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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5441D6 it is the complementary color #ABBE29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5441D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5441D6 shade: #5941D1, #6A53E4, #7B65F7, #8C77FF and #9D89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5441D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5441D6 shade: #5441D6, #432FC3, #321DB0, #210B9D and #10008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5441D6 shade: #5542D7, #7D42D7, #A542D7, #CD42D7 and #D742B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5441D6 shade: #5542D7 and #4242D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5441D6 shade matches the following richer shades: #5542D7, #472FE9 and #391DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5441D6 shade: #5542D7, #6354C4, #7067B2, #7E799F and #8C8C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5441D6 shade: #4280D7, #4258D7, #5342D7, #7B42D7 and #A342D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5441D6 shade: #3323A3, #3E2AC5, #5542D7, #7364DE and #9286E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5441D6 shade: #5441D6, #D742A8 and #6CD742

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5441D6 shade: #5441D6, #D75342 and #42D753

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5441D6 shade: #5441D6, #D742A8, #C5D742 and #42D771

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5441D6 shade: #5441D6, #D7427B, #C5D742 and #42D79E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 70 / 0 / 16

HEX #5441D6

RGB 84 65 214

HSL 247.65, 0.65%, 0.55%

LAB 38.76, 49.4, -73.74

 

Complementary color

CMYK 10 / 0 / 78 / 25

HEX #ABBE29

RGB 171 190 41

HSL 67.65, 0.65%, 0.45%

LAB 73.31, -24.53, 66.77

 

CMYK 57 / 69 / 0 / 18

HEX #5941D1

RGB 89 65 209

HSL 250, 0.61%, 0.54%

LAB 38.74, 48.61, -70.88

 

CMYK 54 / 64 / 0 / 11

HEX #6A53E4

RGB 106 83 228

HSL 249.52, 0.73%, 0.61%

LAB 45.43, 46.97, -70.75

 

CMYK 50 / 59 / 0 / 3

HEX #7B65F7

RGB 123 101 247

HSL 249.04, 0.9%, 0.68%

LAB 52.1, 45.42, -70.52

 

CMYK 45 / 53 / 0 / 0

HEX #8C77FF

RGB 140 119 255

HSL 249.26, 1%, 0.73%

LAB 58.03, 40.87, -65.31

 

CMYK 38 / 46 / 0 / 0

HEX #9D89FF

RGB 157 137 255

HSL 250.17, 1%, 0.77%

LAB 63.57, 34.5, -56.35

 

CMYK 61 / 70 / 0 / 16

HEX #5441D6

RGB 84 65 214

HSL 247.65, 0.65%, 0.55%

LAB 38.76, 49.4, -73.74

 

CMYK 66 / 76 / 0 / 24

HEX #432FC3

RGB 67 47 195

HSL 248.11, 0.61%, 0.47%

LAB 32.18, 51.12, -73.58

 

CMYK 72 / 84 / 0 / 31

HEX #321DB0

RGB 50 29 176

HSL 248.57, 0.72%, 0.4%

LAB 25.84, 52.45, -72.85

 

CMYK 79 / 93 / 0 / 38

HEX #210B9D

RGB 33 11 157

HSL 249.04, 0.87%, 0.33%

LAB 20.03, 52.59, -71.01

 

CMYK 88 / 100 / 0 / 46

HEX #10008A

RGB 16 0 138

HSL 246.96, 1%, 0.27%

LAB 15.2, 50.36, -67.31

 

CMYK 60 / 69 / 0 / 16

HEX #5542D7

RGB 85 66 215

HSL 247.65, 0.65%, 0.55%

LAB 39.13, 49.3, -73.71

 

CMYK 42 / 69 / 0 / 16

HEX #7D42D7

RGB 125 66 215

HSL 263.76, 0.65%, 0.55%

LAB 43.01, 55.74, -67.21

 

CMYK 23 / 69 / 0 / 16

HEX #A542D7

RGB 165 66 215

HSL 279.87, 0.65%, 0.55%

LAB 48.01, 63.51, -58.87

 

CMYK 5 / 69 / 0 / 16

HEX #CD42D7

RGB 205 66 215

HSL 295.97, 0.65%, 0.55%

LAB 53.79, 71.94, -49.28

 

CMYK 0 / 69 / 14 / 16

HEX #D742B8

RGB 215 66 184

HSL 312.48, 0.65%, 0.55%

LAB 53.82, 69.41, -31.33

 

CMYK 60 / 69 / 0 / 16

HEX #5542D7

RGB 85 66 215

HSL 247.65, 0.65%, 0.55%

LAB 39.13, 49.3, -73.71

 

CMYK 69 / 69 / 0 / 16

HEX #4242D7

RGB 66 66 215

HSL 240, 0.65%, 0.55%

LAB 37.77, 46.92, -75.99

 

CMYK 60 / 69 / 0 / 16

HEX #5542D7

RGB 85 66 215

HSL 247.65, 0.65%, 0.55%

LAB 39.13, 49.3, -73.71

 

CMYK 70 / 80 / 0 / 9

HEX #472FE9

RGB 71 47 233

HSL 247.74, 0.81%, 0.55%

LAB 36.47, 62.67, -88.42

 

CMYK 77 / 88 / 0 / 1

HEX #391DFC

RGB 57 29 252

HSL 247.53, 0.97%, 0.55%

LAB 35.55, 73.68, -100.71

 

CMYK 60 / 69 / 0 / 16

HEX #5542D7

RGB 85 66 215

HSL 247.65, 0.65%, 0.55%

LAB 39.13, 49.3, -73.71

 

