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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5461EA it is the complementary color #AB9E15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5461EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5461EA shade: #5961E5, #6A73F8, #7B85FF, #8C97FF and #9DA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5461EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5461EA shade: #5461EA, #434FD7, #323DC4, #212BB1 and #10199E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5461EA shade: #5360EA, #6E53EA, #9753EA, #C053EA and #E853EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5461EA shade: #5360EA and #5353EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5461EA shade matches the following richer shades: #5360EA and #4353F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5461EA shade: #5360EA, #626DDA, #727ACA, #8287BB and #9193AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5461EA shade: #53B2EA, #538AEA, #5362EA, #6C53EA and #9453EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5461EA shade: #1A2AD0, #2E3EE5, #5360EA, #7782EE and #9CA3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5461EA shade: #5461EA, #EA53DB and #9EEA53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5461EA shade: #5461EA, #EA5362 and #62EA53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5461EA shade: #5461EA, #EA53DB, #EADB53 and #53EA62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5461EA shade: #5461EA, #EA53AD, #EADB53 and #53EA8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 59 / 0 / 8

HEX #5461EA

RGB 84 97 234

HSL 234.8, 0.78%, 0.62%

LAB 47.46, 37.05, -70.9

 

Complementary color

CMYK 0 / 8 / 88 / 33

HEX #AB9E15

RGB 171 158 21

HSL 54.8, 0.78%, 0.38%

LAB 64.29, -8.89, 64.18

 

CMYK 61 / 58 / 0 / 10

HEX #5961E5

RGB 89 97 229

HSL 236.57, 0.73%, 0.62%

LAB 47.4, 36.18, -68.16

 

CMYK 57 / 54 / 0 / 3

HEX #6A73F8

RGB 106 115 248

HSL 236.2, 0.91%, 0.69%

LAB 54.14, 34.37, -67.84

 

CMYK 52 / 48 / 0 / 0

HEX #7B85FF

RGB 123 133 255

HSL 235.45, 1%, 0.74%

LAB 60.07, 29.13, -62.09

 

CMYK 45 / 41 / 0 / 0

HEX #8C97FF

RGB 140 151 255

HSL 234.26, 1%, 0.77%

LAB 65.69, 22.36, -53.07

 

CMYK 38 / 34 / 0 / 0

HEX #9DA9FF

RGB 157 169 255

HSL 232.65, 1%, 0.81%

LAB 71.39, 16.27, -44

 

CMYK 64 / 59 / 0 / 8

HEX #5461EA

RGB 84 97 234

HSL 234.8, 0.78%, 0.62%

LAB 47.46, 37.05, -70.9

 

CMYK 69 / 63 / 0 / 16

HEX #434FD7

RGB 67 79 215

HSL 235.14, 0.65%, 0.55%

LAB 40.72, 39.29, -71.15

 

CMYK 74 / 69 / 0 / 23

HEX #323DC4

RGB 50 61 196

HSL 235.48, 0.59%, 0.48%

LAB 33.99, 41.82, -71.23

 

CMYK 81 / 76 / 0 / 31

HEX #212BB1

RGB 33 43 177

HSL 235.83, 0.69%, 0.41%

LAB 27.37, 44.52, -70.94

 

CMYK 90 / 84 / 0 / 38

HEX #10199E

RGB 16 25 158

HSL 236.2, 0.82%, 0.34%

LAB 21.11, 46.93, -69.85

 

CMYK 65 / 59 / 0 / 8

HEX #5360EA

RGB 83 96 234

HSL 234.83, 0.78%, 0.62%

LAB 47.16, 37.51, -71.39

 

CMYK 53 / 65 / 0 / 8

HEX #6E53EA

RGB 110 83 234

HSL 250.73, 0.78%, 0.62%

LAB 46.23, 49.42, -72.82

 

CMYK 35 / 65 / 0 / 8

HEX #9753EA

RGB 151 83 234

HSL 267.02, 0.78%, 0.62%

LAB 50.34, 57.13, -65.96

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 1 / 65 / 0 / 8

HEX #E853EA

RGB 232 83 234

HSL 299.21, 0.78%, 0.62%

LAB 61.03, 74.86, -48.25

 

CMYK 65 / 59 / 0 / 8

HEX #5360EA

RGB 83 96 234

HSL 234.83, 0.78%, 0.62%

LAB 47.16, 37.51, -71.39

 

CMYK 65 / 65 / 0 / 8

HEX #5353EA

RGB 83 83 234

HSL 240, 0.78%, 0.62%

LAB 44.18, 45.29, -76.26

 

CMYK 65 / 59 / 0 / 8

HEX #5360EA

RGB 83 96 234

HSL 234.83, 0.78%, 0.62%

LAB 47.16, 37.51, -71.39

 

CMYK 73 / 67 / 0 / 2

HEX #4353F9

RGB 67 83 249

HSL 234.73, 0.94%, 0.62%

LAB 44.55, 48.36, -84.12

 

CMYK 65 / 59 / 0 / 8

HEX #5360EA

RGB 83 96 234

HSL 234.83, 0.78%, 0.62%

LAB 47.16, 37.51, -71.39

 

CMYK 55 / 50 / 0 / 15

HEX #626DDA

RGB 98 109 218

HSL 234.5, 0.62%, 0.62%

LAB 50.21, 26.91, -57.38

 

