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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C053EA it is the complementary color #3FAC15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C053EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C053EA shade: #C553E5, #D665F8, #E777FF, #F889FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C053EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C053EA shade: #C053EA, #AF41D7, #9E2FC4, #8D1DB1 and #7C0B9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C053EA shade: #C053EA, #E853EA, #EA53C2, #EA5399 and #EA5371

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C053EA shade: #C053EA, #9753EA, #6E53EA and #5353EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C053EA shade matches the following richer shades: #C053EA and #C743F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C053EA shade: #C053EA, #B962DA, #B272CA, #AB82BB and #A491AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C053EA shade: #6E53EA, #9753EA, #BF53EA, #E753EA and #EA53C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C053EA shade: #9D1AD0, #B22EE5, #C053EA, #CD77EE and #DB9CF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C053EA shade: #C053EA, #EA535F and #53EA82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C053EA shade: #C053EA, #EABF53 and #53EABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C053EA shade: #C053EA, #EA535F, #7DEA53 and #53EADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C053EA shade: #C053EA, #EA7353, #7DEA53 and #53C9EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

Complementary color

CMYK 63 / 0 / 88 / 33

HEX #3FAC15

RGB 63 172 21

HSL 103.31, 0.78%, 0.38%

LAB 62.18, -55.62, 59.86

 

CMYK 14 / 64 / 0 / 10

HEX #C553E5

RGB 197 83 229

HSL 286.85, 0.74%, 0.61%

LAB 55.8, 66.03, -54.07

 

CMYK 14 / 59 / 0 / 3

HEX #D665F8

RGB 214 101 248

HSL 286.12, 0.91%, 0.68%

LAB 61.98, 65.69, -54.68

 

CMYK 9 / 53 / 0 / 0

HEX #E777FF

RGB 231 119 255

HSL 289.41, 1%, 0.73%

LAB 67.58, 62.88, -49.52

 

CMYK 3 / 46 / 0 / 0

HEX #F889FF

RGB 248 137 255

HSL 296.44, 1%, 0.77%

LAB 72.94, 58.76, -40.97

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 19 / 70 / 0 / 16

HEX #AF41D7

RGB 175 65 215

HSL 284, 0.65%, 0.55%

LAB 49.25, 65.97, -56.8

 

CMYK 19 / 76 / 0 / 23

HEX #9E2FC4

RGB 158 47 196

HSL 284.7, 0.61%, 0.48%

LAB 43.19, 65.56, -55.73

 

CMYK 20 / 84 / 0 / 31

HEX #8D1DB1

RGB 141 29 177

HSL 285.41, 0.72%, 0.4%

LAB 37.33, 64.33, -54.16

 

CMYK 22 / 93 / 0 / 38

HEX #7C0B9E

RGB 124 11 158

HSL 286.12, 0.87%, 0.33%

LAB 31.79, 61.8, -51.85

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 1 / 65 / 0 / 8

HEX #E853EA

RGB 232 83 234

HSL 299.21, 0.78%, 0.62%

LAB 61.03, 74.86, -48.25

 

CMYK 0 / 65 / 17 / 8

HEX #EA53C2

RGB 234 83 194

HSL 315.89, 0.78%, 0.62%

LAB 59.5, 69.28, -28.03

 

CMYK 0 / 65 / 35 / 8

HEX #EA5399

RGB 234 83 153

HSL 332.19, 0.78%, 0.62%

LAB 58.02, 64.13, -6.59

 

CMYK 0 / 65 / 52 / 8

HEX #EA5371

RGB 234 83 113

HSL 348.08, 0.78%, 0.62%

LAB 56.95, 60.27, 15.37

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 35 / 65 / 0 / 8

HEX #9753EA

RGB 151 83 234

HSL 267.02, 0.78%, 0.62%

LAB 50.34, 57.13, -65.96

 

CMYK 53 / 65 / 0 / 8

HEX #6E53EA

RGB 110 83 234

HSL 250.73, 0.78%, 0.62%

LAB 46.23, 49.42, -72.82

 

CMYK 65 / 65 / 0 / 8

HEX #5353EA

RGB 83 83 234

HSL 240, 0.78%, 0.62%

LAB 44.18, 45.29, -76.26

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 20 / 73 / 0 / 2

HEX #C743F9

RGB 199 67 249

HSL 283.52, 0.94%, 0.62%

LAB 55.07, 76.49, -66.42

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 15 / 55 / 0 / 15

HEX #B962DA

RGB 185 98 218

HSL 283.5, 0.62%, 0.62%

LAB 56.2, 53.98, -47.33

 