CMYK 49 / 57 / 0 / 23

HEX #6354C4

RGB 99 84 196

HSL 248.04, 0.49%, 0.55%

LAB 42.73, 35.46, -56.82

 

CMYK 37 / 42 / 0 / 30

HEX #7067B2

RGB 112 103 178

HSL 247.2, 0.33%, 0.55%

LAB 47.44, 21.78, -38.75

 

CMYK 21 / 24 / 0 / 38

HEX #7E799F

RGB 126 121 159

HSL 247.89, 0.17%, 0.55%

LAB 52.52, 10.23, -19.68

 

CMYK 1 / 1 / 0 / 45

HEX #8C8C8D

RGB 140 140 141

HSL 240, 0%, 0.55%

LAB 58.28, 0.2, -0.54

 

CMYK 69 / 40 / 0 / 16

HEX #4280D7

RGB 66 128 215

HSL 215.03, 0.65%, 0.55%

LAB 53.5, 8.52, -50.52

 

CMYK 69 / 59 / 0 / 16

HEX #4258D7

RGB 66 88 215

HSL 231.14, 0.65%, 0.55%

LAB 42.83, 33.57, -67.71

 

CMYK 61 / 69 / 0 / 16

HEX #5342D7

RGB 83 66 215

HSL 246.85, 0.65%, 0.55%

LAB 38.97, 49.02, -73.98

 

CMYK 43 / 69 / 0 / 16

HEX #7B42D7

RGB 123 66 215

HSL 262.95, 0.65%, 0.55%

LAB 42.78, 55.38, -67.59

 

CMYK 24 / 69 / 0 / 16

HEX #A342D7

RGB 163 66 215

HSL 279.06, 0.65%, 0.55%

LAB 47.74, 63.1, -59.32

 

CMYK 69 / 79 / 0 / 36

HEX #3323A3

RGB 51 35 163

HSL 247.5, 0.65%, 0.39%

LAB 25.41, 45.77, -65.7

 

CMYK 69 / 79 / 0 / 23

HEX #3E2AC5

RGB 62 42 197

HSL 247.74, 0.65%, 0.47%

LAB 31.14, 53.71, -76.48

 

CMYK 60 / 69 / 0 / 16

HEX #5542D7

RGB 85 66 215

HSL 247.65, 0.65%, 0.55%

LAB 39.13, 49.3, -73.71

 

CMYK 48 / 55 / 0 / 13

HEX #7364DE

RGB 115 100 222

HSL 247.38, 0.65%, 0.63%

LAB 49.54, 37.07, -60.67

 

CMYK 36 / 41 / 0 / 10

HEX #9286E5

RGB 146 134 229

HSL 247.58, 0.65%, 0.71%

LAB 60.62, 26.48, -46.75

 

CMYK 61 / 70 / 0 / 16

HEX #5441D6

RGB 84 65 214

HSL 247.65, 0.65%, 0.55%

LAB 38.76, 49.4, -73.74

 

CMYK 0 / 69 / 22 / 16

HEX #D742A8

RGB 215 66 168

HSL 318.93, 0.65%, 0.55%

LAB 53.14, 67.22, -23.05

 

CMYK 50 / 0 / 69 / 16

HEX #6CD742

RGB 108 215 66

HSL 103.09, 0.65%, 0.55%

LAB 77.39, -56.64, 61.12

 

CMYK 61 / 70 / 0 / 16

HEX #5441D6

RGB 84 65 214

HSL 247.65, 0.65%, 0.55%

LAB 38.76, 49.4, -73.74

 

CMYK 0 / 61 / 69 / 16

HEX #D75342

RGB 215 83 66

HSL 6.85, 0.65%, 0.55%

LAB 52.98, 50.88, 36.87

 

CMYK 69 / 0 / 61 / 16

HEX #42D753

RGB 66 215 83

HSL 126.85, 0.65%, 0.55%

LAB 76.3, -64.74, 52.67

 

CMYK 61 / 70 / 0 / 16

HEX #5441D6

RGB 84 65 214

HSL 247.65, 0.65%, 0.55%

LAB 38.76, 49.4, -73.74

 

CMYK 0 / 69 / 22 / 16

HEX #D742A8

RGB 215 66 168

HSL 318.93, 0.65%, 0.55%

LAB 53.14, 67.22, -23.05

 

CMYK 8 / 0 / 69 / 16

HEX #C5D742

RGB 197 215 66

HSL 67.25, 0.65%, 0.55%

LAB 82.31, -24.71, 67.7

 

CMYK 69 / 0 / 47 / 16

HEX #42D771

RGB 66 215 113

HSL 138.93, 0.65%, 0.55%

LAB 76.65, -60.71, 39.09

 

CMYK 61 / 70 / 0 / 16

HEX #5441D6

RGB 84 65 214

HSL 247.65, 0.65%, 0.55%

LAB 38.76, 49.4, -73.74

 

CMYK 0 / 69 / 43 / 16

HEX #D7427B

RGB 215 66 123

HSL 337.05, 0.65%, 0.55%

LAB 51.58, 62.06, 1.36

 

CMYK 8 / 0 / 69 / 16

HEX #C5D742

RGB 197 215 66

HSL 67.25, 0.65%, 0.55%

LAB 82.31, -24.71, 67.7

 

CMYK 69 / 0 / 27 / 16

HEX #42D79E

RGB 66 215 158

HSL 157.05, 0.65%, 0.55%

LAB 77.42, -52.24, 16.99

 

Description

Color code: HEX #5441D6 | qconv.com Color code: HEX #5441D6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 65 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 65 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 70 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 70% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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