63%

LAB 86.95, -38.95, 64.5

 

CMYK 64 / 50 / 0 / 8

HEX #5475EB

RGB 84 117 235

HSL 226.89, 0.79%, 0.63%

LAB 52.52, 25.09, -63.28

 

CMYK 0 / 63 / 49 / 8

HEX #EB5679

RGB 235 86 121

HSL 345.91, 0.79%, 0.63%

LAB 57.75, 60.03, 11.81

 

CMYK 49 / 0 / 63 / 8

HEX #79EB56

RGB 121 235 86

HSL 105.91, 0.79%, 0.63%

LAB 84.05, -58.82, 60.5

 

CMYK 64 / 50 / 0 / 8

HEX #5475EB

RGB 84 117 235

HSL 226.89, 0.79%, 0.63%

LAB 52.52, 25.09, -63.28

 

CMYK 2 / 63 / 0 / 8

HEX #E656EB

RGB 230 86 235

HSL 297.99, 0.79%, 0.63%

LAB 61.2, 73.43, -48.56

 

CMYK 0 / 15 / 63 / 8

HEX #EBC856

RGB 235 200 86

HSL 45.91, 0.79%, 0.63%

LAB 81.64, -0.23, 59.96

 

CMYK 61 / 0 / 63 / 8

HEX #5BEB56

RGB 91 235 86

HSL 117.99, 0.79%, 0.63%

LAB 83.08, -66.3, 59.16

 

CMYK 64 / 50 / 0 / 8

HEX #5475EB

RGB 84 117 235

HSL 226.89, 0.79%, 0.63%

LAB 52.52, 25.09, -63.28

 

CMYK 0 / 63 / 17 / 8

HEX #EB56C3

RGB 235 86 195

HSL 316.11, 0.79%, 0.63%

LAB 60.12, 68.51, -27.64

 

CMYK 0 / 15 / 63 / 8

HEX #EBC856

RGB 235 200 86

HSL 45.91, 0.79%, 0.63%

LAB 81.64, -0.23, 59.96

 

CMYK 63 / 0 / 46 / 8

HEX #56EB7E

RGB 86 235 126

HSL 136.11, 0.79%, 0.63%

LAB 83.39, -62.3, 41.35

 

Description

Color code: HEX #5475EB3F | qconv.com Color code: HEX #5475EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 117 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 117 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 13 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 13% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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