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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 69 / 0 / 16 it is the complementary color CMYK 52 / 0 / 78 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 69 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 69 / 0 / 16: CMYK 19 / 68 / 0 / 18, CMYK 18 / 63 / 0 / 11, CMYK 17 / 59 / 0 / 3, CMYK 13 / 53 / 0 / 0 and CMYK 7 / 46 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 69 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 69 / 0 / 16: CMYK 23 / 69 / 0 / 16, CMYK 24 / 75 / 0 / 24, CMYK 26 / 83 / 0 / 31, CMYK 27 / 92 / 0 / 38 and CMYK 30 / 100 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

Complementary color

CMYK 52 / 0 / 78 / 26

HEX #5ABD29

RGB 90 189 41

HSL 100.14, 0.64%, 0.45%

LAB 68.55, -53.72, 60.74

 

CMYK 19 / 68 / 0 / 18

HEX #AA42D1

RGB 170 66 209

HSL 283.64, 0.61%, 0.54%

LAB 48.32, 63.33, -54.9

 

CMYK 18 / 63 / 0 / 11

HEX #BB54E4

RGB 187 84 228

HSL 282.92, 0.73%, 0.61%

LAB 54.56, 63.12, -55.57

 

CMYK 17 / 59 / 0 / 3

HEX #CC66F7

RGB 204 102 247

HSL 282.21, 0.9%, 0.68%

LAB 60.83, 62.65, -56.03

 

CMYK 13 / 53 / 0 / 0

HEX #DD78FF

RGB 221 120 255

HSL 284.89, 1%, 0.74%

LAB 66.54, 59.83, -51.24

 

CMYK 7 / 46 / 0 / 0

HEX #EE8AFF

RGB 238 138 255

HSL 291.28, 1%, 0.77%

LAB 71.94, 55.49, -42.61

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 24 / 75 / 0 / 24

HEX #9430C3

RGB 148 48 195

HSL 280.82, 0.6%, 0.48%

LAB 41.77, 63.12, -57.53

 

CMYK 26 / 83 / 0 / 31

HEX #831EB0

RGB 131 30 176

HSL 281.51, 0.71%, 0.4%

LAB 35.77, 62.18, -56.17

 

CMYK 27 / 92 / 0 / 38

HEX #720C9D

RGB 114 12 157

HSL 282.21, 0.86%, 0.33%

LAB 30.1, 59.96, -54.07

 

CMYK 30 / 100 / 0 / 46

HEX #61008A

RGB 97 0 138

HSL 282.17, 1%, 0.27%

LAB 24.88, 55.98, -50.98

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 11 / 69 / 0 / 16

HEX #BD42D5

RGB 189 66 213

HSL 290.2, 0.64%, 0.55%

LAB 51.29, 68.15, -52.28

 

CMYK 0 / 69 / 0 / 16

HEX #D542D5

RGB 213 66 213

HSL 300, 0.64%, 0.55%

LAB 54.91, 73.35, -46.29

 

CMYK 0 / 69 / 11 / 16

HEX #D542BD

RGB 213 66 189

HSL 309.8, 0.64%, 0.55%

LAB 53.73, 69.65, -34.4

 

CMYK 0 / 69 / 23 / 16

HEX #D542A4

RGB 213 66 164

HSL 320, 0.64%, 0.55%

LAB 52.64, 66.18, -21.49

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 20 / 70 / 0 / 96

HEX #08030A

RGB 8 3 10

HSL 282.86, 0.54%, 0.03%

LAB 1.25, 2.28, -2.19

 

CMYK 23 / 69 / 0 / 76

HEX #2F133D

RGB 47 19 61

HSL 280, 0.53%, 0.16%

LAB 12, 22.8, -21.21

 

CMYK 23 / 69 / 0 / 56

HEX #562370

RGB 86 35 112

HSL 279.74, 0.52%, 0.29%

LAB 24.8, 37.3, -34.72

 

CMYK 23 / 69 / 0 / 36

HEX #7E32A3

RGB 126 50 163

HSL 280.35, 0.53%, 0.42%

LAB 36.67, 51.08, -46.96

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 0 / 69 / 60 / 16

HEX #D54256

RGB 213 66 86

HSL 351.84, 0.64%, 0.55%

LAB 50.35, 58.43, 21.88

 

CMYK 69 / 0 / 51 / 16

HEX #42D569

RGB 66 213 105

HSL 135.92, 0.64%, 0.55%

LAB 75.93, -61.22, 42.1

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 0 / 23 / 69 / 16

HEX #D5A442

RGB 213 164 66

HSL 40, 0.64%, 0.55%

LAB 70.24, 8.21, 55.86

 

CMYK 69 / 0 / 23 / 16

HEX #42D5A4

RGB 66 213 164

HSL 160, 0.64%, 0.55%

LAB 76.94, -50.09, 13.14

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 0 / 69 / 60 / 16

HEX #D54256

RGB 213 66 86

HSL 351.84, 0.64%, 0.55%

LAB 50.35, 58.43, 21.88

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 69 / 0 / 9 / 16

HEX #42D5C2

RGB 66 213 194

HSL 172.24, 0.64%, 0.55%

LAB 77.66, -42.7, -1.85

 

CMYK 23 / 69 / 0 / 16

HEX #A542D6

RGB 165 66 214

HSL 280.14, 0.64%, 0.55%

LAB 47.94, 63.3, -58.4

 

CMYK 0 / 57 / 69 / 16

HEX #D55B42

RGB 213 91 66

HSL 10.2, 0.64%, 0.55%

LAB 54.05, 46.49, 38.03

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 69 / 11 / 0 / 16

HEX #42BDD5

RGB 66 189 213

HSL 189.8, 0.64%, 0.55%

LAB 71.12, -26.03, -21.93

 

Description

Color code: CMYK 23 / 69 / 0 / 16 | qconv.com Color code: CMYK 23 / 69 / 0 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 66 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 66 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 69 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 69% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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