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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #541FC5 it is the complementary color #ABE03A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #541FC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #541FC5: #591FC0, #6A31D3, #7B43E6, #8C55F9 and #9D67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #541FC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #541FC5: #541FC5, #430DB2, #32009F, #21008C and #100079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

Complementary color

CMYK 24 / 0 / 74 / 12

HEX #ABE03A

RGB 171 224 58

HSL 79.16, 0.73%, 0.55%

LAB 83.06, -39.56, 70.59

 

CMYK 54 / 84 / 0 / 25

HEX #591FC0

RGB 89 31 192

HSL 261.61, 0.72%, 0.44%

LAB 31.6, 59.66, -72.7

 

CMYK 50 / 77 / 0 / 17

HEX #6A31D3

RGB 106 49 211

HSL 261.11, 0.65%, 0.51%

LAB 37.78, 59.52, -73.55

 

CMYK 47 / 71 / 0 / 10

HEX #7B43E6

RGB 123 67 230

HSL 260.61, 0.77%, 0.58%

LAB 44.14, 58.79, -73.92

 

CMYK 44 / 66 / 0 / 2

HEX #8C55F9

RGB 140 85 249

HSL 260.12, 0.93%, 0.65%

LAB 50.58, 57.77, -74.02

 

CMYK 38 / 60 / 0 / 0

HEX #9D67FF

RGB 157 103 255

HSL 261.32, 1%, 0.7%

LAB 56.18, 53.33, -68.21

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 62 / 93 / 0 / 30

HEX #430DB2

RGB 67 13 178

HSL 259.64, 0.86%, 0.37%

LAB 25.85, 59.49, -73.98

 

CMYK 69 / 100 / 0 / 38

HEX #32009F

RGB 50 0 159

HSL 258.87, 1%, 0.31%

LAB 20.76, 56.73, -70.99

 

CMYK 76 / 100 / 0 / 45

HEX #21008C

RGB 33 0 140

HSL 254.14, 1%, 0.27%

LAB 16.59, 51.29, -66.21

 

CMYK 87 / 100 / 0 / 53

HEX #100079

RGB 16 0 121

HSL 247.93, 1%, 0.24%

LAB 12.55, 45.86, -60.92

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 44 / 85 / 0 / 22

HEX #6F1EC6

RGB 111 30 198

HSL 268.93, 0.74%, 0.45%

LAB 34.77, 64.04, -70.9

 

CMYK 30 / 85 / 0 / 22

HEX #8B1EC6

RGB 139 30 198

HSL 278.93, 0.74%, 0.45%

LAB 38.72, 67.88, -64.29

 

CMYK 16 / 85 / 0 / 22

HEX #A71EC6

RGB 167 30 198

HSL 288.93, 0.74%, 0.45%

LAB 43.09, 72.31, -56.98

 

CMYK 2 / 85 / 0 / 22

HEX #C31EC6

RGB 195 30 198

HSL 298.93, 0.74%, 0.45%

LAB 47.76, 77.16, -49.23

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 57 / 84 / 0 / 3

HEX #6A27F8

RGB 106 39 248

HSL 259.23, 0.94%, 0.56%

LAB 40.07, 72.64, -90.85

 

CMYK 57 / 84 / 0 / 83

HEX #13072C

RGB 19 7 44

HSL 259.46, 0.73%, 0.1%

LAB 4.27, 14.35, -21.38

 

CMYK 57 / 84 / 0 / 63

HEX #290F5F

RGB 41 15 95

HSL 259.5, 0.73%, 0.22%

LAB 13.47, 33.6, -42.28

 

CMYK 58 / 84 / 0 / 43

HEX #3E1792

RGB 62 23 146

HSL 259.02, 0.73%, 0.33%

LAB 22.7, 47.49, -59.73

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 0 / 85 / 44 / 22

HEX #C61E6F

RGB 198 30 111

HSL 331.07, 0.74%, 0.45%

LAB 44.35, 67.01, -2.26

 

CMYK 78 / 0 / 85 / 22

HEX #2CC61E

RGB 44 198 30

HSL 115, 0.74%, 0.45%

LAB 70.19, -67, 64.78

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 0 / 58 / 85 / 22

HEX #C6541E

RGB 198 84 30

HSL 19.29, 0.74%, 0.45%

LAB 50.03, 42.84, 50.98

 

CMYK 85 / 0 / 58 / 22

HEX #1EC654

RGB 30 198 84

HSL 139.29, 0.74%, 0.45%

LAB 70.39, -63.84, 45.23

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 0 / 85 / 44 / 22

HEX #C61E6F

RGB 198 30 111

HSL 331.07, 0.74%, 0.45%

LAB 44.35, 67.01, -2.26

 

CMYK 27 / 0 / 85 / 22

HEX #91C61E

RGB 145 198 30

HSL 78.93, 0.74%, 0.45%

LAB 73.87, -39.15, 69.43

 

CMYK 85 / 0 / 41 / 22

HEX #1EC675

RGB 30 198 117

HSL 151.07, 0.74%, 0.45%

LAB 70.84, -58.52, 29.47

 

CMYK 57 / 84 / 0 / 23

HEX #541FC5

RGB 84 31 197

HSL 259.16, 0.73%, 0.45%

LAB 31.57, 60.42, -75.71

 

CMYK 0 / 85 / 69 / 22

HEX #C61E3D

RGB 198 30 61

HSL 348.93, 0.74%, 0.45%

LAB 43.17, 63.58, 27.29

 

CMYK 27 / 0 / 85 / 22

HEX #91C61E

RGB 145 198 30

HSL 78.93, 0.74%, 0.45%

LAB 73.87, -39.15, 69.43

 

CMYK 85 / 0 / 16 / 22

HEX #1EC6A7

RGB 30 198 167

HSL 168.93, 0.74%, 0.45%

LAB 71.86, -47.2, 4.2

 

Description

Color code: HEX #541FC5 | qconv.com Color code: HEX #541FC5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 31 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 31 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 84 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 84% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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