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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #546C50 it is the complementary color #AB93AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #546C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #546C50: #596C4B, #6A7E5E, #7B9071, #8CA284 and #9DB497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #546C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #546C50: #546C50, #435A3D, #32482A, #213617 and #102404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

Complementary color

CMYK 2 / 16 / 0 / 31

HEX #AB93AF

RGB 171 147 175

HSL 291.43, 0.15%, 0.63%

LAB 63.85, 14.08, -11.31

 

CMYK 18 / 0 / 31 / 58

HEX #596C4B

RGB 89 108 75

HSL 94.55, 0.18%, 0.36%

LAB 43.3, -13.77, 16.2

 

CMYK 16 / 0 / 25 / 51

HEX #6A7E5E

RGB 106 126 94

HSL 97.5, 0.15%, 0.43%

LAB 50.45, -13.67, 15.07

 

CMYK 15 / 0 / 22 / 44

HEX #7B9071

RGB 123 144 113

HSL 100.65, 0.12%, 0.5%

LAB 57.41, -13.59, 14.03

 

CMYK 14 / 0 / 19 / 36

HEX #8CA284

RGB 140 162 132

HSL 104, 0.14%, 0.58%

LAB 64.23, -13.51, 13.07

 

CMYK 13 / 0 / 16 / 29

HEX #9DB497

RGB 157 180 151

HSL 107.59, 0.16%, 0.65%

LAB 70.9, -13.45, 12.17

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 26 / 0 / 32 / 65

HEX #435A3D

RGB 67 90 61

HSL 107.59, 0.19%, 0.3%

LAB 35.68, -15.05, 14.01

 

CMYK 31 / 0 / 42 / 72

HEX #32482A

RGB 50 72 42

HSL 104, 0.26%, 0.22%

LAB 28.06, -15.27, 15.33

 

CMYK 39 / 0 / 57 / 79

HEX #213617

RGB 33 54 23

HSL 100.65, 0.4%, 0.15%

LAB 20.14, -15.44, 16.79

 

CMYK 56 / 0 / 89 / 86

HEX #102404

RGB 16 36 4

HSL 97.5, 0.8%, 0.08%

LAB 11.83, -15.5, 15.59

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 26 / 0 / 26 / 58

HEX #506C50

RGB 80 108 80

HSL 120, 0.15%, 0.37%

LAB 42.78, -16.38, 12.43

 

CMYK 26 / 0 / 21 / 58

HEX #506C55

RGB 80 108 85

HSL 130.71, 0.15%, 0.37%

LAB 42.89, -15.39, 9.6

 

CMYK 26 / 0 / 17 / 58

HEX #506C5A

RGB 80 108 90

HSL 141.43, 0.15%, 0.37%

LAB 43.02, -14.34, 6.78

 

CMYK 26 / 0 / 13 / 58

HEX #506C5E

RGB 80 108 94

HSL 150, 0.15%, 0.37%

LAB 43.12, -13.47, 4.52

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 22 / 0 / 26 / 38

HEX #7C9F76

RGB 124 159 118

HSL 111.22, 0.18%, 0.54%

LAB 61.99, -20.22, 17.57

 

CMYK 22 / 0 / 26 / 18

HEX #A3D29C

RGB 163 210 156

HSL 112.22, 0.38%, 0.72%

LAB 79.77, -25.58, 21.9

 

CMYK 17 / 0 / 33 / 98

HEX #050604

RGB 5 6 4

HSL 90, 0.2%, 0.02%

LAB 1.55, -0.54, 0.66

 

CMYK 23 / 0 / 26 / 78

HEX #2C392A

RGB 44 57 42

HSL 112, 0.15%, 0.19%

LAB 22.4, -8.94, 7.63

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 26 / 1 / 0 / 58

HEX #506B6C

RGB 80 107 108

HSL 182.14, 0.15%, 0.37%

LAB 43.22, -9.59, -3.79

 

CMYK 0 / 26 / 12 / 58

HEX #6C505F

RGB 108 80 95

HSL 327.86, 0.15%, 0.37%

LAB 37.39, 14.39, -4.16

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 26 / 22 / 0 / 58

HEX #50546C

RGB 80 84 108

HSL 231.43, 0.15%, 0.37%

LAB 36.23, 4.32, -14.3

 

CMYK 0 / 26 / 22 / 58

HEX #6C5054

RGB 108 80 84

HSL 351.43, 0.15%, 0.37%

LAB 37.05, 12.41, 2.23

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 26 / 1 / 0 / 58

HEX #506B6C

RGB 80 107 108

HSL 182.14, 0.15%, 0.37%

LAB 43.22, -9.59, -3.79

 

CMYK 4 / 26 / 0 / 58

HEX #68506C

RGB 104 80 108

HSL 291.43, 0.15%, 0.37%

LAB 37.41, 15.51, -12.28

 

CMYK 0 / 25 / 26 / 58

HEX #6C5150

RGB 108 81 80

HSL 2.14, 0.15%, 0.37%

LAB 37.21, 11.12, 4.96

 

CMYK 22 / 0 / 26 / 58

HEX #546C50

RGB 84 108 80

HSL 111.43, 0.15%, 0.37%

LAB 43.05, -14.85, 12.84

 

CMYK 26 / 9 / 0 / 58

HEX #50626C

RGB 80 98 108

HSL 201.43, 0.15%, 0.37%

LAB 40.45, -4.3, -7.92

 

CMYK 4 / 26 / 0 / 58

HEX #68506C

RGB 104 80 108

HSL 291.43, 0.15%, 0.37%

LAB 37.41, 15.51, -12.28

 

CMYK 0 / 17 / 26 / 58

HEX #6C5A50

RGB 108 90 80

HSL 21.43, 0.15%, 0.37%

LAB 39.71, 5.63, 8.51

 

Description

Color code: HEX #546C50 | qconv.com Color code: HEX #546C50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 108 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 108 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 26 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 26% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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