CMYK 44 / 40 / 0 / 21

HEX #727ACA

RGB 114 122 202

HSL 234.55, 0.45%, 0.62%

LAB 53.77, 17.72, -42.56

 

CMYK 30 / 28 / 0 / 27

HEX #8287BB

RGB 130 135 187

HSL 234.74, 0.3%, 0.62%

LAB 57.71, 10.3, -27.77

 

CMYK 15 / 14 / 0 / 33

HEX #9193AB

RGB 145 147 171

HSL 235.38, 0.13%, 0.62%

LAB 61.51, 4.31, -12.8

 

CMYK 65 / 24 / 0 / 8

HEX #53B2EA

RGB 83 178 234

HSL 202.25, 0.78%, 0.62%

LAB 69.2, -11.12, -36.3

 

CMYK 65 / 41 / 0 / 8

HEX #538AEA

RGB 83 138 234

HSL 218.15, 0.78%, 0.62%

LAB 58, 11.78, -53.94

 

CMYK 65 / 58 / 0 / 8

HEX #5362EA

RGB 83 98 234

HSL 234.04, 0.78%, 0.62%

LAB 47.64, 36.29, -70.61

 

CMYK 54 / 65 / 0 / 8

HEX #6C53EA

RGB 108 83 234

HSL 249.93, 0.78%, 0.62%

LAB 46.06, 49.08, -73.11

 

CMYK 37 / 65 / 0 / 8

HEX #9453EA

RGB 148 83 234

HSL 265.83, 0.78%, 0.62%

LAB 50.01, 56.52, -66.52

 

CMYK 88 / 80 / 0 / 18

HEX #1A2AD0

RGB 26 42 208

HSL 234.73, 0.78%, 0.46%

LAB 30.47, 54.9, -84.07

 

CMYK 80 / 73 / 0 / 10

HEX #2E3EE5

RGB 46 62 229

HSL 234.75, 0.78%, 0.54%

LAB 37.27, 52.07, -84.87

 

CMYK 65 / 59 / 0 / 8

HEX #5360EA

RGB 83 96 234

HSL 234.83, 0.78%, 0.62%

LAB 47.16, 37.51, -71.39

 

CMYK 50 / 45 / 0 / 7

HEX #7782EE

RGB 119 130 238

HSL 234.45, 0.78%, 0.7%

LAB 58.09, 24.89, -55.89

 

CMYK 36 / 33 / 0 / 5

HEX #9CA3F3

RGB 156 163 243

HSL 235.17, 0.78%, 0.78%

LAB 69.28, 16.21, -40.8

 

CMYK 64 / 59 / 0 / 8

HEX #5461EA

RGB 84 97 234

HSL 234.8, 0.78%, 0.62%

LAB 47.46, 37.05, -70.9

 

CMYK 0 / 65 / 6 / 8

HEX #EA53DB

RGB 234 83 219

HSL 305.96, 0.78%, 0.62%

LAB 60.6, 72.95, -40.51

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA53

RGB 158 234 83

HSL 90.2, 0.78%, 0.62%

LAB 85.37, -47.01, 63.63

 

CMYK 64 / 59 / 0 / 8

HEX #5461EA

RGB 84 97 234

HSL 234.8, 0.78%, 0.62%

LAB 47.46, 37.05, -70.9

 

CMYK 0 / 65 / 58 / 8

HEX #EA5362

RGB 234 83 98

HSL 354.04, 0.78%, 0.62%

LAB 56.64, 59.15, 23.76

 

CMYK 58 / 0 / 65 / 8

HEX #62EA53

RGB 98 234 83

HSL 114.04, 0.78%, 0.62%

LAB 82.95, -64.67, 60.3

 

CMYK 64 / 59 / 0 / 8

HEX #5461EA

RGB 84 97 234

HSL 234.8, 0.78%, 0.62%

LAB 47.46, 37.05, -70.9

 

CMYK 0 / 65 / 6 / 8

HEX #EA53DB

RGB 234 83 219

HSL 305.96, 0.78%, 0.62%

LAB 60.6, 72.95, -40.51

 

CMYK 0 / 6 / 65 / 8

HEX #EADB53

RGB 234 219 83

HSL 54.04, 0.78%, 0.62%

LAB 86.39, -10.48, 66.26

 

CMYK 65 / 0 / 58 / 8

HEX #53EA62

RGB 83 234 98

HSL 125.96, 0.78%, 0.62%

LAB 82.68, -66.31, 53.53

 

CMYK 64 / 59 / 0 / 8

HEX #5461EA

RGB 84 97 234

HSL 234.8, 0.78%, 0.62%

LAB 47.46, 37.05, -70.9

 

CMYK 0 / 65 / 26 / 8

HEX #EA53AD

RGB 234 83 173

HSL 324.24, 0.78%, 0.62%

LAB 58.69, 66.5, -17.2

 

CMYK 0 / 6 / 65 / 8

HEX #EADB53

RGB 234 219 83

HSL 54.04, 0.78%, 0.62%

LAB 86.39, -10.48, 66.26

 

CMYK 65 / 0 / 39 / 8

HEX #53EA8F

RGB 83 234 143

HSL 143.84, 0.78%, 0.62%

LAB 83.27, -59.7, 32.75

 

Description

Color code: HEX #5461EA | qconv.com Color code: HEX #5461EA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 97 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 97 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 59 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 59% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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