CMYK 12 / 44 / 0 / 21

HEX #B272CA

RGB 178 114 202

HSL 283.64, 0.45%, 0.62%

LAB 57.81, 40.36, -35.79

 

CMYK 9 / 30 / 0 / 27

HEX #AB82BB

RGB 171 130 187

HSL 283.16, 0.3%, 0.62%

LAB 60.08, 26.13, -23.83

 

CMYK 4 / 15 / 0 / 33

HEX #A491AB

RGB 164 145 171

HSL 283.85, 0.13%, 0.62%

LAB 62.58, 11.96, -11.03

 

CMYK 53 / 65 / 0 / 8

HEX #6E53EA

RGB 110 83 234

HSL 250.73, 0.78%, 0.62%

LAB 46.23, 49.42, -72.82

 

CMYK 35 / 65 / 0 / 8

HEX #9753EA

RGB 151 83 234

HSL 267.02, 0.78%, 0.62%

LAB 50.34, 57.13, -65.96

 

CMYK 18 / 65 / 0 / 8

HEX #BF53EA

RGB 191 83 234

HSL 282.91, 0.78%, 0.62%

LAB 55.28, 65.66, -57.75

 

CMYK 1 / 65 / 0 / 8

HEX #E753EA

RGB 231 83 234

HSL 298.81, 0.78%, 0.62%

LAB 60.88, 74.64, -48.5

 

CMYK 0 / 65 / 16 / 8

HEX #EA53C4

RGB 234 83 196

HSL 315.1, 0.78%, 0.62%

LAB 59.58, 69.56, -29.05

 

CMYK 25 / 88 / 0 / 18

HEX #9D1AD0

RGB 157 26 208

HSL 283.19, 0.78%, 0.46%

LAB 41.94, 73.41, -64.73

 

CMYK 22 / 80 / 0 / 10

HEX #B22EE5

RGB 178 46 229

HSL 283.28, 0.78%, 0.54%

LAB 48.36, 75.72, -66.19

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 14 / 50 / 0 / 7

HEX #CD77EE

RGB 205 119 238

HSL 283.36, 0.78%, 0.7%

LAB 63.63, 52.74, -46.61

 

CMYK 10 / 36 / 0 / 5

HEX #DB9CF3

RGB 219 156 243

HSL 283.45, 0.78%, 0.78%

LAB 73.09, 38.31, -34.45

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 0 / 65 / 59 / 8

HEX #EA535F

RGB 234 83 95

HSL 355.23, 0.78%, 0.62%

LAB 56.59, 58.94, 25.44

 

CMYK 65 / 0 / 44 / 8

HEX #53EA82

RGB 83 234 130

HSL 138.68, 0.78%, 0.62%

LAB 83.07, -61.88, 38.97

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 0 / 18 / 65 / 8

HEX #EABF53

RGB 234 191 83

HSL 42.91, 0.78%, 0.62%

LAB 79.26, 3.83, 58.66

 

CMYK 65 / 0 / 18 / 8

HEX #53EABF

RGB 83 234 191

HSL 162.91, 0.78%, 0.62%

LAB 84.2, -49.86, 9.25

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 0 / 65 / 59 / 8

HEX #EA535F

RGB 234 83 95

HSL 355.23, 0.78%, 0.62%

LAB 56.59, 58.94, 25.44

 

CMYK 47 / 0 / 65 / 8

HEX #7DEA53

RGB 125 234 83

HSL 103.31, 0.78%, 0.62%

LAB 83.88, -57.56, 61.58

 

CMYK 65 / 0 / 6 / 8

HEX #53EADD

RGB 83 234 221

HSL 174.83, 0.78%, 0.62%

LAB 84.95, -42.44, -5.44

 

CMYK 18 / 65 / 0 / 8

HEX #C053EA

RGB 192 83 234

HSL 283.31, 0.78%, 0.62%

LAB 55.41, 65.88, -57.53

 

CMYK 0 / 51 / 65 / 8

HEX #EA7353

RGB 234 115 83

HSL 12.72, 0.78%, 0.62%

LAB 61.98, 43.58, 38.95

 

CMYK 47 / 0 / 65 / 8

HEX #7DEA53

RGB 125 234 83

HSL 103.31, 0.78%, 0.62%

LAB 83.88, -57.56, 61.58

 

CMYK 65 / 14 / 0 / 8

HEX #53C9EA

RGB 83 201 234

HSL 193.11, 0.78%, 0.62%

LAB 75.79, -23.15, -26.13

 

Description

Color code: HEX #C053EA | qconv.com Color code: HEX #C053EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 83 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 83 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 65 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 65% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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